Act of Violence

1948

Act of Violence

Critics Consensus

No consensus yet.

90%

TOMATOMETER

Total Count: 10

76%

Audience Score

User Ratings: 541
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Act of Violence Photos

Movie Info

Act Of Violence lives up to its no-fooling-around title with a grim, exciting melodrama. Van Heflin is Frank Enley, a World War II veteran who has survived and been decorated with honors, while nearly all his comrades died in a Nazi prison camp. The one survivor, a crippled, revenge-crazed Robert Ryan, sets out to make Enley pay for the confession that sent his buddies to their deaths. To save his wife (Janet Leigh) from danger, Enley flees, meeting up with a kind-hearted hooker (Mary Astor) and ultimately hiring a hitman to kill his pursuer. The chase builds to a tense climax that does nothing to relieve the dark atmosphere of the rest of the film. With taut performances by Ryan and Heflin emphasizing its classic moral dilemmas, Act Of Violence remains a gripping thriller.

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Critic Reviews for Act of Violence

All Critics (10) | Top Critics (2)

Audience Reviews for Act of Violence

  • Jan 29, 2019
    A classic, yet underappreciated, film noir that is only marred by its final scene. Nonetheless the ride down the seedy streets and saloons of late 1940s Los Angeles with desperate characters is well worth your time.
    Aldo G Super Reviewer
  • Sep 27, 2018
    This may be MGM's best film noir. The movie's title mystifies me; it isn't appropriate or descriptive for this particular film. The title appears generic, yet the violence exists primarily internal to the two leading men. This tense tale of betrayal and obsession gallops along at a torrid pace for all of its 82 minutes, refusing to let go. Van Heflin's character is running from his past, a very noir-ish plotline. Robert Ryan often played the heavy but had the acting chops to take on the hero roles also. His character, Parkland, both physically and psychologically wounded, seemingly insane and bent on revenge at any cost, is ahead of its time cinematically. Neither leading man is who he seems to be in the film's introduction. This is earliest role I've seen from Janet Leigh, maybe best described as "cute as a button" in her crucial role as Heflin's character's wife. Her great acting chops are on display This film shares elements with the outstanding drama Cape Fear, the 1991 Scorsese version more than the original 1962 film. It's on the nature of true guilt and innocence, as well the more obvious betrayal and revenge motives. The contrast between small town-bright lighting and big city-dark, shadowy, moody, for which noir is well-known is critical here. It reminds me, as does the film in a way, of Hitchcock's Shadow of a Doubt. The contrast of opposites between Ryan and Heflin's characters and their transformations during the film is the key to understanding the film's message. Act of Violence's breathless climax neatly wraps up the issues of honor and guilt, but I won't give it all away because you must experience it unadulterated. Suffice to sum it up as the elements of social justice, realism, and suspense are perfectly realized in the B-film noir genre by Fred Zinneman.
    Clintus M Super Reviewer
  • Sep 09, 2010
    interesting scenario of sympathetic family man van heflin being stalked by a slightly crazed robert ryan for something bad that happened in the war. the ending wraps everything up a little too neatly in classic western style but with good suspense in getting there. mary astor plays an aging hooker at the same time she was playing the saintly mother in little women LOL
    Stella D Super Reviewer
  • Jul 23, 2007
    Act of Violence is a pretty forgettable and unremarkable noir that explains revenge as it's plot but doesn't really make you believe it. Robert Ryan is unusually dull here (picture a low rent Max Cady) and Van Heflin is just a warm body filling up screen time and keeping shots balanced. I liked where the story went for the second act but by the end it just seemed like 25 lbs of shit stuffed in a 15 lb bag. I just wasn't really buying it all. It's not all bad though, the lighting is brilliant and that final scene that was blatantly influenced by Westerns was well done--all up to the car crash. Look for a young, dopey Janet Leigh and and old, tired Mary Astor.
    Michael G Super Reviewer

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