Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (18)
| Top Critics (8)
| Fresh (9)
| Rotten (9)
Written and directed by German filmmaker Sherry Hormann, it works as well as it does because of the performances she's drawn from a solid cast.
It has a compelling message and surrounds it with biopic scenes that appear to be brought in from a different kind of movie. The effect is rather unsettling.
Waris Dirie is an inspiration, inside and out, and so is this movie.
The broad comedy clashes with the movie's final message.
"Desert Flower," a well-made film that depicts the remarkable life of the model Waris Dirie, manages to be both a classic feel-good story and about as far from a feel-good story as you can get.
Good idea, mediocre presentation.
This inspiring story of a nomad-turned-model is executed in the style of a made-for-TV movie.
Mature biopic has moving drama but lacks coherence.
Waris' saga is one that needs to be told, but this well-meaning dramatization might have had more power if it were a documentary.
A gripping, if uneven, cinematic journey.
The film's unabashed willingness to go from bleak topical piece on genital mutilation to guilty-pleasure glamour can be disconcerting.
A stirring story that mixes personal horror, courage and eventually triumph.
Desert Flower is a great biopic film that aims for a specific message, and delivers that message powerfully and to great effect. The tale it seeks to lay out works on a number of levels. From a rags to riches story, it succeeds, with very moving and well integrated flashbacks, contrasted with a much different, though still quite flawed, modern day London. Where the film really makes an impact, however, is with the horrendous, but all to believable, subject of female genital mutilation. This is handled with grace, the film doesn't hit you over the head with how terrible it is, but instead chooses to go the more subtle route, not showing its hand until we care enough about the character and her journey to really feel impacted.
Though the film does occasionally stumble on tone, the script is largely well done, and so is the direction and composition, one that straddles the line between the different themes fairly well. It's also acted impressively, with Liya Kebede delivering a strong performance.
Though the ending may come across as a bit conventional and too direct, the film never loses its heart, and conveys what it seeks to in an effective manner, making it a strong and memorable drama.
Very terrible subject. Well done little movie. I remember this subject being in the headlines many years ago...now I know why. I sure hope that this horrifying practice in other countries of circumcising women is done with. Good lord what a world!!
"Desert Flower" starts with Waris(Liya Kebede) walking out of a doorway into pedestrian traffic in London in traditional dress. Homeless, she has little choice but to sleep on the streets and dig in the garbage for any scraps of food she can find. That's not to mention her attempt at shoplifting going badly awry, alerting an employee, Marylin(Sally Hawkins). However, Marylin takes pity on the woman from Somalia, putting her up in her room, giving her a lead on a job at a burger bar and even donating her down jacket to the cause. While at the fast food restaurant, it is not Waris' mopping abilities that catch the attention of Donaldson(Timothy Spall) but her cheekbones, since he is a photographer and gives her his card. As a form of celebrating, the women go dancing where Waris meets Harry(Anthony Mackie) from New York. Later that night, the friends make disturbing discoveries about each other.
Even with a couple of subplots that go nowhere, "Desert Flower" is a compelling movie that puts a spotlight on the very serious problem of female genital mutilation in the developing world. Amongst other things, Winston Churchill was wrong when he said history is written by the victors. It is written by the survivors, Waris being a prime example, after her ordeal and journey from Somalia. And throughout the movie Waris gets increasingly more comfortable with herself and less ashamed of her body. Unlike her friend Marylin, grace and talent come naturally to Waris, inferring that she was meant to become famous enough to take control of her own narrative to tell her story to millions while Donaldson takes little advantage of any fame as a photographer. All of which got me thinking of a conversation I had with a friend after Elizabeth Taylor's death this week. She mentioned that Taylor through her celebrity had brought in more money for AIDS research than her films did.
Waris Dirie must be an amazing woman. There is evidence shown through snippets of horrific moments in her life. The problem with the film is, that there is too much attention to her modelling career and the difficulties she encountered as a model, than her actual struggle with her background, her body and the transformation from a victim to a voice of of hope for others. Sally Hawkins' character although important to the plot is setting a silly tone to a serious issue.
There are no approved quotes yet for this movie.