Addio zio Tom (Goodbye Uncle Tom) (1972) - Rotten Tomatoes

Addio zio Tom (Goodbye Uncle Tom) (1972)





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Movie Info

It was advertised as "The first motion picture based on historical facts about the rise and revolt of slavery in America." It became one of the most reviled and misunderstood films of its time.

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Critic Reviews for Addio zio Tom (Goodbye Uncle Tom)

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Audience Reviews for Addio zio Tom (Goodbye Uncle Tom)

Italian filmmakers travel back in time to make a scathing documentary about slavery in the American South. With underage rape, teeth knocked out for force feeding, mass enemas, massacres of both blacks and whites, bizarre comedy routines, and characters speaking lines from actual pro-slavery texts of the 1800s, this experiment from the makers of MONDO CANE is a baffling mix of tasteless exploitation and biting satire.

Greg S
Greg S

Super Reviewer


Every American should see this??? Not exactly a "humanitarian masterpiece" as someone else said (yeah right!). More like cryptic super-exploitation. This is wildly, hilariously, rollickingly misguided pseudo-history at best. Outright race-baiting at worst. Made by the sleazoids who barfed up "Africa Addios" (giving Africans their own country back so soon just wasn't the right idea, was it!!), a film that featured the genuinely bizarre white South African girls on trampolines montage. A fervent call-to-arms for African-Americans made by white Europeans must inherently ring false, I am afraid. (we enslaved you. kill us!) Manages to be both numbing and completely, hideously insulting at the same time. The film is, under its very "SO racist it isn't being racist" exterior a sly work of racism. Presents blacks as nothing more than animals and savages, capable only of violence or submission to the will of whites. All the while remaining mute and mindless. No African-American in the film is presented as having a personality, substance, or intelligence. Every white all but glows. Every caucasian is a verbose, mercurial, immaculate sprite. That said, the film does (I would assume) approximate the way Africans were treated during the slave era more closely than other films. In that respect it deserves respect. The conditions are shown as filthy, disgusting, cruel. Every imaginable indignity is portrayed (and some you probably could not imagine). However, the film does have some power. The camera work is very inventive and the directors handle some of the chaotic scenes around the plantation very well. Some of the imagery is genuinely striking. There's a general feeling of chaos that comes through that's very effective. I'm not sure what the point is. But it's effective. Anyway, see the movie if you really want to be grossed out and insulted. File this one under SUPER exploitation. The directors may have had good intentions when they started out, but I think they just lost it when they got onto the set and decided to see how far out they could go. And no one, it seemed, was around to tell them to tone it down or put on the breaks. This is up there with Cannibal Holocaust and Men Behind the Sun. It's that sort of a deal. But don't kid yourselves, this AIN'T no humanitarian masterpiece.

Keiko  Aya
Keiko Aya

Super Reviewer

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