Cine Vértigo

Cine Vértigo is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Ernesto Diezmartinez
Rating Title/Year Author
2.5/4 Boy Erased (2018) Ernesto Diezmartinez "Edgerton is stronger in the direction of his actors". EDIT
Posted Mar 22, 2019
2/4 The Hole in the Ground (2019) Ernesto Diezmartinez "We are in very familiar terrain: certain type of horror centered on the mother-child relationship". EDIT
Posted Mar 22, 2019
2.5/4 Ben Is Back (2018) Ernesto Diezmartinez "Roberts is great when she plays characters with certain levels of neurasthenia or even aggressiveness". EDIT
Posted Mar 22, 2019
3.5 Burning (2018) Ernesto Diezmartinez "Patricia Higsmith could not have thought of a better ending". EDIT
Posted Mar 22, 2019
2/4 Beautiful Boy (2018) Ernesto Diezmartinez "Van Groeningen tries to dodge the dramatic conventions of the story with an elegant and hyperfragmented mise-en-scene". EDIT
Posted Mar 22, 2019
1/4 Green Book (2018) Ernesto Diezmartinez "A shameless Oscar-bait". EDIT
Posted Mar 6, 2019
2.5/4 () Ernesto Diezmartinez "Wolff's humor and lucidity was one of the highest points of Guadalajara 2018". EDIT
Posted Mar 6, 2019
1/4 () Ernesto Diezmartinez "The film feels like an unfinished exercise". EDIT
Posted Mar 6, 2019
3/4 Free Solo (2018) Ernesto Diezmartinez "An insane chronicle superbly photographed and edited". EDIT
Posted Mar 6, 2019
1.5 Vice (2018) Ernesto Diezmartinez "At least it is entertaining". EDIT
Posted Mar 6, 2019
3/4 The Favourite (2018) Ernesto Diezmartinez "Lanthimos has directed his first major work. Or his first masterpiece?". EDIT
Posted Mar 6, 2019
2.5/4 At Eternity's Gate (2018) Ernesto Diezmartinez "An atypical biopic". EDIT
Posted Mar 6, 2019
3/4 Climax (2018) Ernesto Diezmartinez "The perfect fusion of Hitchcock and Buñuel: we live in a cruel universe in which the existing order is precarious and nobody is safe from anything". EDIT
Posted Mar 6, 2019
3/4 Cold War (2018) Ernesto Diezmartinez "A couple that can not be separated, but can not be together either". EDIT
Posted Mar 6, 2019
2.5/4 The Wife (2017) Ernesto Diezmartinez "Theirs is a marriage of convenience, it is true, but also of love". EDIT
Posted Mar 6, 2019
0/4 () Ernesto Diezmartinez "An awful remake". EDIT
Posted Mar 6, 2019
2.5/4 Can You Ever Forgive Me? (2018) Ernesto Diezmartinez "As characters and as actors, they are for each other". EDIT
Posted Mar 6, 2019
3/4 Arábia (2018) Ernesto Diezmartinez "You could say that the film is not about anything but, really, it's about everything". EDIT
Posted Mar 6, 2019
1/4 () Ernesto Diezmartinez "The best thing about the movie is Danae Reynaud". EDIT
Posted Mar 6, 2019
1.5/2 In the Aisles (2018) Ernesto Diezmartinez "Too minimalism for my taste, but that's my problem, not the film's". EDIT
Posted Mar 6, 2019
2/4 Las herederas (2018) Ernesto Diezmartinez "A subtle film whose theme is the maturation of someone not exactly very young". EDIT
Posted Mar 6, 2019
2/4 U: July 22 (Utøya 22. Juli) (2018) Ernesto Diezmartinez What would Claude Lanzmann have done? EDIT
Posted Mar 6, 2019
2/4 Brexit: The Uncivil War (2019) Ernesto Diezmartinez Haynes functionally directs this sort of political and procedural thriller in which, in a way that is perhaps too obvious and didactic, the triumph of Eurosceptics is presented to us as tragic but inevitable. [Full Review in Spanish] EDIT
Posted Feb 22, 2019
2.5/4 BlacKkKlansman (2018) Ernesto Diezmartinez "The militancy of Lee is more than obvious, but BlackKklansman is not a political-racial pamphlet". EDIT
Posted Jan 28, 2019
2/4 The Blue Years (Los Años Azules) (2018) Ernesto Diezmartinez "The sensitivity of Gómez-Córdova is beyond doubt". EDIT
Posted Jan 28, 2019
1/4 Glass (2019) Ernesto Diezmartinez "There is a very thin line between conviction and parody, and I have the feeling that Shyamalan crosses that line several times in different directions". EDIT
Posted Jan 28, 2019
0/4 Opus Zero (2017) Ernesto Diezmartinez "The opacity of the story, which deals with the meaning of art, life and death, ends up looking more interesting than it really is". EDIT
Posted Jan 28, 2019
2/4 Distancias cortas (2015) Ernesto Diezmartinez "A sensitive story of a trio of characters trapped in routine and conformism". EDIT
Posted Jan 28, 2019
2/4 Fleuve noir (2018) Ernesto Diezmartinez "Zonca's return to cinema is with this good and dirty polar, with a policeman who seems to live in an American hard-boiled novel". EDIT
Posted Jan 28, 2019
3/4 The Mule (2018) Ernesto Diezmartinez "A film in which the old republican / libertarian Eastwood appears before the spectators to confront them and provoke them..." EDIT
Posted Jan 28, 2019
2/4 The Greatest House In The World (La Casa Más Grande Del Mundo) (2015) Ernesto Diezmartinez "There is something of Kiarostami in the limpid gaze, nothing condescending, about the tribulations of a little Mayan girl". EDIT
Posted Jan 18, 2019
3/4 Spider-Man: Into the Spider-Verse (2018) Ernesto Diezmartinez "A super-heroic animated comedy that is not afraid to make fun of itself". EDIT
Posted Jan 18, 2019
0/4 Perfectos Desconocidos (2019) Ernesto Diezmartinez "The result is not the best". EDIT
Posted Jan 18, 2019
1/4 Mary Poppins Returns (2018) Ernesto Diezmartinez "Emily Blunt... That half-smile, that mischievous look, that voice that at a key moment becomes hoarse, that musical number of vaudeville in which it participates, warn us that this Mary Poppins is far from being the perfect and virginal lady of 1964". EDIT
Posted Jan 18, 2019
1/4 Bumblebee (2018) Ernesto Diezmartinez "A simple, joyful, popcorn movie". EDIT
Posted Jan 18, 2019
2/4 Destroyer (2018) Ernesto Diezmartinez "The fragmented structure of the film makes more interesting a conventional story, between a woman's film and a classic noir". EDIT
Posted Jan 18, 2019
0/4 Buy Me a Gun (2018) Ernesto Diezmartinez "A clear failure, after the much better constructed and executed 'I promise you anarchy'". EDIT
Posted Jan 18, 2019
1.5/4 Creed II (2018) Ernesto Diezmartinez "It works like a good entry in the Rocky saga". EDIT
Posted Jan 18, 2019
2/4 Two Irenes (As Duas Irenes) (2017) Ernesto Diezmartinez "One of the best operas primas I saw in 2017". EDIT
Posted Jan 18, 2019
2/4 Suspiria (2018) Ernesto Diezmartinez "A frustrating film during the first two hours and a fascinating one towards the end". EDIT
Posted Jan 18, 2019
3/4 The Ballad of Buster Scruggs (2018) Ernesto Diezmartinez "The Coens have directed a magnificent nathology not only of the western cinema, but of their own filmography". EDIT
Posted Dec 22, 2018
1.5/4 Lots of Kids, a Monkey and a Castle (2017) Ernesto Diezmartinez "A strange home movie made over 14 years". EDIT
Posted Dec 22, 2018
3/4 First Man (2018) Ernesto Diezmartinez "What do Tony Soprano, Gary Cooper and Neil Armstrong have in common?". EDIT
Posted Dec 22, 2018
1/4 Gonjiam: Haunted Asylum (2018) Ernesto Diezmartinez "A harmless but entertaining pop-corn movie". EDIT
Posted Dec 22, 2018
4/4 Roma (2018) Ernesto Diezmartinez "Maybe the masterpiece of Alfonso Cuarón". EDIT
Posted Dec 22, 2018
2/4 Widows (2018) Ernesto Diezmartinez "A conventional heist-movie in the times of the MeToo". EDIT
Posted Dec 22, 2018
2.5/4 Resurrección (2018) Ernesto Diezmartinez "A documentary that provokes anger -it seems we can not do otherwise in this country- about what we have done with the so-called Mexican Niagara". EDIT
Posted Dec 22, 2018
2.5/4 Don't Worry, He Won't Get Far on Foot (2018) Ernesto Diezmartinez "A movie with an asynchronous and fragmented structure, built from a edition by the filmmaker himself". EDIT
Posted Dec 22, 2018
2/4 The Accused (Acusada) (2018) Ernesto Diezmartinez "A courtroom thriller in which the trial scenes end up being secondary". EDIT
Posted Dec 22, 2018
0/4 The Man Who Killed Don Quixote (2018) Ernesto Diezmartinez "A failed, broken film... but interesting". EDIT
Posted Dec 22, 2018