William Lubtchansky
Highest Rated: 100% Every Man for Himself (1980)
Lowest Rated: 50% Frontier of Dawn (2008)
Birthday: Oct 26, 1937
Birthplace: Paris, France
Prolific French cinematographer who has collaborated with Jean-Luc Godard ("Every Man for Himself" 1980), Jacques Rivette ("La Belle noiseuse" 1991), Straub/Huillet, Jacques Doillon and Jean-Pierre Mocky. Regarded as one of the greatest practitioners of his art, Lubtchansky was also a pioneer of video photography, as witnessed by his collaborations with Godard in that medium in the 70s and 80s.
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 96% | 78% | The Last of the Unjust | Cinematographer | $38.4K | 2013 |
| 50% | 48% | Frontier of Dawn | Cinematographer | - | 2008 |
| No Score Yet | No Score Yet | Itinéraire de Jean Bricard | Cinematographer | - | 2008 |
| 70% | 52% | The Duchess of Langeais | Cinematographer | $281.5K | 2007 |
| No Score Yet | 59% | Gardens in Autumn | Cinematographer | - | 2006 |
| No Score Yet | No Score Yet | Une visite au Louvre | Cinematographer | - | 2004 |
| 62% | 75% | The Story of Marie and Julien | Cinematographer | - | 2003 |
| 71% | 74% | Monday Morning | Cinematographer | - | 2002 |
| No Score Yet | No Score Yet | The Wayfarer | Cinematographer | - | 2001 |
| No Score Yet | No Score Yet | The Knife Sharpener | Cinematographer | - | 2001 |
| No Score Yet | No Score Yet | A Mort la Mort! | Cinematographer | - | 1999 |
| No Score Yet | 64% | Farewell, Home Sweet Home | Cinematographer | - | 1999 |
| No Score Yet | No Score Yet | A Visitor From the Living | Cinematographer | - | 1999 |
| No Score Yet | 80% | Sicily! | Cinematographer | - | 1999 |
| No Score Yet | No Score Yet | Farewell Home Sweet Home | Cinematographer | - | 1999 |
| 85% | 83% | Secret Defense | Cinematographer | - | 1998 |
| No Score Yet | No Score Yet | From Today Until Tomorrow | Cinematographer | - | 1997 |
| No Score Yet | No Score Yet | Antigone | Cinematographer | - | 1992 |
| No Score Yet | No Score Yet | Walking a Tightrope | Cinematographer | - | 1992 |
| 67% | 68% | Nouvelle Vague | Cinematographer | - | 1990 |
| No Score Yet | No Score Yet | Black Sin | Cinematographer | - | 1988 |
| No Score Yet | 11% | I Love You | Cinematographer | - | 1986 |
| No Score Yet | No Score Yet | La puritaine | Cinematographer | - | 1986 |
| No Score Yet | 60% | Class Relations | Cinematographer | - | 1984 |
| No Score Yet | No Score Yet | Love on the Ground | Cinematographer | - | 1984 |
| No Score Yet | No Score Yet | Credo | Cinematographer | - | 1983 |
| No Score Yet | 0% | Too Early, Too Late | Cinematographer | - | 1982 |
| No Score Yet | No Score Yet | Boulevard des assassins | Cinematographer | - | 1982 |
| 85% | 86% | The Woman Next Door | Cinematographer | - | 1981 |
| 100% | 80% | Le pont du nord | Cinematographer | - | 1981 |
| 100% | 65% | Every Man for Himself | Cinematographer | $56K | 1980 |
| No Score Yet | 33% | Comment ça va? | Cinematographer | - | 1978 |
| 100% | 79% | Daguerréotypes | Cinematographer | - | 1976 |
| No Score Yet | 77% | Ici et ailleurs | Cinematographer | - | 1976 |
| 100% | 78% | Number Two | Cinematographer | - | 1975 |
| No Score Yet | No Score Yet | Forbidden to Know | Cinematographer | - | 1973 |
| No Score Yet | No Score Yet | Israel Why | Cinematographer | - | 1973 |
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