1,000 Times Good Night 2014

A Thousand Times Goodnight

Critics Consensus

Beautifully filmed and powerfully acted, 1,000 Times Good Night achieves absorbing fact-based drama without overindulging in Hollywood contrivances.

71%

TOMATOMETER

Total Count: 55

65%

Audience Score

User Ratings: 1,884

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Movie Info

A war-zone photojournalist's (Juliette Binoche) dedication to her dangerous job places her at odds with her family (Nikolaj Coster-Waldau, Lauryn Canny).

Cast

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Critic Reviews for 1,000 Times Good Night

All Critics (55) | Top Critics (22) | Fresh (39) | Rotten (16)

  • Binoche is impressive, bringing a steely, self-contained detachment to even the most intimate moments with her family. But Erik Poppe, the director, slathers the film in overly sentimental music choices

    August 7, 2015 | Rating: 2/5 | Full Review…

    Wendy Ide

    Times (UK)
    Top Critic
  • If I'm complaining about this movie a lot for one I'm deeming better than fair, it's because I was frustrated by how its first-rate ingredients, Binoche chief among them, somehow failed to create a spectacular end result.

    August 7, 2015 | Rating: 2.5/4 | Full Review…
  • Poppe registers Rebecca's moral commitment as well as the compulsive aspect of her dedication but the film oscillates between drama and statement; it becomes a series of set-pieces and what-ifs, particularly towards the end.

    November 26, 2014 | Rating: 3/5 | Full Review…
  • This potent Norwegian drama by Erik Poppe, himself a veteran war photographer, opens with a gripping sequence.

    November 6, 2014 | Full Review…
  • The whole cast is good, but as always, all roads lead to Binoche, who is wonderful.

    October 30, 2014 | Rating: 4/4 | Full Review…
  • Poppe can't match the stunning opener of Binoche photographing a suicide bomber in Kabul with scenes of domesticity. But Binoche never falters. She's the film's fire and grieving heart.

    October 24, 2014 | Rating: 2.5/4

Audience Reviews for 1,000 Times Good Night

  • Apr 27, 2015
    Despite its gorgeous cinematography and good performances, it is frustrating that, after a hard-hitting first hour, this disjointed drama loses focus with unnecessary details (the guilt issue, the plutonium remarks) and alienates us by turning the protagonist into a hideously selfish person.
    Carlos M Super Reviewer

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