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Critics Consensus: Warm Bodies offers a sweet, well-acted spin on a genre that all too often lives down to its brain-dead protagonists.
Critic Consensus: Warm Bodies offers a sweet, well-acted spin on a genre that all too often lives down to its brain-dead protagonists.
All Critics (196) | Top Critics (38) | Fresh (159) | Rotten (37) | DVD (1)
It's not gruesome enough to please genre fans, but not nearly funny enough to be a comedy either. It tries to be a mixture of both and fails.
A muddled teenpic.
This is a love story, done with charm, humor, and tenderness.
This offbeat romcom about a girl who falls in love with a freshly dead, unusually amenable zombie is smart, entertaining stuff.
It's all very silly and sweet in that indie-nostalgic way that Levine ('The Wackness' and '50/50') has made his own.
Warm Bodies doesn't even have the conviction to follow through on its lame ideas, let alone its good ones. It's a mostly terrible film that misses the opportunity to be a merely mediocre one.
Warm Bodies is warm and often entertaining, but not only is it seldom gross, its desire for quick emotional effects prevents it from being truly engrossing.
Though "Warm Bodies" posits an equally long trek to become human, it's never that far in the eyes of Levine, who gives the film enough heart to match its bite.
The writing here is consistently witty, with enough jabs taken at both the zombie and rom com genres to entertain fans of both ...
Just another kind of walking dead.
Nicholas Hoult is sensational as R. It can't be easy to be an actor to have to be showy and restrained all while under zombie makeup, but Hoult manages to do just that.
A smart amalgamation of genres that will charm your socks off.
Quite adorable! I used to not care for Nicholas Hoult - mostly because of his uncomfortably attractive elfin features - but he's all hunched over and oatmeal-tinged as a half-sentient zombie who lives in an abandoned airport in a post-apocalyptic future, so I can dig it. In this gritty yet comedic send-up of "Romeo & Juliet," R catches feelings for Julie, the headstrong daughter of the general in charge of eradicating the undead. He kidnaps her to keep her safe from other less evolved zombies, and they eventually strike up a bond. The R&J parallels are pretty cute, and though it pains me to say this, Teresa Palmer is the blond, Australian, more emotive doppelganger of KStew.
Super Reviewer
need to finish watching
Another zombie flick, oh...great, but wait! this one is different, its about a zombie falling in love with a female who's still alive...wait what? Yes that's right the zombie in this flick is the undead hero and goes after a young girl saving her life. He then goes about looking after her and trying to woo her for her affections, yeah it does sound kinda sick doesn't it. OK so the plot is pretty unique I give it that, its original to see a zombie flick from the zombies point of view. This still doesn't alter the fact its an incredibly silly idea and amazes me it actually got the green light. The start of the film is actually quite good as we see zombie life, the kinda things we all know from zombie horror flicks of the past here presented in a mundane way, daily undead routines. Its got a nice quirky light feel to it, a horror comedy that really got me hooked I must admit. Things do get a bit daft as the zombies try to communicate, as narrated by our hero zombie, we hear his thoughts throughout. Its at this point you're thinking this is why no one has done this before, its ridiculous. The film goes up a gear of course once our zombie meets his girl and sweeps her off her feet. Its also the start of many many plot and idea issues. Not that I'm surprised seeing the content of the film, you know not to expect a completely coherent storyline. Why do the zombies seem to shuffle along yet in flashbacks they run? why do bonies run so well? why do bonies all look exactly the same? why do bullet hits anywhere kill bonies yet zombies need one in the head? how do the zombie masses manage to recover/come back to life? we know it was some kind of biological/viral outbreak that has killed everyone and turned them into zombies. But how would the body recover from this when its been clinically dead for a long period of time? decaying, no heartbeat. Its funny how the zombies are suppose to be completely brain dead (including our hero) yet still manage to speak, think, act etc...At the start when the girl is taken by our hero zombie she can escape at anytime quite easily. All she has to do is run off because the zombies only shuffle around, plus she accepts so easily that she's been captured. Anyone else would have smashed his brains out at the first chance they got, and she gets many. Also why did the other zombies believe she was dead? just because he smeared a tiny bit of zombie blood on her face?? really? I could go on but I won't simply because its a very easy film to pick apart, but its not suppose to be a thinker. Its a silly zombie flick with a twist and leaning towards comedy, I won't say romance because its just too stupid. Yes the inevitable comparison to 'Twilight' lingers in the air but its not really like that, yes our hero zombie is an Edward type of character with lots of pretty blue eye close ups but he doesn't sparkle. The female 'love' interest is not like Bella either, its not that sappy thank god, although she does kiss him whilst he's still undead (seconds before he is revived), so is that soft core necrophilia? Nicely original apart from the whole zombie apocalypse/last remaining humans in barricaded city stuff, and I liked the undead bonie zombies. Its not overly funny nor is it overly slushy and wet, its not scary but its not for kids either, it hangs somewhere in between. Had this been a tad more adult, had a bit more dark gallows humour, it could of been in the same league as 'An American Werewolf', but it holds its own.
There have been a lot of zombie shows recently and it would be understandable for people to be tired of the trope by now. This film freshens up things by introducing zombies that are self aware and maybe not entirely gone yet. It finds just the right balance of humor and suspense, being light-hearted while things are still at stake. That makes for a quite charming and entertaining take on the genre. The soundtrack is pretty great, too.
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