Texas Art & Film

Texas Art & Film is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Dustin Chase
Rating Title/Year Author
D+ Men in Black: International (2019) Dustin Chase Easily the worst entry in a franchise that should never have been a franchise in the first place. EDIT
Posted Jun 13, 2019
D+ The Dead Don't Die (2019) Dustin Chase Dead bodies come to life but the script and dry humor remain lifeless. EDIT
Posted Jun 12, 2019
B- Shaft (2019) Dustin Chase Shaft manages more laughs than most action comedies and it's funnier than it should be. EDIT
Posted Jun 12, 2019
A- The Last Black Man in San Francisco (2019) Dustin Chase The type of raw originality that can reinvigorate those starved for something purely creative and equally moving. Powerful beyond words. EDIT
Posted Jun 12, 2019
B Late Night (2019) Dustin Chase Emma Thompson's Miranda Priestly-like performance is what you'll buy a ticket to see, but Mindy Kaling's razor-sharp script is what gives you your money's worth. EDIT
Posted Jun 12, 2019
B- Rocketman (2019) Dustin Chase Taron Egerton's transformation into Elton John is a sight to behold in a film bursting with creativity, and sequins. EDIT
Posted May 30, 2019
D- The Souvenir (2019) Dustin Chase One of 2019's most agonizing film experiences from the viewer standpoint. EDIT
Posted May 30, 2019
B A Star Is Born (2018) Dustin Chase Bradley Cooper's directorial debut and Lady Gaga's cinematic debut hits a lot of great notes, but it's far from polished or perfect. EDIT
Posted May 28, 2019
C+ Aladdin (2019) Dustin Chase Aladdin too often toggles between 'oh that's different from the animated version' and 'please make it stop'. EDIT
Posted May 22, 2019
B- All Is True (2018) Dustin Chase The passion behind Branagh's performance is ultimately what moves the audience to care about this blending of fiction and history. EDIT
Posted May 22, 2019
C+ Trial by Fire (2018) Dustin Chase The powerful story behind Trail By Fire almost outweighs it's cheap presentation. EDIT
Posted May 15, 2019
C Poms (2019) Dustin Chase Poms is unfortunately exactly what it looks like, repackaged senior comedy clichés. EDIT
Posted May 9, 2019
C Pokémon Detective Pikachu (2019) Dustin Chase 'Cute' only works for so long when the plot is predictable in the way most children's movies are, non-stop destruction and chaos then everything is perfectly fine by the end. EDIT
Posted May 8, 2019
C+ Extremely Wicked, Shockingly Evil and Vile (2019) Dustin Chase Misguided narratively, with interesting performances, Extremely Wicked never finds sure footing or revelatory ground EDIT
Posted May 4, 2019
D- The Intruder (2019) Dustin Chase 'The Intruder' is repulsive, uninspired, trash cinema. EDIT
Posted May 2, 2019
C Double Lives (2018) Dustin Chase A sarcastic comedic riot for intellectual European film circles but probably won't sustain the typical American's short attention span. EDIT
Posted May 1, 2019
C+ Destroyer (2018) Dustin Chase A nearly unrecognizable Kidman challenges herself in new territory but the film fails her efforts. EDIT
Posted Apr 30, 2019
C- Cold War (2018) Dustin Chase Compared to other foreign films from around the globe, Cold War is alienating and uninviting despite speaking in the universal language of love. EDIT
Posted Apr 30, 2019
C+ A Twelve-Year Night (La noche de 12 años) (2018) Dustin Chase An endurance test of a film but with a powerful conclusion. EDIT
Posted Apr 30, 2019
F Cocote (2017) Dustin Chase A documentary-style approach to the editing, combined with the roller coaster aspect ratio changes makes the full-screen moments look and feel like found footage EDIT
Posted Apr 30, 2019
C- Donnybrook (2018) Dustin Chase A repulsive story of drugs and street-fighting that wallows in violence more than suspense. EDIT
Posted Apr 30, 2019
C+ Never Look Away (2018) Dustin Chase Never Look Away is an overlong epic drama that's full of excess instead of necessity. EDIT
Posted Apr 30, 2019
B- Todos lo saben (2018) Dustin Chase There will always be those that find foreign films less than appealing, but the Iranian filmmaker employs riveting techniques to sustain interest in his two-hour mystery. EDIT
Posted Apr 30, 2019
C+ The Wedding Guest (2018) Dustin Chase Patel works harder to hide his sex appeal in The Wedding Guest than the director does to make it an enticing film. EDIT
Posted Apr 30, 2019
C The Kid (2019) Dustin Chase The Kid follows an unusual narrative structure, lollygagging from one setting to another, and taking far too long to make its point. EDIT
Posted Apr 30, 2019
B+ Giant Little Ones (2018) Dustin Chase One of the most creative coming-of-age stories this year, sailing into uncharted territories around gender, society, and sexuality. EDIT
Posted Apr 30, 2019
B- Pájaros de verano (2018) Dustin Chase There is a lot for the viewer to process when you dig deeper into this material about what's truly important to us as individuals, preservation or progress. EDIT
Posted Apr 30, 2019
D+ Captive State (2019) Dustin Chase A small budget movie trying to tell a large scale post-apocalyptic story that's beyond the filmmakers budget and capabilities. EDIT
Posted Apr 30, 2019
C+ Five Feet Apart (2019) Dustin Chase The latest terminal teenager love story, keeps it's distance from originality. EDIT
Posted Apr 30, 2019
F Climax (2018) Dustin Chase Noé guarantees that most viewers unlucky enough to find themselves the victim of watching this movie will have the worst experience of their life. EDIT
Posted Apr 30, 2019
D Out of Blue (2018) Dustin Chase Out of Blue is a noir genre disaster and an unfortunate misfire for Patricia Clarkson EDIT
Posted Apr 30, 2019
C- Gloria Bell (2018) Dustin Chase What Lelio and Moore offer here is repellent both in its banality and it's obscurity. EDIT
Posted Apr 30, 2019
B- The Mustang (2019) Dustin Chase Schoenaerts performance is worth your attention in a story you have seen and heard before, but from a point of view that's entirely original. EDIT
Posted Apr 30, 2019
C The Hummingbird Project (2018) Dustin Chase Eisenberg is not the guy you hire to spice up a movie that's literally about digging a wire in the ground. EDIT
Posted Apr 30, 2019
C+ The Aftermath (2019) Dustin Chase The Aftermath is a bit too old fashioned in it's ideas of romance and female perspectives. EDIT
Posted Apr 30, 2019
B- The Highwaymen (2019) Dustin Chase The Highwaymen is adequate film-making and perceptive while pacifying familiarity. EDIT
Posted Apr 30, 2019
B+ Hotel Mumbai (2018) Dustin Chase Hotel Mumbai is a movie that grabs you in scene one and never lets go." EDIT
Posted Apr 30, 2019
C The Public (2018) Dustin Chase Estevez gets points for effort and the assembly of actors but the finished product is a TV movie of the week. EDIT
Posted Apr 30, 2019
B The Wind (2018) Dustin Chase Sure some of the general horror genre movie tactics are used to get a rise out of the audience, but the clever use of the setting and time period make this stand apart from usual fare. EDIT
Posted Apr 30, 2019
C- Shazam! (2019) Dustin Chase It's Power Rangers under a different name, it's a Nickelodeon type cartoon re-envisioned for the big screen. EDIT
Posted Apr 30, 2019
C- Pet Sematary (2019) Dustin Chase The most shocking thing about the new Pet Sematary, is how much better it makes the mediocre original seem EDIT
Posted Apr 30, 2019
D+ Dogman (2018) Dustin Chase Visionary director Garrone suffers a mind-boggling misjudgment with his latest feature. EDIT
Posted Apr 30, 2019
A- Woman at War (2018) Dustin Chase Erlingsson's imagination marries entertainment with social and environmental issues in feature film in a way I've never seen before. EDIT
Posted Apr 30, 2019
B- Diane (2018) Dustin Chase The film's pacing will be a struggle for younger audiences, the subject matter, a bitter and unpleasant pill for older audiences. EDIT
Posted Apr 30, 2019
C+ High Life (2018) Dustin Chase "High Life" is more curious than it is compelling. EDIT
Posted Apr 30, 2019
C Teen Spirit (2018) Dustin Chase Either Minghella didn't know how to finish the story, or he hasn't seen enough of these types of films to realize how repetitious his outcome is. EDIT
Posted Apr 30, 2019
D+ Peterloo (2018) Dustin Chase Regrettably, the editing makes this feel like a '90s PBS special and it draws the story out for over two hours. EDIT
Posted Apr 30, 2019
C Jeremiah Terminator LeRoy (2018) Dustin Chase A story that's as fascinating as it is bizarre, but ultimately the filmmakers don't find a way to make it compelling. EDIT
Posted Apr 30, 2019
B- Stockholm (2018) Dustin Chase "Stockholm" has it's kooky moments thanks to good performances from Hawke and Rapace. EDIT
Posted Apr 30, 2019
D+ Red Joan (2018) Dustin Chase The only bomb being dropped in this WWII spy thriller is crappy, uninspired film-making. EDIT
Posted Apr 30, 2019