Jon Frosch Movie Reviews & Previews - Rotten Tomatoes

Jon Frosch

Jon Frosch
Jon Frosch's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
100% The Wife (2016) Like a bomb ticking away toward detonation, Glenn Close commands the center of The Wife: still, formidable and impossible to look away from.‐ Hollywood Reporter
Read More | Posted Sep 16, 2017
50% A Worthy Companion (2017) A Worthy Companion gives a pulpy lesbian-obsession thriller premise the full arthouse treatment. Warning: You may miss the pulp.‐ Hollywood Reporter
Read More | Posted Sep 13, 2017
83% Brad's Status (2017) A droll and affecting male-midlife-crisis comedy.‐ Hollywood Reporter
Read More | Posted Sep 10, 2017
32% Home Again (2017) So thoroughly sanitized that it's essentially wiped of personality.‐ Hollywood Reporter
Read More | Posted Sep 5, 2017
30% The Only Living Boy in New York (2017) It's quite a feat for a movie to deploy Simon & Garfunkel's "The Only Living Boy in New York" and somehow leave you cold.‐ Hollywood Reporter
Read More | Posted Aug 5, 2017
No Score Yet Anything (2017) A touching, tentative love story.‐ Hollywood Reporter
Read More | Posted Jun 20, 2017
58% The Double Lover (L'amant double) (2017) A film that's made with serious craftsmanship but never takes itself seriously.‐ Hollywood Reporter
Read More | Posted May 26, 2017
No Score Yet Golden Years (Nos années folles) (2017) The feeling and generosity of spirit that fill the frame in the director's best offerings are conspicuously missing.‐ Hollywood Reporter
Read More | Posted May 23, 2017
36% Snatched (2017) A fitfully amusing, entirely disposable mother-daughter caper that's elevated a notch by its gifted central duo and capable direction from Jonathan Levine.‐ Hollywood Reporter
Read More | Posted May 10, 2017
100% Blame (2017) The film is powered by some fine acting, as well as a current of sincere feeling that helps you forgive some of its more conspicuous flaws and limitations.‐ Hollywood Reporter
Read More | Posted Apr 23, 2017
48% The Ticket (2017) The Ticket is underwhelming in several ways, but the performance driving it is magnetic.‐ Hollywood Reporter
Read More | Posted Apr 4, 2017
61% The Zookeeper's Wife (2017) The movie's central figures and their experiences have been cleansed of complexity, embalmed in a sort of hagiographic glaze that makes even the pain look pretty.‐ Hollywood Reporter
Read More | Posted Mar 20, 2017
24% Table 19 (2017) Anna Kendrick has a recent track record of being decisively better than the movies she's in. Table 19, an innocuous but misguided mess written and directed by Jeffrey Blitz from a story by Mark and Jay Duplass, continues the trend.‐ Hollywood Reporter
Read More | Posted Mar 1, 2017
77% The Hero (2017) Sam Elliott's smoky, whiskey-soaked baritone is one of American cinema's undervalued treasures... It pretty much rescues Brett Haley's... The Hero, cutting clean through the film's pile of clichés with its gruff feeling and wry, weary wit.‐ Hollywood Reporter
Read More | Posted Jan 22, 2017
39% Why Him? (2016) Almost nothing anyone does registers as recognizably human; it's all just a pretext for yet another round of envelope-pushing outrageousness.‐ Hollywood Reporter
Read More | Posted Dec 12, 2016
19% Keeping Up With The Joneses (2016) Greg Mottola has made some fine contributions to big-screen comedy - including sweet-and-salty teen flicks Adventureland and Superbad - but his new film, Keeping Up With the Joneses, is decidedly not one of them.‐ Hollywood Reporter
Read More | Posted Oct 18, 2016
95% The Edge of Seventeen (2016) Fast, full-hearted and graced with a beautifully modulated lead turn by Hailee Steinfeld, the movie takes the risk of playing it straight and sincere - and the risk pays off.‐ Hollywood Reporter
Read More | Posted Sep 17, 2016
93% Blue Jay (2016) Small but stirring, thanks mostly to Sarah Paulson.‐ Hollywood Reporter
Read More | Posted Sep 15, 2016
57% Strange Weather (2017) A sincere, somewhat clunky drama, delivering lots of Americana-infused atmosphere but little excitement or novelty.‐ Hollywood Reporter
Read More | Posted Sep 14, 2016
14% Planetarium (2017) A good-looking misfire.‐ Hollywood Reporter
Read More | Posted Sep 7, 2016
59% The Light Between Oceans (2016) The cathartic pleasures of a good old-fashioned weepie are promised and then never delivered in Derek Cianfrance's handsome but curiously lifeless The Light Between Oceans.‐ Hollywood Reporter
Read More | Posted Aug 30, 2016
58% Bad Moms (2016) Hahn ... injects what could have been another insipid studio hack job with a bracing shot of personality.‐ Hollywood Reporter
Read More | Posted Jul 28, 2016
87% Looking: The Movie (2016) While Looking: The Movie isn't as astonishingly fine as Looking the series, there's enough greatness in it to make fans (we're out there!) agonize anew over the fact that, yes, this time it's over for real.‐ Hollywood Reporter
Read More | Posted Jul 11, 2016
69% Central Intelligence (2016) It capitalizes on the chemistry between Hart and Johnson, who convey what seems like genuine delight in each other's company - something that gives this bromantic diversion a giddy kick.‐ Hollywood Reporter
Read More | Posted Jun 16, 2016
45% It's Only the End of the World (Juste la fin du monde) (2016) A disappointment, even for the Dolan faithful.‐ Hollywood Reporter
Read More | Posted May 19, 2016
6% Mother's Day (2016) A movie not even a mother could love.‐ Hollywood Reporter
Read More | Posted Apr 28, 2016
5% Get a Job (2016) The problem is that a movie like this - limp, lazy, generic - just doesn't cut it at a time when American indies and television offer sharp, witty, satisfyingly complex takes on the "Facebook generation."‐ Hollywood Reporter
Read More | Posted Mar 22, 2016
73% Valley Of Love (2016) The dynamic between the stars feels overly familiar at first (he's the incorrigible but good-hearted boor, she's the irritable scold), but their comfortable rapport is one of the film's most potent assets.‐ Hollywood Reporter
Read More | Posted Feb 29, 2016
79% Lovesong (2017) A delicate heartbreaker about friendship, desire and the occasionally blurred line between the two.‐ Hollywood Reporter
Read More | Posted Feb 3, 2016
31% Daddy's Home (2015) Daddy's Home is a one-trick pony, and that trick - an effortlessly cool Wahlberg emasculating a beleaguered Ferrell - just isn't fresh or funny enough to sustain a 95-minute movie.‐ Hollywood Reporter
Read More | Posted Dec 22, 2015
18% Love the Coopers (2015) Loving the Coopers will be out of the question; leaving them will be the priority.‐ Hollywood Reporter
Read More | Posted Nov 12, 2015
29% Burnt (2015) Burnt may be about haute cuisine, but the movie is fast food all the way.‐ Hollywood Reporter
Read More | Posted Oct 21, 2015
85% The Meddler (2016) Scafaria has made a deeply personal, unquestionably sincere movie -- which, alas, isn't exactly the same as a very good one.‐ Hollywood Reporter
Read More | Posted Sep 15, 2015
54% The Dressmaker (2016) Little here "works" in any traditional sense of that word, but the film boasts enough manic energy and straight-up weirdness to keep you entertained before overstaying its welcome in the final act.‐ Hollywood Reporter
Read More | Posted Sep 14, 2015
26% Five Nights in Maine (2016) Intriguing parts, underwhelming whole.‐ Hollywood Reporter
Read More | Posted Sep 14, 2015
40% We Are Your Friends (2015) Your response may be directly determined by your tolerance for the music, as well as your willingness to spend time with a bunch of likeable but not very bright dudes smoking spliffs and trying to hustle up some cash.‐ Hollywood Reporter
Read More | Posted Aug 25, 2015
92% The Gift (2015) Joel Edgerton's feature-length directorial debut is a pleasant -- or pleasantly unpleasant -- surprise, hitting its genre marks in brisk, unfussy fashion and raising a few hairs on the back of your neck along the way.‐ Hollywood Reporter
Read More | Posted Jul 22, 2015
14% Jenny's Wedding (2015) There's a fine, fierce film somewhere in Jenny's Wedding, trying to claw its way out from under all the clichés, speechifying and sappy pop music.‐ Hollywood Reporter
Read More | Posted Jul 12, 2015
48% Ride (2015) If the film wins you over, it's in large part thanks to Hunt, a force to be reckoned with in front of the camera, if less so behind it.‐ Hollywood Reporter
Read More | Posted Apr 27, 2015
56% The Age of Adaline (2015) Lively is an odd screen presence - somehow both warm and cold, accessible and recessive. She's long been ripe for a breakthrough lead role that allows her to stretch and surprise.‐ Hollywood Reporter
Read More | Posted Apr 21, 2015
5% Home Sweet Hell (2015) The kind of blithely confident, creatively impoverished dud that leaves you slightly stunned someone greenlit it, the movie has the distinction of feeling like a bad idea from its very first frames ...‐ Hollywood Reporter
Read More | Posted Mar 9, 2015
11% Unfinished Business (2015) Unfinished Business will seem woefully familiar to most anyone who's been to a movie theater - or taken a long plane ride - over the past 10 years.‐ Hollywood Reporter
Read More | Posted Mar 4, 2015
80% Cronies (2015) None of the three main characters come alive as particularly rich or compelling either in their machismo-fueled banter or their confessional moments, and the dynamics of jealousy and affection between them register mostly as half-baked.‐ Hollywood Reporter
Read More | Posted Jan 25, 2015
29% The Wedding Ringer (2015) The whiff of stale leftovers ... hangs over the movie from start to finish.‐ Hollywood Reporter
Read More | Posted Jan 15, 2015
32% Elsa & Fred (2014) This misfire of a cornball romance is so tone-deaf, so utterly lacking in screwball snap and visual punch, that viewers will find it hard to care whether or not the aging lovebirds end up in each other's arms.‐ Hollywood Reporter
Read More | Posted Nov 5, 2014
86% Adieu au langage (Goodbye to Language) (2014) Goodbye to Language is far more stimulating visually and aurally than it is intellectually, but at 83, Godard is still pushing the form. I'll take it.‐ The Atlantic
Read More | Posted Oct 27, 2014
83% Eden (2015) Eden is indeed as low-key as anything Hansen-Løve has done, though it conveys a sense of risk that feels new for her -- both in the scope of the story and in specific choices she makes.‐ Hollywood Reporter
Read More | Posted Sep 24, 2014
36% Beyond The Reach (2015) Not even a gleeful Michael Douglas can make this a cat-and-mouse game worth playing.‐ Hollywood Reporter
Read More | Posted Sep 7, 2014
35% If I Stay (2014) [Moretz is] a rapidly rising star and the role is her first full-fledged romantic lead. But a few minutes into the drippy teen love-and-death story, you'll likely wish she hadn't.‐ Hollywood Reporter
Read More | Posted Aug 19, 2014
88% Foxcatcher (2014) If this restrained '80s-set drama largely works despite pacing problems and all-too-readable thematic and psychological arcs, it's thanks to the superb trio of actors. ‐ The Atlantic
Read More | Posted May 27, 2014