The Painter and the Thief
Lucky Grandma
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All Critics (6) | Top Critics (2) | Rotten (6)
Everyone in the film is annoying - variously self-obsessed, pseudy, theatrically needy or hopelessly drippy, while the dialogue veers between excruciating and cheesy. August 2, 2019 | Rating: 1/5 | Full Review…
Everyone in the film is annoying - variously self-obsessed, pseudy, theatrically needy or hopelessly drippy, while the dialogue veers between excruciating and cheesy.
Ed Potton
The whole thing has the tentative, incomplete feel of an improv actors' project. August 1, 2019 | Rating: 2/5 | Full Review…
The whole thing has the tentative, incomplete feel of an improv actors' project.
Peter Bradshaw
Nothing really works in this underwhelming drama: the sad scenes aren't sad; the uplifting scenes aren't uplifting; moments that should be dramatic have no impact. August 5, 2019 | Rating: 1/5 | Full Review…
Nothing really works in this underwhelming drama: the sad scenes aren't sad; the uplifting scenes aren't uplifting; moments that should be dramatic have no impact.
Stephen Carty
Devotees of the Scottish rockers will certainly get their money's worth in songs, but the film's failure to connect on an emotional or dramatic level is likely to leave everyone else cold. July 29, 2019 | Rating: 2/5 | Full Review…
Devotees of the Scottish rockers will certainly get their money's worth in songs, but the film's failure to connect on an emotional or dramatic level is likely to leave everyone else cold.
Matthew Turner
Balance, Not Symmetry is an uneven film that struggles to balance veracity with happily-ever-after. July 2, 2019 | Rating: 2/5 | Full Review…
Balance, Not Symmetry is an uneven film that struggles to balance veracity with happily-ever-after.
Carmen Paddock
Nothing else in the film - not the performances, not the themes, certainly not the rambling, diffident plotting - is strong enough to hold its own against the continual onslaught of music. June 24, 2019 | Full Review…
Nothing else in the film - not the performances, not the themes, certainly not the rambling, diffident plotting - is strong enough to hold its own against the continual onslaught of music.
Wendy Ide
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