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George Lucas' feature debut presents a spare, bleak, dystopian future, and features evocatively minimal set design and creepy sound effects.
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All Critics (63) | Top Critics (12) | Fresh (54) | Rotten (9)
...devoid of even the most basic exposition designed to draw the viewer into its oddball futuristic landscape... December 7, 2019 | Rating: 1/4 | Full Review…
...devoid of even the most basic exposition designed to draw the viewer into its oddball futuristic landscape...
David Nusair
THX 1138 isn't a perfect sci-film but it is solidly entertaining and very unique. March 13, 2019 | Rating: B | Full Review…
THX 1138 isn't a perfect sci-film but it is solidly entertaining and very unique.
Rachel Wagner
Despite his scenes of bland horror, Lucas offers the 25th century as a arch, campy place, a conception not satiric enough to be accepted as comedy and not quite insightful enough to be taken seriously. February 8, 2018 | Full Review…
Despite his scenes of bland horror, Lucas offers the 25th century as a arch, campy place, a conception not satiric enough to be accepted as comedy and not quite insightful enough to be taken seriously.
Stefan Kanfer
long and cumbersome January 19, 2014 | Rating: 2/5 | Full Review…
long and cumbersome
Kevin Carr
The empty space surrounding the vulnerable man emphasizes the exertion involved rather than the goal of escape: like the hologram who came to life because he wanted to, THX finally achieves his humanity by an assertion of will. January 18, 2013 | Full Review…
The empty space surrounding the vulnerable man emphasizes the exertion involved rather than the goal of escape: like the hologram who came to life because he wanted to, THX finally achieves his humanity by an assertion of will.
William Paul
Slow sci-fi drama for die hard Lucas fans only. January 1, 2011 | Rating: 3/5 | Full Review…
Slow sci-fi drama for die hard Lucas fans only.
David Gurney
Tedious pacing contributes to the confusing nature of the movie, but George Lucas' restored "THX-1138" is essential viewing to distinguish his artistic vision before he transformed Hollywood. May 7, 2009 | Rating: A- | Full Review…
Tedious pacing contributes to the confusing nature of the movie, but George Lucas' restored "THX-1138" is essential viewing to distinguish his artistic vision before he transformed Hollywood.
Cole Smithey
Meditative and downbeat rather than crowd-pleasing, the film includes a few sequences that suggest the direction Lucas career later took. June 5, 2007 | Rating: 3/4 | Full Review…
Meditative and downbeat rather than crowd-pleasing, the film includes a few sequences that suggest the direction Lucas career later took.
With political paternalism rampant at both extremes of the spectrum, Lucas is onto something. In any case, we'll know for sure in about a generation. June 5, 2007 | Full Review…
With political paternalism rampant at both extremes of the spectrum, Lucas is onto something. In any case, we'll know for sure in about a generation.
A.D. Murphy
Enhancing the film with special effects and a clearer presentation, Lucas has turned something that was relatively unwatchable into something that can endure as a sci-fi classic. November 2, 2006 | Rating: 3/4
Enhancing the film with special effects and a clearer presentation, Lucas has turned something that was relatively unwatchable into something that can endure as a sci-fi classic.
Russ Breimeier
Visually it is often extraordinary, with Lucas playing on perspectives and dislocations throughout, nowhere more brilliantly than in the 'prison' represented by a limbo of whiteness that seems to stretch as far as the eye can see. June 24, 2006 | Full Review…
Visually it is often extraordinary, with Lucas playing on perspectives and dislocations throughout, nowhere more brilliantly than in the 'prison' represented by a limbo of whiteness that seems to stretch as far as the eye can see.
Geoff Andrew
Masterpiece? I'd hazard to say so, for as much of what it says to what it leaves to the viewer. December 6, 2005 | Rating: 5/5 | Full Review…
Masterpiece? I'd hazard to say so, for as much of what it says to what it leaves to the viewer.
Mark Bell
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