The Temptation of St. Tony

Critics Consensus

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90%

TOMATOMETER

Total Count: 10

76%

Audience Score

User Ratings: 253
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Movie Info

A mid-level manager loses his grip on a quiet life when he questions mortality.

Cast & Crew

Critic Reviews for The Temptation of St. Tony (Püha Tõnu kiusamine)

All Critics (10) | Top Critics (4) | Fresh (9) | Rotten (1)

Audience Reviews for The Temptation of St. Tony (Püha Tõnu kiusamine)

  • Jun 18, 2013
    Paying fair homage to the disturbing mind of Lynch, the symbolisms of Pasolini, the aesthetic beauty of Bergman's image compositions and the cannibalism of Greenaway, <i>Püha Tõnu kiusamine</i> lurks in the dark as an obscure gem of extraordinary cinematic relevance for the present millennium. Cinema connoisseurs around the world deeply thank Veiko Õunpuu for this mindblowing and unique gradual, downwards spiral to insanity that destroys the fine line between dreams and hallucinations with such impeccable artistry. 100/100
    Edgar C Super Reviewer
  • Sep 23, 2010
    What a malicious and illuminating journey to the depths of hellish beauty! That's a paradox alright but how can you explain Õunpuu's essay on the culmination of ideals, of anticipations and of obsolete dreams in any different way? A higher quality film than any Tarr of the 2000's and by applying a semi-Lynch universe in the black and white disturbance, I don't think anyone would really care that the plot's vignettes are over-represented and the abruptness of things defies the superlative characters. It's what it is and subjective interpretation is required when you're dealing with Estonian landscapes. After all, we're all gonna die at some point, poor Tõnu simply happened to preserve a slice of cynicism more than the rest of us.
    Dimitris S Super Reviewer
  • Aug 13, 2010
    Enthrallingly surreal, avant garde meditation on the essence of goodness about a mid-level executive whose grip on reality begins to fade as he becomes the subject of a series of bizarre occurrences, is a unique mind bender. With its haunting dream sequences and beautiful black and white cinematography, it feels like a cross between the work of David Lynch and Guy Maddin.
    Matthew L Super Reviewer

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