Sidewalks of New York

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Jul 16, 2019 MGM tried to box Keaton in to their formulaic scripts of the day, but Keaton was able to break out and shine. Although the big studios didn't know what to do with Keaton, this film was funny and well above average for the day. Instead of it leading to depression and alcohol, better counsel would have been to adapt even better to the talkies and keep improving. This was an impressive movie, despite all the critics who only saw Keaton as a silent star. The critics are/were wrong. Keaton COULD adapt, although he lived through a barrage of naysayers, who are still around today singing praises of his silent pictures, which no one under 90 will watch. Try to get anyone under 50 to watch black and white -- you'll have a hard time with it. Keaton had great talent and should never have listened to the critics who praised only his silents. His work on this film proved he could still entertain and be funny. See more May 26, 2018 Oddly enough, I found the most interesting part of this film to be Norman Phillips, Jr, the 14-year-old who plays the boy being used as a pawn by criminals pretty well. That's pretty damning, since it's got Buster Keaton and Anita Page in it. And of course, Keaton is the only real reason anyone would ever watch it, or at least should watch it. He plays an awkward, rich slumlord, which doesn't fit for several reasons, and while there are a couple of exceptions, doesn't get a chance to truly demonstrate his comedy or his humanity. The humor is too often geared towards mayhem, without enough subtlety, and the script is weak. The film has no focus, shifting from slapstick to romance to gangster to an old episode of The Little Rascals, and does none of them well. It's just not very appealing aesthetically, despite how hard we root for Keaton, or how much we admire his athleticism. If Keaton had directed and not been chafing under the yoke of Jules White, it certainly would have been tighter and funnier. It's stunning to me that this was Keaton's most commercially successful film, a fact that no doubt helped convince MGM that they knew best, when they didn't. Talk about sacrificing art for short-term profit. See more Mar 20, 2015 ok B movie fare directed b y Jules White (3 stooges) See more Oct 20, 2011 I would guess the secret to watching Keaton's MGM sound comedies is to fast forward whenever people look like they're talking, and resume watching normally when Keaton starts flopping around like an ass. See more Sep 3, 2010 An interesting but slightly dull Keaton movie. See more Dec 4, 2008 i wouldnt say keaton was a dim witted slumword...more like a dim witted philanthropist. either way, his sellout period continues. there were maybe two good sequences in thsi film and the rest is just awful. you can see the comedy going in the direction of the marx brothers which didnt fit keaton's style (despite him later being a joke writer for them). either way, keaton tries his best with the medicore material and anita page is definetely a bright spot but pales in comparison to earlier work See more Read all reviews

Sidewalks of New York

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