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Critics Consensus: An affectionate portrait created with visual flair, Diana Vreeland is entertaining, informative, and stylish, due in large part to its charismatic subject.
Critic Consensus: An affectionate portrait created with visual flair, Diana Vreeland is entertaining, informative, and stylish, due in large part to its charismatic subject.
All Critics (69) | Top Critics (28) | Fresh (65) | Rotten (4)
We suspect that in her imperious voice, Vreeland would say she was mad about it, and she'd mean it as a measure of praise.
Her life, and her work, transcended what we think of as "fashion." Diana Vreeland: The Eye Has to Travel celebrates a unique and uniquely determined woman.
Many people remember some of Diana Vreeland's famous pronouncements ("I adore pink! It is the navy blue of India!") but few remember actually hearing her speak. The documentary Diana Vreeland: The Eye Has to Travel takes care of that.
For fashionphiles and pop culture vultures, there's much to devour.
Diana Vreeland is both history lesson and sentimental love letter to a fashion titan.
Legendary fashion editor Diana Vreeland was the consummate dreamer, a romantic who never looked back and propelled society forward.
Fantastic fun. It's full of energy and zing, just like its subject, although, just like its subject, it also feels less than truthful somehow.
The late, great Diana Vreeland devoted her youth to reinventing herself-and her life-to redefine how the world sees beauty. While she may not have become a swan, she became something much more opulent and grand. A peacock, perhaps.
The limits placed on Immordino Vreeland by a presumed family obligation and her subject's superstructure persona create a fascinating narrative tension in an otherwise admirably executed but boilerplate personality piece.
Although some of the dates and causal events in her life are passed over, the rhythm and style carry the narrative forward until the last 20 minutes, when the film mostly meanders to the finish.
She was a fashion-industry icon and taste-maker for decades, working at Harper's and then Vogue in an era when magazine publishing was as adventuresome as painting, filmmaking and music.
A lively portrait that's as colorful, dynamic and oh-so-fashionable as one of Vreeland's magazine spreads.
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