THX 1138 (1971)
TOMATOMETER
AUDIENCE SCORE
Critic Consensus: George Lucas' feature debut presents a spare, bleak, dystopian future, and features evocatively minimal set design and creepy sound effects.
Movie Info
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Cast
as THX 1138
as SEN 5241
as SRT
as LUH 3417
as PTO
as NCH
as DWY
as IMM
as ELC
as CAM
as OUE
as JOT
as TRG
as Shell Dweller
as Control Officer
as Mark 8 Student
as Mark 8 Instructor
as Monk
as Man in Yellow
as Prosecutor
as Proctor
as Defense
as TWA
as Pontifay
as Newscaster
as Comic
as Comic
as Listener
as Announcer #1
as Announcer #2
as Announcer #3
as Announcer #4
as Announcer #5
as Announcer #6
as Announcer #7
as Announcer #8
as Chrome Robot
as Chrome Robot
Critic Reviews for THX 1138
All Critics (61) | Top Critics (13) | Fresh (53) | Rotten (8) | DVD (14)
Despite his scenes of bland horror, Lucas offers the 25th century as a arch, campy place, a conception not satiric enough to be accepted as comedy and not quite insightful enough to be taken seriously.
The empty space surrounding the vulnerable man emphasizes the exertion involved rather than the goal of escape: like the hologram who came to life because he wanted to, THX finally achieves his humanity by an assertion of will.
With political paternalism rampant at both extremes of the spectrum, Lucas is onto something. In any case, we'll know for sure in about a generation.
Visually it is often extraordinary, with Lucas playing on perspectives and dislocations throughout, nowhere more brilliantly than in the 'prison' represented by a limbo of whiteness that seems to stretch as far as the eye can see.
I have a good many reservations about the film's ideas, but they are greatly outweighed by my admiration for a technical virtuosity that by fair means and foul achieves exceptional emotional intensity at the same time.
The whole thing feels like a hypnotic dreamscape, so luminously stark, from its white-on-white abstract sets to the wide-eyed, bald, near catatonic residents of this world.
Audience Reviews for THX 1138
An excessively cold sci-fi that doesn't deserve credit for its plot (Lucas doesn't seem to care enough about exploring his ideas to come up with a consistent social commentary) as it does for its technical merits, with a great use of visual effects and nice sound design.
Super Reviewer
This is George Lucas's feature film debut: a startling feature length remake of a short film he made as a student in film school. The story is a futuristic sci-fi dystopia sort of thing in the vein of Orwell or Huxley, with some Kafka thrown in for good measure. Everything is very bland, cold, clinical, and dominated by the color white. Everyone has a shaved head, and no one stands out from anyone else. Everyone is also under the control of mind altering drugs that regulate their behavior, thoughts, and emotions and they are always nder constant surveillance. One citizen in particulatr though, known as THX 1138, wants that all to end, and begins a quest to break free from this confining world and escape to a place where individuality might just be a possibility. The style and stroytelling are extremely minimalist, and the plot is really bare bones. There's some dialogue, but it is very sparse, so most of the world building is done through visuals and sound design, both of which are top notch. This is art directed to the nth degree, and that's what makes it really enjoyable and fascinating. If only Lucas had continued ot make more films like this, then he might be celebrated as one of the best art film directors ever. I'm not kidding.Lalo Schifrin gives a nicely haunting score, and the performances, especially from Duvall and Pleasance are pretty good. All in all, this is a pretty striking piece of work. It might have been nice to have a bit more explanation and backstory, but as an experimental exercise in tone and mood, and just an overall creepy and hypnotic experience in general, this is some wonderful stuff.
Super Reviewer
This George Lucas breakthrough film is an interesting take on an Orwellian future, especially for its visual and aural boldness. Unfortunately, its story is as sterilized as its scenery.
Super Reviewer
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