|
Inside
(2023)
|
Morgan Rojas
|
Inside is isolation insanity at its peak while simultaneously shining a light on the dark side of luxury.
Posted Mar 17, 2023
|
3.5/5
|
Smoke Sauna Sisterhood
(2023)
|
Morgan Rojas
|
An immersive viewing experience and striking celebration of natural beauty in all forms.
Posted Jan 29, 2023
|
4/5
|
Women Talking
(2022)
|
Morgan Rojas
|
Explosive, euphoric, and powerful, Women Talking is a passionate piece of filmmaking from all sides.
Posted Jan 28, 2023
|
4.5/5
|
EO
(2022)
|
Morgan Rojas
|
A stunning, emotive arthouse gem and future classic.
Posted Jan 28, 2023
|
4.5/5
|
The Banshees of Inisherin
(2022)
|
Morgan Rojas
|
The tonal bait and switch from dark comedy to introspective, sensitive drama is what makes The Banshees of Inisherin among the year's best.
Posted Jan 28, 2023
|
4/5
|
Triangle of Sadness
(2022)
|
Morgan Rojas
|
'Triangle of Sadness' satirizes high society's self-obsessed elites, making for a side-splitting, vomit-spewing, hilariously unhinged time.
Posted Jan 28, 2023
|
3.5/5
|
Mija
(2022)
|
Morgan Rojas
|
An emotionally compelling film that asks the rhetorical question: Who is allowed to dream?
Posted Jan 28, 2023
|
4/5
|
Moonage Daydream
(2022)
|
Morgan Rojas
|
Prepare for a full-body adrenaline rush as your mind attempts to wrap around a technicolor explosion of the senses.
Posted Jan 28, 2023
|
4/5
|
The Story of Film: A New Generation
(2022)
|
Morgan Rojas
|
Forget film school, this epic tale of innovation is a masterclass in moviemaking.
Posted Jan 28, 2023
|
2.5/5
|
Bodies Bodies Bodies
(2022)
|
Morgan Rojas
|
A cringey, yet crucial, part of the Gen Z cinematic universe.
Posted Jan 28, 2023
|
3.5/5
|
Three Minutes - A Lengthening
(2021)
|
Morgan Rojas
|
Bianca Stigter keeps the memory of the dead alive by preserving the last known artifact of their existence.
Posted Jan 28, 2023
|
3/5
|
Ali & Ava
(2021)
|
Morgan Rojas
|
This middle-aged love story gives a fresh perspective on loneliness.
Posted Jan 28, 2023
|
3/5
|
The Good Nurse
(2022)
|
Morgan Rojas
|
The film's deliberately paced editing and eerie score successfully capture the essence of feeling unsettled.
Posted Jan 28, 2023
|
3.5/5
|
Fingers in the Wind
(2022)
|
Morgan Rojas
|
An impressive debut from a new voice in cinema, especially one that's focused on Black, queer, coming-of-age stories.
Posted Jan 06, 2023
|
2.5/5
|
The Menu
(2022)
|
Morgan Rojas
|
Mark Mylod's satirical horror puts a clever spin on the "eat the rich" anecdote that, while mesmerizing to look at, leaves us hungry for more.
Posted Nov 22, 2022
|
3/5
|
Good Night Oppy
(2022)
|
Morgan Rojas
|
Good Night Oppy offers audiences old fashioned, feel good optimism and stands as a testament to just how powerful inanimate objects can be when personified by humans.
Posted Nov 15, 2022
|
4/5
|
A Love Song
(2022)
|
Morgan Rojas
|
A subtle, spectacular meditation on aloneness.
Posted Jul 15, 2022
|
2.5/5
|
Tíu
(2022)
|
Morgan Rojas
|
TÍU embodies the charm of OMAM, and acts as a modest celebration of their decade-long career.
Posted Jun 24, 2022
|
3/5
|
My Love Affair with Marriage
(2022)
|
Morgan Rojas
|
A cheeky look at womanhood, and a sophisticated cartoon for grown-ups.
Posted Jun 24, 2022
|
2.5/5
|
God's Time
(2022)
|
Morgan Rojas
|
Fast-paced and hip, fitting squarely into the growing category of films for the "Euphoria" crowd.
Posted Jun 24, 2022
|
3/5
|
Sophia
(2022)
|
Morgan Rojas
|
Both Sophia the documentary–as well as Sophia the most realistic humanoid robot in the world–will provoke deep questions about what it means to be human.
Posted Jun 24, 2022
|
3/5
|
Marcel the Shell with Shoes On
(2021)
|
Morgan Rojas
|
Lighthearted entertainment that aims to please. Peace & Love.
Posted Jun 24, 2022
|
3/5
|
Neptune Frost
(2021)
|
Morgan Rojas
|
A dazzling amalgamation of art, color, sound, and images.
Posted Jun 16, 2022
|
4/5
|
The Integrity of Joseph Chambers
(2022)
|
Morgan Rojas
|
A methodical study of human behavior and the self-preservation tactics we default to when we fear the unknown.
Posted Jun 16, 2022
|
3.5/5
|
Santos - Skin to Skin
(2022)
|
Morgan Rojas
|
This portrait of a previously unsung hero is sure to inspire you to learn more about international music, or at the very least, to get up and dance!
Posted Jun 13, 2022
|
4/5
|
The Innocents
(2021)
|
Morgan Rojas
|
Eskil Vogt channels an atmospheric and darkly surreal coming-of-age story.
Posted May 13, 2022
|
3.5/5
|
Big Crow
(2022)
|
Morgan Rojas
|
A moving portrait of a Native American basketball prodigy, whose unexpected passing brought a community together and new importance to the sport of basketball.
Posted Apr 29, 2022
|
2.5/5
|
Anaïs in Love
(2021)
|
Morgan Rojas
|
For a French rom-com about a thirty-something Parisian falling in and out of love (with both men and women), Anaïs In Love isnt as très chic as I expected.
Posted Apr 29, 2022
|
3.5/5
|
Cow
(2021)
|
Morgan Rojas
|
Andrea Arnold delicately captures the boring, beautiful life of a dairy cow.
Posted Apr 27, 2022
|
2.5/5
|
Jane by Charlotte
(2021)
|
Morgan Rojas
|
A love letter to mothers and daughters everywhere, the film encourages us to look at our loved ones with both admiration as well as compassion. After all, were just human. Even our mothers.
Posted Apr 27, 2022
|
2/5
|
Spin Me Round
(2022)
|
Morgan Rojas
|
Where Baena and Brie take this film is never totally clear, and that's the fun to be had... sort of.
Posted Apr 27, 2022
|
3.5/5
|
To Leslie
(2022)
|
Morgan Rojas
|
Andrea Riseborough shines in this story about survival, serving as a reminder that it's never too late to better your life.
Posted Apr 27, 2022
|
3/5
|
32 Sounds
(2022)
|
Morgan Rojas
|
An interactive journey for those who are looking to take a meditative exploration to better appreciate the world of sound.
Posted Apr 27, 2022
|
2.5/5
|
Self-Portrait
(2022)
|
Morgan Rojas
|
Both soothing in its uninterrupted observation of nature and claustrophobic in its intrusive, omniscient presence, Self-Portrait gives us many ways to interpret its message.
Posted Apr 27, 2022
|
3/5
|
Rock Bottom Riser
(2021)
|
Morgan Rojas
|
An exhilarating and psychedelically explosive cinematic essay and feature debut from filmmaker Fern Silva.
Posted Apr 27, 2022
|
3/5
|
Stanleyville
(2021)
|
Morgan Rojas
|
What it lacks in terms of "blockbuster appeal" will be met tenfold by arthouse enthusiasts who cant get enough of obscure, absurdist indie films.
Posted Apr 27, 2022
|
3.5/5
|
Hatching
(2022)
|
Morgan Rojas
|
Unforgettably quirky and grotesque, Finnish director Hanna Bergholm's campy body horror is not for the faint of heartor stomach.
Posted Apr 27, 2022
|
2.5/5
|
King Knight
(2021)
|
Morgan Rojas
|
The humor of King Knight comes from the characters taking themselves so seriously despite its obviously silly premise.
Posted Feb 18, 2022
|
2/5
|
Cosmic Dawn
(2022)
|
Morgan Rojas
|
If you're in the mood for some low-stakes, campy cult bizarreness, Cosmic Dawn may pique your interest.
Posted Feb 18, 2022
|
3/5
|
The Cow Who Sang a Song Into the Future
(2022)
|
Morgan Rojas
|
Francisca Alegra crafts a story rich in imagery and topical urgency in this bold feature debut. Its a lot to digest, but the payoff is completely worth it.
Posted Feb 18, 2022
|
3/5
|
The Janes
(2022)
|
Morgan Rojas
|
A powerful portrait of strength and resilience.
Posted Feb 18, 2022
|
3.5/5
|
Resurrection
(2022)
|
Morgan Rojas
|
Dark, deranged, and wildly surreal, Resurrection is a stunning psychological thriller that lingers.
Posted Feb 18, 2022
|
3/5
|
Honk for Jesus. Save Your Soul.
(2022)
|
Morgan Rojas
|
A flashy satire that pokes fun at the extravagant facade of organized religion.
Posted Jan 28, 2022
|
3.5/5
|
Descendant
(2022)
|
Morgan Rojas
|
Margaret Brown exposes one of America's darkest secrets in this indie doc, and tackles such sensitive matter with dignity and grace.
Posted Jan 27, 2022
|
4.5/5
|
The Territory
(2022)
|
Morgan Rojas
|
This stunning eco-thriller shows a devastating reality. An incredible feat and first feature from Alex Pritz.
Posted Jan 26, 2022
|
3/5
|
Brainwashed: Sex-Camera-Power
(2022)
|
Morgan Rojas
|
Nina Menkes exposes the male gaze in this provocative doc, which should be required viewing in film school.
Posted Jan 26, 2022
|
3.5/5
|
Utama
(2022)
|
Morgan Rojas
|
Alejandro Loayza Grisi's remarkably powerful debut feature is a beautifully crafted film that radiates with sincerity.
Posted Jan 26, 2022
|
3/5
|
Am I OK?
(2022)
|
Morgan Rojas
|
Born out of the co-director's personal vulnerabilities around self-discovery and acceptance, it's this authentic point of view that makes AM I OK? a satisfying film debut.
Posted Jan 25, 2022
|
2.5/5
|
Sharp Stick
(2022)
|
Morgan Rojas
|
There's more cringe than charm, even the built-in Dunham fanbase may have a hard time swallowing 'Sharp Stick'.
Posted Jan 25, 2022
|
3.5/5
|
Cha Cha Real Smooth
(2022)
|
Morgan Rojas
|
'Cha Cha Real Smooth' is cha cha charming. A low-key, high reward coming-of-age comedy from wunderkind Cooper Raiff.
Posted Jan 25, 2022
|