Stick It


Stick It

Critics Consensus

Director Jessica Bendinger is unable to transfer her winning Bring It On formula to the world of gymnastics, despite Missy Peregrym's strong lead performance.



Total Count: 99


Audience Score

User Ratings: 320,948
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Movie Info

Haley Graham is a rebellious 17 year-old who is forced to return to the regimented world of gymnastics after a run-in with the law. A judge sentences Haley to her ultimate nightmare -- attending an elite gymnastics academy run by legendary hardnosed coach Burt Vickerman. Haley's rebellious spirit and quick-witted banter quickly shakes things up at the strict school - making both close friends and bitter foes along the way. Haley surprises herself as she discovers an unexpected ally in the form of her new coach, and learns respect is a two-way street. Haley, Vickerman, and a group of his elite athletes band together to confront a major championship and prove that loyalty, friendships and individual athletes matter more than rules, judges or scores.

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Missy Peregrym
as Haley Graham
Jeff Bridges
as Burt Vickerman
Vanessa Lengies
as Joanne Charis
Nikki SooHoo
as Wei Wei Yong
Maddy Curley
as Mina Hoyt
Polly Holliday
as Judge Westreich
Jon Gries
as Brice Graham
Gia Carides
as Alice Graham
Tarah Paige
as Tricia Skilken
Julie Warner
as Mrs. Charis
Annie Corley
as Off. Ferguson
Bart Conner
as Himself
Tim Daggett
as Himself
Terri J. Vaughn
as Susie Mack
Andrea Bendewald
as Madison's Mom
Calli Ryals
as Gloria Javier
John Kapelos
as Chris DeFrank
Lee Garlington
as Head Vault Judge
Corinne Reilly
as Head Unevens Judge
John Balma
as Meet Director/Drugstore Judge
Emily Wagner
as In House Competition Judge
Ricky Trammell
as In House Competition Judge
Dona Jones
as In House Competition Judge
Karine Mauffrey
as In House Competition Judge
Kassandra Nelson
as Spectator/Soda Thrower
Aimee Rose Ambroziak
as Spectator No. 2
Kari Muth
as Devon
Rif Hutton
as Drill Sergeant
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News & Interviews for Stick It

Critic Reviews for Stick It

All Critics (99) | Top Critics (30) | Fresh (31) | Rotten (68)

  • 'This sport is a total joke!' fumes the spunky gymnast heroine of Stick It, a sentiment that will be shared by anyone who wastes their hard-earned on this silly teen comedy.

    Oct 17, 2006 | Rating: 2/5 | Full Review…

    Neil Smith
    Top Critic
  • Star Missy Peregrym shows more promise in her first feature, despite the fact that her teenage years are clearly behind her, and her charismatic screen presence enlivens an otherwise dull film.

    Oct 14, 2006 | Full Review…

    Anna Smith

    Time Out
    Top Critic
  • A deliriously, defiantly unfocused headrush...

    May 3, 2006 | Rating: B- | Full Review…
  • I love Jeff Bridges, but watching him mumble and stumble his way through this part, I wondered if maybe he was up before a judge who gave him two choices -- jail or starring in a really bad gymnastics movie.

    May 1, 2006
  • There is a positive message in the film, often obscured by the bogus punk attitude.

    Apr 28, 2006 | Rating: 2/4 | Full Review…
  • Yes, we're in the world of elite gymnastics, and Jessica Bendinger's Stick It is an enjoyable exercise in girl power.

    Apr 28, 2006 | Rating: 3/4

Audience Reviews for Stick It

  • Sep 13, 2014
    Female characters in sports films are often dealt a very poor hand. At best their narrative journey is frequently depicted as ancillary and largely complimentary to those of the male participants, and at worst they are reduced either to eye candy or to bitchily carping from the sidelines. Sports films which focus primarily on women are rare and often tackle a particular sport or discipline in a much more patronising way than if the same sport were being practised by men. All of this makes Stick It such a refreshing piece of filmmaking. Jessica Bendinger, the writer of the cult classic Bring It On, steps behind the camera to deliver a film which rises above its more conventional aspects to give a valuable, impressive insight into a sport often reduced to empty stereotypes. It remains a hugely underrated teen comedy-drama with a young lead who deserves much greater recognition. In my review of Gregory's Girl, I spoke about how coming-of-age films are "better remembered for the careers they launched rather than their artistic merits." Because the structure of coming-of-age stories is so predictable, we often find ourselves relying on the performers to help us through a story we could tell in our sleep. It's a blessing and a curse for the performers in question, who achieve immortality through a given role but at the cost that they can never escape being associated with it. Like Phil Davis from Quadrophenia before her, it's fair to say that Missy Peregrym has yet to shake off the mantle associated with Stick It. Part of this could be attributed to her superficial resemblance to other actresses: from a distance you could easily mistake her for Kristen Stewart, and her toothy smile is very similar to that of Hillary Swank. In any case, Peregrym's lack of subsequent success is wholly unfair; she is a highly charismatic performer, with attitude, mischief and believability to spare. Peregrym is helped in this regard by the writing, which is an improvement on Bendinger's previous work. In Bring It On, all of the female characters had a bitchy quality, and it was sometimes difficult to know whether said bitchiness was a satire of cheerleading or a lazy representation of it. While Stick It has its fair share of cattiness and name-calling, the women are much more varied in their make-up and motivations. Writing convincing, three-dimensional female characters is one of the hardest things to do in fiction. Because men (or more specifically white, straight, English-speaking men) have long been the standard foundation for any given character, the obvious pitfall is to write women as 'not men', defining them entirely in terms of their relationship to men rather than treating them as people in their own right. This is a trap that male writers often fall into, but women can often be just as guilty. This trap can partially be avoided by writing women as 'people who just happen to be female' - in other words, to ignore or dilute any aspects of their character which involve their gender or sexuality. But while this is preferable to writing women as 'not men', ultimately it is not enough to make them completely believable. Women, like men, are constantly interacting with the culture around them, and their identity is partially defined by a reaction to gender and social expectations derived from said culture. In other words, you have to reference their womanhood, even if only to challenge the expectations of how a woman should behave or be written. What is so refeshing about Stick It is that is a film driven primarily by women which deals with their relationships to social standards without preaching or whinging. Even though its main character has a tendency to mope or run from her problems, it treats her like a complex, difficult human being rather than a trope for men to shape at will. Jeff Bridges may be the main big-name star but he's on screen for a relatively short amount of time, and even then he doesn't play as active a role as you might expect. People often talk about women in film in terms of empowerment - the writers or directors getting women to do things that are either not normally associated with women or which they have been traditionally denied by men. A lot of the time this is presented in a clunky or confused way, such as the Bride in Kill Bill: it may be a woman doing all the fighting, but she's still fulfilling male fantasies about powerful women as much as being a strong, independent lady. Stick It succeeds because it doesn't try to shove any message about women down our throats. It gets across a message about the absurdity and hypocrisy of professional gymnastics just as effectively as Smile did for the world of beauty pageants. But throughout its running time it is more interested in allowing women to speak for themselves and demonstrate their talents than it is about using them to make a point. In short, it's empowering because it doesn't constantly shout about empowerment. Purely as a piece of physical spectacle, Stick It is pretty remarkable. Most of the main cast had little or no experience of professional gymnastics, and yet they vault, pirouette and twist like they had been rehearsing for the Olympics all their lives. Bendinger's visual style is less conventional than Bring It On's, relying much less on slow-motion or montage than most sports films. Even when it comes close to anything resembling a training montage, the film confounds our expectations by focussing on the painful failures of the characters rather than building up to any one success. Stick It has a welcomely rough and funky edge to it, which at least makes it appear less conventional than similar coming-of-age stories. The film is shot by Daryn Okada, whose work is generally more plastic and mainstream: in amongst the very fine Mean Girls, he also lensed Lake Placid and American Reunion. The soundtrack compliments this vibe, ditching classical accompaniments usually associated with floor routines in favour of Missy Elliott, Green Day and Blink-182. For the most part, Stick It is a film that refuses to play by the rules and more often than not pleasantly surprises us. But it does have some sequences where it comes up short, settling for convention when just a small step further would have made it truly great. While most of the character development is well-played, the film loses its step when one of the gymnasts gets a boyfriend; while it makes sense in terms of her character arc, the relationship isn't written as well as the rest of her character. Likewise, the relationship between the lead character and her mother is underdeveloped. Many of the parents in the film are pushy stereotypes, reduced to unintentionally belittling their children and providing some rather forced comic relief. Ultimately it is not their story, and including them mainly for comic purposes is rather an underwhelming or cheap trick. This doesn't detail the drama, but it is a distraction. Stick It is a hugely underrated slice of comedy-drama with some of the best-written female characters that the sports genre has to offer. Missy Peregrym shines in the lead role, with Jessica Bendinger maturing as a writer and proving that she has quite a bit to offer as a director too. While not quite groundbreaking enough to be considered great, it is a great deal more inspiring and surprising than many sports films you'll find, and comes with a very hearty recommendation.
    Daniel M Super Reviewer
  • Jun 23, 2011
    The film was ok. Missy Peregrym was fiesty and she really carried the film. Kellan Lutz is also undoubtably beautiful.
    Bethany M Super Reviewer
  • Jan 26, 2010
    Story, I can see how it is likeable by teen girls, but this film is terribly weak!
    KJ P Super Reviewer
  • Oct 23, 2009
    Something to watch if you want to be bored
    Brody M Super Reviewer

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