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No consensus yet.
All Critics (47) | Top Critics (22) | Fresh (45) | Rotten (2)
Haunted and haunting. Jan 8, 2015 | Rating: 5/5 | Full Review…
Haunted and haunting.
Peter Bradshaw
Watching the film is like entering a labyrinth, following a winding thread of story that seems unlikely ever to come to an end. May 2, 2014 | Rating: 4/5 | Full Review…
Watching the film is like entering a labyrinth, following a winding thread of story that seems unlikely ever to come to an end.
Jake Wilson
Murmelstein addresses Lanzmann's skepticism and questions with earnestness, passion and -- as if the rest of it wasn't troubling enough -- what seems like total recall. Mar 6, 2014 | Rating: 4/4 | Full Review…
Murmelstein addresses Lanzmann's skepticism and questions with earnestness, passion and -- as if the rest of it wasn't troubling enough -- what seems like total recall.
John Anderson
Lanzmann organizes the material achronologically, presenting Murmelstein's narrative out of order and intercutting it with footage of Theresienstadt shot in 2012; this complex structure evokes a sense of moral vertigo that's nearly impossible to shake. Feb 28, 2014 | Full Review…
Lanzmann organizes the material achronologically, presenting Murmelstein's narrative out of order and intercutting it with footage of Theresienstadt shot in 2012; this complex structure evokes a sense of moral vertigo that's nearly impossible to shake.
Ben Sachs
Those who think this is a black-and-white issue will be surprised, as Lanzmann himself appears to have been, by what is said here. Feb 20, 2014 | Rating: 3.5/4 | Full Review…
Those who think this is a black-and-white issue will be surprised, as Lanzmann himself appears to have been, by what is said here.
Michael Phillips
[Lanzmann is] the kind of witness the Holocaust needs: The witness who refuses to leave the stand until the full story is told. Feb 14, 2014 | Rating: A | Full Review…
[Lanzmann is] the kind of witness the Holocaust needs: The witness who refuses to leave the stand until the full story is told.
Michael Sragow
Claude Lanzmann has created a new film whose heart is the interview footage shot for his monumental "Shoah" project of Austrian Benjamin Murmelstein, the so-called last of the Jewish Elders, those nominally in charge of the Nazis' Jewish ghettos. Nov 16, 2017 | Full Review…
Claude Lanzmann has created a new film whose heart is the interview footage shot for his monumental "Shoah" project of Austrian Benjamin Murmelstein, the so-called last of the Jewish Elders, those nominally in charge of the Nazis' Jewish ghettos.
Daniel Kasman
The Last of the Unjust breaks with the rigorous approach its director previously employed to find a just way to talk about the Nazis' mass murder of the Jews with film. Oct 2, 2017 | Full Review…
The Last of the Unjust breaks with the rigorous approach its director previously employed to find a just way to talk about the Nazis' mass murder of the Jews with film.
Christoph Huber
To some degree, the force of The Last of the Unjust is delivered in spite of Lanzmann's laxness as a filmmaker. Apr 12, 2016 | Full Review…
To some degree, the force of The Last of the Unjust is delivered in spite of Lanzmann's laxness as a filmmaker.
Michael Atkinson
The best one can say for this troubling, if intermittently fascinating, mess is that it succeeds in raising questions, moral as well as aesthetic, that it cannot answer. Dec 31, 2015 | Full Review…
The best one can say for this troubling, if intermittently fascinating, mess is that it succeeds in raising questions, moral as well as aesthetic, that it cannot answer.
J. Hoberman
At three and a half hours, this documentary sometimes feels both overlong and far too detailed, but filmmaker Claude Lanzmann knows that this material is vitally important, and by putting it all out there he challenges the viewer to understand the truth. Jan 12, 2015 | Rating: 4/5 | Full Review…
At three and a half hours, this documentary sometimes feels both overlong and far too detailed, but filmmaker Claude Lanzmann knows that this material is vitally important, and by putting it all out there he challenges the viewer to understand the truth.
Rich Cline
Each viewer will judge its truth for themselves, but the director's compassionately unsentimental acceptance is clear and profound. Jan 11, 2015 | Rating: 4/5 | Full Review…
Each viewer will judge its truth for themselves, but the director's compassionately unsentimental acceptance is clear and profound.
Mark Kermode
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