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Critic Reviews for Lavender
The screenplay, co-written by Gass-Donnelly with Colin Frizzell, manages to be simultaneously lacking in coherence and utterly predictable, with viewers earning no points for guessing which one of the characters turns out to be the villain.
Boring, derivative, and infuriatingly illogical, Lavender is a ghost story with no thrills, no surprises, and no sense.
"Lavender" means well, but it ultimately proves that not all ghosts need a backstory. Often, just being scary - even inexplicably - is more important than being meaningful.
As old-fashioned as Hitchcock's Spellbound, Lavender presents the unlocking of suppressed horrors as a freeing experience, without the messiness of further analysis.
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