Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (15) | Top Critics (7) | Fresh (5) | Rotten (10)
The basic story's narrative and psychological simplicity - characters stating their beliefs over and over again - becomes an increasing burden. December 22, 2014 | Full Review…
The basic story's narrative and psychological simplicity - characters stating their beliefs over and over again - becomes an increasing burden.
Robert Abele
A substandard "crime drama" that reeks of the Idiot Plot Syndrome. December 12, 2014 | Rating: 1/4 | Full Review…
A substandard "crime drama" that reeks of the Idiot Plot Syndrome.
Odie Henderson
"After the Fall" belongs to a type of movie that is too lazy to connect the dots and fill in the blanks between its supposedly teachable moments. December 11, 2014 | Full Review…
"After the Fall" belongs to a type of movie that is too lazy to connect the dots and fill in the blanks between its supposedly teachable moments.
Stephen Holden
If you can avoid dwelling on its derivative qualities, "After the Fall" has its own case to make about how far the middle class has fallen - and continues to slide. December 10, 2014 | Rating: 2.5/4 | Full Review…
If you can avoid dwelling on its derivative qualities, "After the Fall" has its own case to make about how far the middle class has fallen - and continues to slide.
Sara Stewart
[The film] has much to recommend, including gorgeous New Mexico landscapes, sumptuous digital cinematography and -- as we might expect from Klein -- virtuoso editing. December 9, 2014 | Full Review…
[The film] has much to recommend, including gorgeous New Mexico landscapes, sumptuous digital cinematography and -- as we might expect from Klein -- virtuoso editing.
Stephen Dalton
Scanlon's desperate dive into a life of armed robbery is simply not believable, despite Bentley's best efforts. December 9, 2014 | Full Review…
Scanlon's desperate dive into a life of armed robbery is simply not believable, despite Bentley's best efforts.
Danny King
Filled with convenient turns and easily attainable avenues of retribution, the film ultimately seems like an archaic example of the dangerous follies of patriarchy. September 19, 2019 | Rating: 1.5/5 | Full Review…
Filled with convenient turns and easily attainable avenues of retribution, the film ultimately seems like an archaic example of the dangerous follies of patriarchy.
Nicholas Bell
There are hints along the way of the socioeconomic strife that Klein wants to explore, yet they become lost in a muddled screenplay that doesn't establish sympathy for its protagonist or his plight. December 31, 2014 | Full Review…
There are hints along the way of the socioeconomic strife that Klein wants to explore, yet they become lost in a muddled screenplay that doesn't establish sympathy for its protagonist or his plight.
Todd Jorgenson
Forgettable...Bentley is bland, first scene to last, and thanks to its subject, the film is instantly dated December 22, 2014 | Rating: 1.5/4 | Full Review…
Forgettable...Bentley is bland, first scene to last, and thanks to its subject, the film is instantly dated
Roger Moore
Fall isn't going to cure the world's ills, but it does define a few of them to satisfaction, creating an engrossing journey into extremity without ringing all the obvious bells on the way down. December 17, 2014 | Rating: B | Full Review…
Fall isn't going to cure the world's ills, but it does define a few of them to satisfaction, creating an engrossing journey into extremity without ringing all the obvious bells on the way down.
Brian Orndorf
A film that could only succeed by sorting through gradually darkening shades of gray works exclusively in embarrassingly bold strokes. December 15, 2014 | Rating: 1.5/5 | Full Review…
A film that could only succeed by sorting through gradually darkening shades of gray works exclusively in embarrassingly bold strokes.
Charles Bramesco
Moral ambiguity is center stage, and the film ultimately succeeds by sending audiences home to ponder their own levels of sin. December 9, 2014 | Full Review…
Moral ambiguity is center stage, and the film ultimately succeeds by sending audiences home to ponder their own levels of sin.
Joe O'Connell
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