A Scanner Darkly (2006)
Critic Consensus: A faithful adaptation of Philip K. Dick's novel, A Scanner Darkly takes the viewer on a visual and mind-blowing journey into the author's conception of a drug-addled and politically unstable world.
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as Bob Arctor
as James Barris
as Ernie Luckman
as Donna Hawthorne
as Charles Freck
as Brown Bear Lodge Host
as Arctor's Wife
as Arctor's Daughter #1
as Arctor's Daughter #2
as Additional Fred Scramble Suit Voice
as Voice From Headquarters
as Additional Hank Scramble Suit Voice
as Medical Deputy #1
as Medical Deputy #2
as Freck Suicide Narrator
as Street Prophet
as Medical Officer #1
as Medical Officer #2
as New Path Staff Member #1
as New Path Staff Member #2
as New Path Residents
as New Path Resident #2
as New Path Farm Manager
as New Path Farm Manager
as Street Prophet
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Critic Reviews for A Scanner Darkly
The coolest thing about the movie version of A Scanner Darkly is how very literally it takes the scanner part of that title.
As A Scanner Darkly proves, Keanu is the Coolness -- passive blankness, leaden line delivery, and all. Let's hear it for the vague blur.
Wondrously attractive, all the more so for the avoidance (with one or two exceptions) of extrovert Waking Life-style set-pieces.
Mr. Linklater emerges once again as the Austin auteur par excellence, even if A Scanner Darkly is set in a ratty precinct of Orange County.
Linklater's willingness to experiment ... is laudable. But I'm not sure he's reinventing animation here, or even adequately serving that older-than-children animation audience.
Audience Reviews for A Scanner Darkly
A visual stunner, I think through what they call rotoscoping. Regular film is made to look as if it were animated. A bunch of dope heads have practically the same and usual hallucinatory and paranoid antics together that all dopeheads have (if you've been there you know what I mean). It coulda used some more story somehow...the best takeaway, after the animation, is watching the actors let fly.
Rotoscoping is not a technique I had come across before, or since, so I have nothing to compare it to when reviewing 'A Scanner Darkly'. What can be said for certain however is that the film is beyond anything else beautifully made, and whilst a few shaky performances let it down at times, the underlying message of the film is injected right into the viewer's skulls. Based on the book by Philip K. Dick, his most personal work, examining drug abuse and the way society treats drug addicts, 'A Scanner Darkly' tells the story of undercover cop Keanu Reeves, (hold on hasn't he done this before), as he infiltrates a 'substance D' group, a new drug everyone is addicted to. However as Reeves does so he himself becomes addicted to the drug and begins developing a split personality, forgetting who he really is. Linklater has always and will always remain an indie filmmaker, so its no surprise that 'A Scanner Darkly' did not deliver the goods at the box office, picking up little over five million pounds. But more people need to know about this film and dig it out at their local independent dvd shop, for it is the only place you'll find it, because it is deserving of a viewing for both its visual and storytelling capabilities. Whilst Keanu Reeves plays himself again, this time he does it quite well, whilst Robert Downey Junior and Woody Harrelson bring on the best performances to the piece. The story is difficult to follow, not of course helped by mind bending rotoscoping and confusing sci-fi items such as the suits the undercover police officers wear. However it is a terrific story, like all K. Dick material, which shocks you into considering the big questions in a dystopian yet highly relatable setting. The issues of powerful totalitarian states, drug abuse, drug treatment and general paranoia are examined, never in too much detail, but with the right balance of black humour and seriousness. Whilst I would perhaps like to see this story adapted in real life motion, the rotoscoping does more to add than take away from the material and viewing experience, creating an enjoyable film which hits higher than the average indie drama flick.
In 2002, director Richard Linklater delivered a, little-seen, gem of a film called "Waking Life". In this, he used an animation technique called 'rotoscoping'. Basically it was animation added over live actors. The results were highly effective and he decided to use the technique here, on this adaptation of Philip K. Dick's paranoid science fiction novel. Once again, the results are superb. In the near future, Bob Arctor (Keanu Reeves) an undercover cop, is given the assignment to bring down a vast network of drug distribution dealing in "Substance D" - which is highly addictive and mind altering. He fully immerses himself in the lifestyle, to the point were he has become an addict himself and even his superiors don't know his cover story. As a result, they order him to spy on himself. Being under the influence regularly, it causes him to lose his grip on reality where nothing is clear anymore. This was a film that had gained interest from a couple of notable players in the film business. Director Terry Gilliam ("The Fisher King", "12 Monkeys") was interested at one point and screenwriter Charlie Kaufman ("Being John Malkovich", "Eternal Sunshine Of The Spotless Mind") had actually drafted a screenplay that was eventually unused. One can only wonder at what might have came of this adaptation had they been involved but that doesn't lessen the fact that Linklater has done a sterling job here. For a start, his decision to implement the "interpolated rotoscoping" animation again was a stroke of genius. On "Waking Life" it complimented the existential dream-like story and it is used similarly on this film. It's a technique that could be in danger of overuse but when the story and characters themselves are operating from an occasional surreal point of view, rotoscoping is perfectly fitting. It serves as a metaphor for the characters' drug induced alternate realities and allows us to identify with their paranoia and personal identity. You'd be forgiven for thinking that it might take away from the actors' performances but it doesn't. In some ways it enhances them. Reeves is an actor that has came in for some criticism throughout his career but he's really rather good here and the support, from Harrelson and especially Downey Jr, is excellent. Who better to be included in a film of substance abuse than a couple of actors who have dabbled in their time? The script is also very faithful to Philip K. Dick's writing. You can tell Linklater has invested a lot of his time in adapting, what is essentially, some of Dick's own paranoid thoughts - he was heavily involved in the abuse of amphetamines and psychedelics - and explores the usual themes involved in his novels; the sociological and political aspects of human society under the control of an authoritarian government. If your a fan of Dick's musings then you'll find them all here. The only fault with the film could be found in it's slightly lethargic pace but the visuals and thought provoking content are so astounding that the pace is forgiven. Sometimes Philip K. Dick's stories are not given the proper treatment in movies. There are stinkers like "Next" and "Paycheck" but this ranks very highly alongside the successful ones like "Total Recall" and especially "Blade Runner". A thought-provoking head-trip of a film that delivers both intellectually and visually.
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