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Critic Reviews for Pina
Watching Pina is like being inside one of Bausch's surreal pieces.
A remarkable -- and likely enduring -- tribute to an artist committed to creating dance theater drawn from humanity's deepest physical and emotional reserves.
"Pina" isn't just for dance fans or those curious about the latest in 3-D. It's a celebration of life.
A unique and often sublime artistic experience, "Pina" is a 3-D dance film that immerses us in the movement, letting us feel that we could reach out and touch these dancers as they float past us.
For anyone with an interest in dance, "Pina" is a must-see. For anyone not interested in contemporary dance, "Pina" is a should-see. It could change your mind.
Audience Reviews for Pina
From the spectacular choreography of Rite of Spring to the melancholy of Café Müller, this documentary made by Wim Wenders (in a fabulous 3D) takes us on a fascinating journey into the work of an artist and her legacy in the development of the expressionist dance.
Wim Wenders' has done a tremendous job in bringing Pina's artistry to the screen. The director has used cranes and steady cams to capture the dance as if we were in the middle of the production. He's also chosen to shoot the film in 3D. It's not required to enjoy the spectacle, but certainly highly recommended. The addition of the 3D format significantly adds to the feeling of being there on stage. The technically complex choreography of the troupe is even more impressive. Every time a new piece unfolded on screen I was transfixed not only by the dancing, but also by the creative cinematography and the beautiful music. By the end, one realizes this is merely a series of performances. There is no narrative about the woman herself to truly get us emotionally involved. Personally I can only get so excited about modern dance. However, before Pina, I had never heard of the choreographer and now I am a fan. Wim Wenders has made a hypnotic document to the legacy of an incredibly talented individual. Without words he presents a moving elegy full of feeling. Pina is a heady mix of her artistry and Wim Wenders' direction.
Freaks, Francesca Woodman + Roy Andersson. Pina gives me such a peace, but her choreographies disturb me in such a way that I wonder if it may be the fear of the mirror (identification) or fear of primitivism (has freedom necessarily to be the "loss of self-control"? - only by the loss of the self - that lives in social conditioning - we can find ourselves?). "Your fragility is your strength".
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