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El Financiero

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Rating Title | Year Author Quote
Once Upon a Time... In Hollywood (2019) Daniel Krauze The most joyful thing Tarantino has directed. [Full review in Spanish]
Posted Sep 06, 2019Edit critic review
Crawl (2019) Daniel Krauze [Alexandre] Aja is an effective director, committed to the nature of his material. [Full review in Spanish]
Posted Aug 16, 2019Edit critic review
Hotel Mumbai (2018) Daniel Krauze Despite its ability to entertain, Hotel Mumbai is not vacuous. [Full review in Spanish]
Posted Aug 09, 2019Edit critic review
The Lion King (2019) Daniel Krauze There are no flatter moments in the movie than musical numbers. [Full review in Spanish]
Posted Aug 02, 2019Edit critic review
Apollo 11 (2019) Daniel Krauze At its best, Apollo 11 is a journey in time, to a historical moment. [Full review in Spanish]
Posted Jul 19, 2019Edit critic review
Rocketman (2019) Daniel Krauze Rocketman, like its main actor, is vibrant. [Full review in Spanish]
Posted Jun 28, 2019Edit critic review
John Wick: Chapter 3 -- Parabellum (2019) Daniel Krauze Keanu Reeves' presence is magnetic, and the role fits like a glove. [Full review in Spanish]
Posted Jun 11, 2019Edit critic review
Shazam! (2019) Daniel Krauze Shazam! is the most enjoyable superhero movie that DC Comics has made. [Full review in Spanish]
Posted Apr 12, 2019Edit critic review
Dumbo (2019) Daniel Krauze From the start, Dumbo suffers from chronic irregularity. [Full review in Spanish]
Posted Apr 05, 2019Edit critic review
Beautiful Boy (2018) Daniel Krauze Regardless of its strengths and weaknesses... the film's structure also weighs down its performers. [Full review in Spanish]
Posted Mar 22, 2019Edit critic review
The Favourite (2018) Daniel Krauze The film belongs to Stone, who goes from cleaning floors to advising the queen. [Full review in Spanish]
Posted Mar 15, 2019Edit critic review
High Flying Bird (2019) Daniel Krauze What at first appears to be just an entertaining story in the style of Jerry Maguire... reveals hidden depths. [Full review in Spanish]
Posted Mar 08, 2019Edit critic review
Free Solo (2018) Daniel Krauze If you have the pleasure of seeing Free Solo on the big screen, really prepare yourself for an experience that will leave you at the edge of your seat. [Full review in Spanish]
Posted Mar 01, 2019Edit critic review
Green Book (2018) Daniel Krauze I don't know if Green Book deserved a nomination for Best Film. It's two actors undoubtedly deserved it. [Full review in Spanish]
Posted Feb 25, 2019Edit critic review
Abducted in Plain Sight (2017) Daniel Krauze [Abducted in Plain Sight] does not allow for a deeper reflection because its director does not seem interested in complexities. [Full review in Spanish]
Posted Feb 15, 2019Edit critic review
Vice (2018) Daniel Krauze Vice doesn't jell as a documentary, drama, comedy or weapon of denunciation. [Full review in Spanish]
Posted Feb 08, 2019Edit critic review
Hereditary (2018) Daniel Krauze As a portrait of a family split by tragedy, it's a masterpiece of almost unbearable tension. [Full review in Spanish]
Posted Feb 01, 2019Edit critic review
Glass (2019) Daniel Krauze Glass represents an authorial vision in a ubiquitous genre where the author is rarely present. And that, in itself, should already be a reason to celebrate this. [Full review in Spanish]
Posted Jan 25, 2019Edit critic review
Suspiria (2018) Daniel Krauze It is a pity that Guadagnino uses so much stuffing because the horror - frank, without professorial airs - comes out remarkably well. [Full review in Spanish]
Posted Jan 22, 2019Edit critic review
Spider-Man: Into the Spider-Verse (2018) Daniel Krauze The animation injects new life into the famous superhero, incorporating the conventions of Spider-Man (his genesis, his classic villains, his most memorable dialogues) as self-referential winks. [Full review in Spanish]
Posted Jan 11, 2019Edit critic review
Bird Box (2018) Daniel Krauze A Quiet Place was a pleasant surprise. In front of Bird Box, it looks like a masterpiece. [Full review in Spanish]
Posted Dec 28, 2018Edit critic review
Mandy (2018) Daniel Krauze There are no concessions in Cosmatos' work. And that, on this or any other film, is worthy of applause.
Posted Dec 21, 2018Edit critic review
Custody (2017) Daniel Krauze One of [director Xavier] Legrand's greatest achievements is its containment: Custody does not explain more or give easy to digest information, demanding our attention. [Full review in Spanish]
Posted Nov 28, 2018Edit critic review
Halloween (2018) Daniel Krauze It's difficult to match the atmosphere and sense of danger created by the first Halloween and David Gordon Green falls short in this new iteration. [Full Review in Spanish]
Posted Nov 05, 2018Edit critic review
22 July (2018) Daniel Krauze The Greengrass formula turns tragedy into entertainment, a pathetic murderer into a charismatic villain. From prison, I imagine, Breivik must be smiling. [Full review in Spanish]
Posted Oct 30, 2018Edit critic review
A Star Is Born (2018) Daniel Krauze However, after some songs, A Star is Born not only begins to repeat the formula of other films such as La La Land but to repeat itself. [Full review in Spanish]
Posted Oct 12, 2018Edit critic review
Seymour: An Introduction (2014) Daniel Krauze Whether teaching, reviewing new pianos or demonstrating how he plays a specific piece, Bernstein radiates joy and enthusiasm.[Full review in Spanish]
Posted Sep 28, 2018Edit critic review
Lean on Pete (2017) Daniel Krauze From Steve Buscemi to Steve Zahn (who appears in the last minutes of the film), the secondary characters of Lean on Pete stand out for their three-dimensionality. [Full review in Spanish]
Posted Sep 04, 2018Edit critic review
You Were Never Really Here (2017) Daniel Krauze The result, for those who decide to immerse themselves in this world, is often delirious and even beautiful. [Full review in Spanish]
Posted Aug 24, 2018Edit critic review
BlacKkKlansman (2018) Daniel Krauze Here, as in 25th Hour, Lee often deviates from the plot. However, the difference is that here the appendices underline what the movie transmits... to remind us that behind the film there is a Message, with a capital letter. [Full review in Spanish]
Posted Aug 17, 2018Edit critic review
Mission: Impossible - Fallout (2018) Daniel Krauze Hollywood cinema does not have a lighter, more sympathetic or better-made series. [Full review in Spanish]
Posted Aug 03, 2018Edit critic review
Ant-Man and The Wasp (2018) Daniel Krauze Ant-Man does not pretend to be anything other than a film where the titular hero moves on a flying ant. And that is surely appreciated. [Full review in Spanish]
Posted Jul 13, 2018Edit critic review
Jurassic World: Fallen Kingdom (2018) Daniel Krauze What matters is that the director J. A. Bayona has prepared a cocktail of genres and styles full of indelible images. [Full review in Spanish]
Posted Jun 29, 2018Edit critic review
Solo: A Star Wars Story (2018) Daniel Krauze No Star Wars installment has been more lost in space than this one. [Full review in Spanish]
Posted Jun 08, 2018Edit critic review
Tully (2018) Daniel Krauze This is, perhaps, [Charlize Theron's] best performance. [Full review in Spanish]
Posted May 26, 2018Edit critic review
The Nile Hilton Incident (2017) Daniel Krauze Much of the effectiveness of the film is due to the performance of Fares, whose peculiar face seems taken from an Asterix book. [Full review in Spanish]
Posted May 11, 2018Edit critic review
A Quiet Place (2018) Daniel Krauze Krasinski, who as an actor is known for good-natured roles like Jim Halpert in The Office, manages to reinvent himself... [Full review in Spanish]
Posted Apr 18, 2018Edit critic review
Ready Player One (2018) Daniel Krauze The years go by and the most famous American director is still the best at what he does. [Full review in Spanish]
Posted Apr 06, 2018Edit critic review
Paddington 2 (2017) Daniel Krauze There is no series of images that is not a delight, nor an action sequence that does not flow smoothly. [Full review in Spanish]
Posted Mar 23, 2018Edit critic review
Devil's Freedom (2017) Daniel Krauze A necessary film, with a perfect final shot. [Full review in Spanish]
Posted Mar 16, 2018Edit critic review
Black Panther (2018) Daniel Krauze Black Panther is a superhero film with a nuanced, intelligent discourse and, as it is revealed at the end, proactive. [Full review in Spanish]
Posted Mar 02, 2018Edit critic review
Three Billboards Outside Ebbing, Missouri (2017) Daniel Krauze Three Billboards ... is an uncomfortable meditation on the chaos - social, intimate, moral - that causes impunity. Maybe the next McDonagh movie could take place Mexico. [Full review in Spanish]
Posted Feb 26, 2018Edit critic review
Lady Bird (2017) Daniel Krauze The fact that it is in so many senses ordinary, although it rebels against its mediocrity, is what makes Lady Bird work above other films about teenagers. [Full review in Spanish]
Posted Feb 16, 2018Edit critic review
The Post (2017) Daniel Krauze It is worth going, rather, to see the work of a magisterial director, capable of making an exciting sequence up to the printing of a newspaper. [Full review in Spanish]
Posted Feb 16, 2018Edit critic review
Call Me by Your Name (2017) Daniel Krauze The result is enveloping and moving. [Full review in Spanish]
Posted Feb 02, 2018Edit critic review
The Disaster Artist (2017) Daniel Krauze [James Franco's] performance is, for long stretches, the most admirable of the film. [Full review in Spanish]
Posted Jan 26, 2018Edit critic review
The Shape of Water (2017) Daniel Krauze The Shape of Water may be the balm or the escape we needed. [Full review in Spanish]
Posted Jan 19, 2018Edit critic review
Fifty Shades of Grey (2015) Daniel Krauze Grey is not a character, but a cluster of clichés... [Full review in Spanish]
Posted Jan 12, 2018Edit critic review
Güeros (2014) Daniel Krauze The charm of Güeros, by Alonso Ruizpalacios, is in its variety of... apparent contradictions. [Full review in Spanish]
Posted Jan 12, 2018Edit critic review
Wild Tales (2014) Daniel Krauze ... Wild Tales is an experience... [Full review in Spanish]
Posted Jan 12, 2018Edit critic review
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