Cine Vértigo

Cine Vértigo is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Ernesto Diezmartinez
Rating Title/Year Author
2/4 Lemonade (2018) Ernesto Diezmartinez "At least, in the ending, the movie leaves room for hope". EDIT
Posted Aug 11, 2019
2.5/4 The Wolf House (2018) Ernesto Diezmartinez "An elusive animated feature in stop-motion that allows connections to be made with the children's stories of the Grimm Brothers and the surreal impulse of Jan Svankmajer". EDIT
Posted Aug 11, 2019
2/4 Hoje Eu Quero Voltar Sozinho (2014) Ernesto Diezmartinez "The trio of friends are getting closer and/or away from each other and the relationships between them are becoming more complex". EDIT
Posted Jul 17, 2019
1.5/4 Margarita (2016) Ernesto Diezmartinez "Typical documentary built in the editing room -was made over a year and a half, when thfilmed-, the doc appears as a lucky accident that Santamaría took advantage of". EDIT
Posted Jul 17, 2019
0/4 Under the Silver Lake (2018) Ernesto Diezmartinez "You will need a lot of patience. A lot". EDIT
Posted Jun 18, 2019
1.5/4 () Ernesto Diezmartinez "Two brothers, the gay Pedro and the fierce mother Esther survive as they can, without completely renouncing their dreams". EDIT
Posted Jun 18, 2019
0/4 Lupe Under the Sun (2016) Ernesto Diezmartinez "A laconic and minimalist narrative tone that betrays its belonging to the slow-cinema, which, at least from this trench, is already exhausted". EDIT
Posted Jun 14, 2019
2.5/4 Transit (2018) Ernesto Diezmartinez "Another remarkable film from Petzold". EDIT
Posted Jun 14, 2019
0/4 Paris Square (Praça Paris) (2017) Ernesto Diezmartinez "It works more as political speech than as a film". EDIT
Posted Jun 14, 2019
1.5/4 The Weak Ones (Los Debiles) (2017) Ernesto Diezmartinez "An episodic adventure set in the south of Sinaloa, in Mazatlan and its surroundings". EDIT
Posted Jun 14, 2019
1.5/4 Angelo (2018) Ernesto Diezmartinez "Directed with cold formalist distance by Schleinzer, Angelo is the obvious denunciation of the appropriation / exploitation of the Other". EDIT
Posted Jun 14, 2019
0/4 Knife + Heart (2018) Ernesto Diezmartinez "As a thriller, the film does not work. As a cult-movie in progress, I suspect it works". EDIT
Posted Jun 14, 2019
1.5/4 Witkin & Witkin (2017) Ernesto Diezmartinez As in his previous films Ziff focuses on art, artists and those around them. EDIT
Posted Jun 14, 2019
1.5/4 No One Will Know (2012) Ernesto Diezmartinez "A very meritorious debut feature, although the exercise of style is worth more for its parts than for the whole", EDIT
Posted Jun 14, 2019
1/4 Sink or Swim (0000) Ernesto Diezmartinez The cast is very solid, the musical selection enjoyable and the result is as conventional as you would expect. [Full review in Spanish] EDIT
Posted Jun 14, 2019
2.5/4 Sweet Country (2017) Ernesto Diezmartinez "The fourth feature by Australian filmmaker Thornton is not just the surprise of the week. It can even be the year, even though it has been released in our country with more than a year of delay". EDIT
Posted Jun 14, 2019
1.5/4 He's Out There (2018) Ernesto Diezmartinez "This horror film owes something to the Jason Vorhees saga and has some elements that come from the recent The Babadook". EDIT
Posted May 16, 2019
2.5/4 The Old Man & the Gun (2018) Ernesto Diezmartinez Redford has, paraphrasing Billy Wilder, a very small piece of cake, but it is undoubtedly his and no one else's. EDIT
Posted May 3, 2019
1/4 Avengers: Endgame (2019) Ernesto Diezmartinez Frigga has one of the funniest lines in the whole movie: "Son, eat more vegetables." Indeed, it is not terrible eat junk food from time to time, but we must eat healthier. The same goes for cinema. Endgame is junk food. The healthier cinema is elsewhere. EDIT
Posted Apr 28, 2019
2.5/4 Francofonia (2015) Ernesto Diezmartinez "More than a documentary, this is a very personal historical essay about the most famous museum in the world". EDIT
Posted Apr 19, 2019
2.5/4 () Ernesto Diezmartinez "Traces of Wind represents a huge leap forward from Montemayor". EDIT
Posted Apr 19, 2019
1.5/4 As I Open My Eyes (2015) Ernesto Diezmartinez "A very conventional family melodrama whose main contribution is the social context in which it takes place". EDIT
Posted Apr 19, 2019
2.5/4 Fighting With My Family (2019) Ernesto Diezmartinez Florence Pugh is called to be a big star and this entertaining movie is another sign that she is on the right track. [Full review in Spanish] EDIT
Posted Apr 19, 2019
2.5/4 Todos lo saben (2018) Ernesto Diezmartinez "As usual in Farhadi's cinema, solving the puzzle is not the most important". EDIT
Posted Apr 19, 2019
2/4 Mary Queen of Scots (2018) Ernesto Diezmartinez "Rourke achieves, with a good cinematic eye, some scenes in which the loneliness of the two women in the masculine world that they had to reign, is visually contrasted". EDIT
Posted Apr 19, 2019
2.5/4 The Guilty (2018) Ernesto Diezmartinez "Möller plays with the expectations of the spectator as a master of suspense". EDIT
Posted Apr 19, 2019
2.5/4 The Good Girls (Las niñas bien) (2018) Ernesto Diezmartinez "We can not stop looking at the wreck, not even in the final barks". EDIT
Posted Apr 19, 2019
1/4 Shazam! (2019) Ernesto Diezmartinez "Amusing, but the same old shit". EDIT
Posted Apr 19, 2019
2.5/4 The Kid Who Would Be King (2019) Ernesto Diezmartinez "The myth of King Arthur in the times of Brexit". EDIT
Posted Apr 19, 2019
4/4 Come and See (1985) Ernesto Diezmartinez "A true classic of anti-war cinema". EDIT
Posted Apr 19, 2019
1/4 () Ernesto Diezmartinez "It is not the irredeemable disaster that was Cantinflas but it also far away from the modest achievements of his nice cinematographic debut, El mundo de Juan Orol". EDIT
Posted Apr 19, 2019
3/4 Mirai no Mirai (2018) Ernesto Diezmartinez "Hosoda has made a deliciously anachronistic animated film" EDIT
Posted Apr 19, 2019
2.5/4 Boy Erased (2018) Ernesto Diezmartinez "Edgerton is stronger in the direction of his actors". EDIT
Posted Mar 22, 2019
2/4 The Hole in the Ground (2019) Ernesto Diezmartinez We are in very familiar terrain: certain type of horror centered on the mother-child relationship. [Full review in Spanish] EDIT
Posted Mar 22, 2019
2.5/4 Ben Is Back (2018) Ernesto Diezmartinez "Roberts is great when she plays characters with certain levels of neurasthenia or even aggressiveness". EDIT
Posted Mar 22, 2019
3.5 Burning (2018) Ernesto Diezmartinez Patricia Higsmith could not have thought of a better ending. EDIT
Posted Mar 22, 2019
2/4 Beautiful Boy (2018) Ernesto Diezmartinez "Van Groeningen tries to dodge the dramatic conventions of the story with an elegant and hyperfragmented mise-en-scene". EDIT
Posted Mar 22, 2019
1/4 Green Book (2018) Ernesto Diezmartinez "A shameless Oscar-bait". EDIT
Posted Mar 6, 2019
2.5/4 () Ernesto Diezmartinez "Wolff's humor and lucidity was one of the highest points of Guadalajara 2018". EDIT
Posted Mar 6, 2019
1/4 () Ernesto Diezmartinez "The film feels like an unfinished exercise". EDIT
Posted Mar 6, 2019
3/4 Free Solo (2018) Ernesto Diezmartinez "An insane chronicle superbly photographed and edited". EDIT
Posted Mar 6, 2019
1.5 Vice (2018) Ernesto Diezmartinez "At least it is entertaining". EDIT
Posted Mar 6, 2019
3/4 The Favourite (2018) Ernesto Diezmartinez "Lanthimos has directed his first major work. Or his first masterpiece?". EDIT
Posted Mar 6, 2019
2.5/4 At Eternity's Gate (2018) Ernesto Diezmartinez "An atypical biopic". EDIT
Posted Mar 6, 2019
3/4 Climax (2018) Ernesto Diezmartinez "The perfect fusion of Hitchcock and Buñuel: we live in a cruel universe in which the existing order is precarious and nobody is safe from anything". EDIT
Posted Mar 6, 2019
3/4 Cold War (2018) Ernesto Diezmartinez "A couple that can not be separated, but can not be together either". EDIT
Posted Mar 6, 2019
2.5/4 The Wife (2017) Ernesto Diezmartinez "Theirs is a marriage of convenience, it is true, but also of love". EDIT
Posted Mar 6, 2019
0/4 La boda de mi mejor amigo (2019) Ernesto Diezmartinez "An awful remake". EDIT
Posted Mar 6, 2019
2.5/4 Can You Ever Forgive Me? (2018) Ernesto Diezmartinez "As characters and as actors, they are for each other". EDIT
Posted Mar 6, 2019
3/4 Arábia (2018) Ernesto Diezmartinez "You could say that the film is not about anything but, really, it's about everything". EDIT
Posted Mar 6, 2019