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Critics Consensus: The simplicity and colorful warmth of Mirai's animation is underscored by a story with surprising - and deeply affecting - depth and emotional resonance.
Critic Consensus: The simplicity and colorful warmth of Mirai's animation is underscored by a story with surprising - and deeply affecting - depth and emotional resonance.
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All Critics (65) | Top Critics (12) | Fresh (59) | Rotten (6)
There's enough wisdom to be found in this engaging tale for a trip to the theatre. Whether to take the whole family is up to parents to decide.
Merits comparison to works of similar relevance and poetic ambitions, like Shoplifters and Roma, masterworks that share its inquiries about familial ties, parental insecurities, and the inescapable pull of the past.
Like Hayao Miyazaki, whose mantle Hosoda is often considered to be on an unofficial short list to pick up, Hosoda tells this child's story at a child's eye level, and the diversions feel part and parcel of that point of view.
Expands into a lyrical realm that is both very Japanese and entirely universal.
The latest gem from Japanese anime master Mamoru Hosoda concerns a little boy's conflict with his baby sister. It may be the animator's smallest film, but it stands tall. You'll be enchanted.
Mirai doesn't really speak for young viewers, just down to them.
This is a movie for patient viewers, but trust that you will be richly rewarded.
Beautiful [animation] work that stands out on its own, and worthy of an Oscar nomination. When surrounded by everything else, however, it becomes an exception to an otherwise disappointing whole.
An absolute delight from start to finish, Mamoru Hosoda's family fantasy is packed with true-to-life details that keep it grounded.
A gentle family comedy of manners, which really takes off at the film's final reels. Without being groundbreaking, it still provides a wormhole to look further away than your own courtyard.
An entertaining animated film about a young boy adjusting to a new baby with the help of his ancestors.
Mirai is by no means a perfect film, but it may yet be Hosoda's best to date.
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