I Think We're Alone Now (2018)
Critic Consensus: I Think We're Alone Now benefits from an absorbing aesthetic and solid work from its leads, although it's still somewhat less than the sum of its post-apocalyptic parts.
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Critic Reviews for I Think We're Alone Now
Peter Dinklage and Elle Fanning bravely face the end of the world, but they can't overcome a barrage of clichés in a plot that ties up loose ends without a single surprise or a scintilla of genuine emotion.
A post-apocalyptic tale with a late plot twist that feels as if it comes out of left field. And right field. And center field, the stands and the dugout, too.
There's nothing here about the necessary rudeness of companionship that wasn't more entertainingly addressed in the first episodes of the comedy series "The Last Man On Earth."
Morano's film wants to examine the emotional consequences of immersing oneself in trauma, but Makowsky's script merely paws at the edges of the idea rather than diving into the knottiness of it.
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