Norte, the End of History

Critics Consensus

Its four-hour length is undeniably imposing, but Norte, the End of History rewards patient viewers with an absorbing, visually expansive viewing experience.

93%

TOMATOMETER

Total Count: 40

79%

Audience Score

User Ratings: 1,014

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Movie Info

In the northern Philippine province of Luzon, a law-school dropout commits a horrific double murder; a gentle family man takes the fall and receives a life sentence, leaving behind a wife and two kids. At their best, Lav Diaz's marathon movies reveal just how much other films leave out. In his devastating twelfth feature, the broad canvas accommodates both the irreducible facts of individual experience and the cosmic sweep of time and space. A careful rethinking of Dostoevsky's Crime and Punishment shot in blazing color, this tour de force offers a masterful recapitulation of Diaz's longstanding obsessions: cultural memory, national guilt, and the origin of evil. (c) Cinema Guild

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Critic Reviews for Norte, the End of History

All Critics (40) | Top Critics (13) | Fresh (37) | Rotten (3)

  • Powerful and humbling, this 2013 drama is worth every minute you're willing to give it.

    September 4, 2014 | Full Review…
  • A political and spiritual parable, but related with such subtle realism and incantatory rhythms that it is far more mysterious than didactic.

    August 28, 2014 | Rating: 3.5/4 | Full Review…
  • If the movie's universal themes don't impress, its specific details do.

    August 7, 2014 | Rating: 3/4 | Full Review…
  • Diaz is dealing with primal emotions in a contemplative, visually striking way.

    July 18, 2014 | Rating: 3/5 | Full Review…
  • It's bristling with plot and ideas. The story sprawls, but it also rivets.

    July 18, 2014 | Rating: 5/5 | Full Review…
  • Detailed, rich, complex filmmaking.

    July 17, 2014 | Rating: 4/5

Audience Reviews for Norte, the End of History

  • Jun 04, 2015
    Diaz uses mostly long shots to make a clinical study of guilt and the nature of evil, but after a solid build-up in the first hour the film is slowed down by long passages where nothing much happens and its poetic attempt at an end is frustrating in its refusal to bring the story to an actual conclusion.
    Carlos M Super Reviewer

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