The Holiday - Movie Reviews - Rotten Tomatoes

The Holiday Reviews

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December 4, 2016
Finally watched this one the whole way through. Although Cameron Diaz's acting was pretty crappy at times, the movie itself wasn't - I thought it was a fun idea for a story, and I enjoyed seeing it all play out.
September 25, 2016
Amazing romance movie with an incredible cast. Have seen it multiple times, each time it is even better!
½ September 20, 2016
Cameron Diaz ruins an otherwise lovely story.
August 16, 2016
Just recently saw this again on free to air TV. Always a great watch with Hans Zimmer's beautiful score adding to it's magic.
July 28, 2016
I really enjoyed this movie
July 27, 2016
I love this movie it's obviously not winning any oscars but it's still fun to watch
½ July 19, 2016
The stakes could not humanly be lower: Will these two beautiful privileged white gals find romance? If there were one shred of suspense maybe I would care, but there wasn't so I didn't. In fact, I found myself laughing at how unrealistic certain scenes were.
½ July 2, 2016
I like how this story works out...
June 12, 2016
I was pleasantly surprised by this lighthearted Film I thought the characters all had chemistry! I disagree Kate and Jack Black were great together. A woman appreciate great humor in a man! And Eli Wallace's last movie he was so touching. I like the reminiscent of what it was like in old Hollywood!
June 12, 2016
Watched 10 min, looked promising to me but "too British" for hubby.
½ May 29, 2016
A fairly entertaining, low-brow, rom-com set in the UK and America with an all-star cast. Easy watching.
½ May 14, 2016
Cute film with some sweet moments, but it fails to bring anything new to the table in the "chick-flick" genre.
April 25, 2016
you are not looking for it, until it find you.
½ April 24, 2016
Utterly flimsy, fluffy, and so damn generic. It is an ultimate white people movie in which 4 attractive white people try to deal with their personal issues, and finding love again through the most unbelievably contrived plot. Nancy Meyers has done some great work in the past as a writer, but when it comes to directing her own films, she's not exactly a good one. The cast is damn likable, it has above-average production values, and there are some really funny moments. But in the end, nothing in The Holiday stays with you and it's a damn shame.
April 22, 2016
This is a quite cute movie, with some funny moment and some reflective one. Unfortunately, the dialogues are quite trivial and the acting quality doesn't always shine through the movie.
The plot and the story is nice and ironic, even though there are some absurdities that make it less realistic.
Anyway, a classical romantic comedy with an obvious "feel-good" goal.
April 14, 2016
It's my favorite movie to watch in December
March 27, 2016
Great soundtrack and Cameron Diaz is very sweet, but it was just too gooey and contrived for my liking.
February 23, 2016
love it will watch it over and over
February 20, 2016
Good: Most believable children/family relationship in any film I've ever seen with Jude Law and his on screen children.

Bad: Everything else.
½ February 17, 2016
NOTE: This film was recommended to me by Alex Olsen for the "Steve Pulaski Sees It."

Screenwriter/director Nancy Meyers continues to defy all romantic comedy conventions by doing a few things that are often missed by screenwriters of the genre. Instead of focusing on incredulous romances and meet-cutes, Meyers is quick to focus on the characters involved in these on-screen relationships, developing them by closely following their mannerisms before they become involved in the film's core romances. Secondly, she places emphasis on the dialog of the characters while they are in these relationships, rather than their actions, and even if circumstantial incredulity comes into play, you almost miss it because Meyers crafts such likable on-screen presences that it isn't so blatantly obvious that they are saying and doing things that are a bit too playful with narrative conveniences. Finally, the emphasis on conversation and character relationships helps Meyers naturally include humor and wittiness to a screenplay that would otherwise try too hard to be funny or relevant.

The end result is The Holiday, a very natural romantic comedy, with a quartet of strong performers and a story that takes its time to build over the course of two hours. Interestingly enough, most romantic comedies exhaust themselves past the one-hundred minute mark, but The Holiday defies convention by taking a liberal amount of time to illustrate two brewing romances on opposite sides of the world that all began because of adventurous feelings by two introverts.

The film opens by introducing two characters, Iris Simpkins (Kate Winslet), a column editor for a newspaper in London and Amanda Woods (Cameron Diaz), a movie trailer producer in Los Angeles. Iris has been in love with her coworker Jasper Bloom (Rufus Sewell) for over three years, despite him cheating on her when they were dating and that her love has gone unrequited. Iris winds up becoming more upset when she learns Jasper is engaged and she, well into her thirties, is still single. Amanda, however, has been a workaholic since the startup of her company, and the result has taken a toll on her live-in boyfriend (Edward Burns), who packs up and moves out after he reveals she has been cheating on her.

Both women are in need of a vacation, and upon discovering one another on a chat-room, they agree to a "house swap," where Iris will go live in Amanda's spacious, Los Angeles mansion and Amanda will live in Iris' small London cottage over the course of the holiday season. During her stay in Los Angeles, Iris meets an elderly man named Arthur Abbott (Eli Wallach), who was once a screenwriter during the Golden Age of Hollywood, in addition to Miles (Jack Black), a charming employee of Amanda's who has an obsession with films scores. Meanwhile in London, after initially slugging away at wine and holiday snacks, a drunk Amanda winds up meeting Iris' brother Graham (Jude Law) when he, also drunk, knocks on her door one night expecting Iris. The two commit to having a one-night stand, but when they realize their dynamic and chemistry is something neither of them can deny, the morning after becomes that much more complicated, especially when Graham allows Amanda to meet his kids.

The Holiday ostensibly sets itself up for immediate failure by focusing on two separate romances. That narrative structure is a constant problem with romance films because they struggle in trying to humanize and develop both relationships under a reasonable amount of time. For Meyers, time never seems to be a factor; she starts liberally, by revealing more about the characters through their mannerisms and their choices rather than by with whom they interact before inviting the love-interest into the picture. By including characters like Amanda's ex-boyfriend and Wallach's ex-screenwriter character, Meyers also shows that she has more on her mind than simply cranking out a dime-a-dozen love story. She wants to populate a film with characters that simultaneously mean something and fill a film with a great deal of entertainment value.

The result is a film that's breezily paced, but never fluffed, remarkably charming, but never saccharine, and humbly emotional, and never manipulative. This is largely thanks to Meyers' screenwriting, but also thanks to the talented cast of performers, specifically Winslet and Black who are trying to break out of their own character archetypes throughout the entire film. Consider Winslet's character, who could easily be a faceless, mopey spinster. Instead, Winslet is a deeply sympathetic character because she's not dysfunctional nor is she a comical trainwreck. Consider the scene where Iris is beside herself, talking with Miles about the perils and the unrelenting sadness of unrequited love and it how strips not just a piece, but several pieces, from your ability to love, trust, and sympathize with people. It's a truly sad monologue that Meyers wisely doesn't choose to milk for tears, but rather, pure, unadulterated honesty.

Meanwhile, Black gives a performance that is perhaps his most delightful mixed of controlled chaos yet. While he is more restrained and casual here, his zealous, roly-poly tendencies sneak in on various occasions, particularly the video store scene where he brilliant recites harmonies and melodies of film scores. Cameron Diaz and Jude Law serve as the more predictable couple, though that's not a bad thing, for they are the narrative anchor that keeps the film from taking off into another world. You're bound to have a preferred couple watching The Holiday, and for me, the insights and the consistent charm of both Winslet and Black's characters was an instant winner for me.

With all that in mind, The Holiday works as a very lovable piece of entertainment, and furthers Nancy Meyers' status as one of the smartest female directors working in the business today. Her careful craft when it comes to assembling a romantic comedy is shown with every character in the film, and rather than cluttering Holiday with useless caricatures or sticking to a basic love quartet, she surprises on multiple levels, effectively giving most audience members more than they expected.

Starring: Cameron Diaz, Jude Law, Kate Winslet, Jack Black, Eli Wallach, Edward Burns, and Rufus Sewell. Directed by: Nancy Meyers.
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