Dann Gire Movie Reviews & Previews - Rotten Tomatoes

Dann Gire

Dann Gire
Dann Gire's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
1.5/4 15% Transformers: The Last Knight (2017) Even with the low bar set by Michael Bay's previous Transformers movies, The Last Knight stands apart as an incoherent, disjointed work of visual anarchy, fanboy fantasy, mirthless mayhem and emo-starved characters.‐ Chicago Daily Herald
Read More | Posted Jun 20, 2017
3/4 79% Beatriz at Dinner (2017) Consider Mike White's clever drama the 21st century version of My Dinner With Andre -- with shivs.‐ Chicago Daily Herald
Read More | Posted Jun 16, 2017
1.5/4 No Score Yet The Recall (2017) The Recall is the kind of bad flying saucer movie you almost enjoy as much as a good one, just because it's so unaware of its own cheesy dumbness.‐ Chicago Daily Herald
Read More | Posted Jun 15, 2017
1/4 20% Once Upon a Time in Venice (2017) [Once Upon a Time in Venice] feels like a really bad, star-studded Oceans 11 prequel which, like a first pancake, should have been thrown out.‐ Chicago Daily Herald
Read More | Posted Jun 15, 2017
2/4 13% Kill Switch (2017) The tiresome, desensitizing first-person-shooter aesthetics in Kill Switch (not to be confused with Steven Seagal's 2008 thriller) diminish what modest humanity Smit's movie musters.‐ Chicago Daily Herald
Read More | Posted Jun 15, 2017
2/4 65% Cars 3 (2017) Even with an abundance of full-throttle races (rendered in splendid, detailed animation), Cars 3 doesn't travel all that fast for its 111-minutes, prompting some viewers to perhaps check the clock -- not in a good way.‐ Chicago Daily Herald
Read More | Posted Jun 15, 2017
2.5/4 41% The Hunter's Prayer (2017) [Traffics] in routine dumb and inept movie assassins.‐ Chicago Daily Herald
Read More | Posted Jun 8, 2017
3/4 86% It Comes At Night (2017) It Comes at Night intends to be a cautionary tale about the corrosive, terrible power of fear, but its isolationist bent and thinly disguised xenophobic message also feel creepily and politically prescient.‐ Chicago Daily Herald
Read More | Posted Jun 8, 2017
3/4 82% Megan Leavey (2017) Cowperthwaite brings the heat during the Iraq scenes, merging her journalistic approach with dramatic devices that imbue Megan Leavey with authenticity and urgency.‐ Chicago Daily Herald
Read More | Posted Jun 8, 2017
2.5/4 15% The Mummy (2017) This Mummy teems with promising ideas that never fully materialize.‐ Chicago Daily Herald
Read More | Posted Jun 7, 2017
3/4 92% Wonder Woman (2017) Wonder Woman gives rising star Gal Gadot the chance to... demonstrate her impressive skill set that includes a nuanced sense of humor, heightened physicality, dramatic gravitas and charismatic self-confidence.‐ Chicago Daily Herald
Read More | Posted May 31, 2017
2/4 29% Pirates of the Caribbean: Dead Men Tell No Tales (2017) Pirates of the Caribbean: Dead Men Tell No Tales isn't a terrible sequel, just a disappointing one.‐ Chicago Daily Herald
Read More | Posted May 24, 2017
2/4 48% Everything, Everything (2017) Unencumbered by financial restraints, Maddy and Olly apparently can own any phone, any size Apple computer screen, or new Toyota pickup truck they want.‐ Chicago Daily Herald
Read More | Posted May 19, 2017
3.5/4 71% Alien: Covenant (2017) Nobody comes to see Alien: Covenant for surprises of the pleasant sort. The unpleasant ones come at us with such intensity that in this space, everyone really can hear you scream.‐ Chicago Daily Herald
Read More | Posted May 17, 2017
2.5/4 69% The Wall (2017) The abrupt introduction of this chatty theatrical artifice disrupts the drama's gritty realism. Now, it really does feel like a one-set, real-time stage play.‐ Chicago Daily Herald
Read More | Posted May 11, 2017
1.5/4 28% King Arthur: Legend Of The Sword (2017) It's as if Ritchie sensed the ponderous weight of his story and dumped in every visual gimmick from his directorial kitchen sink.‐ Chicago Daily Herald
Read More | Posted May 11, 2017
3/4 36% Snatched (2017) Schumer continues to be an audacious, fearless and un-embarrassable comic lightning rod for intimate female sincerity.‐ Chicago Daily Herald
Read More | Posted May 10, 2017
3/4 90% David Lynch: The Art Life (2017) By the close of Nguyen's doc we have witnessed the arduous process [of] an American visionary.‐ Chicago Daily Herald
Read More | Posted May 5, 2017
2/4 51% The Dinner (2017) Strong, focused performances give The Dinner sufficient reason to be seen. But the finessed, sometimes chilling portraits of middle-class denizens in moral crisis don't give much shape to Moverman's blobby narrative.‐ Chicago Daily Herald
Read More | Posted May 4, 2017
2.5/4 81% Guardians of the Galaxy Vol. 2 (2017) Frenetic and frequently funny, Vol. 2 moves so mercifully fast that we hardly notice the narrative potholes.‐ Chicago Daily Herald
Read More | Posted May 3, 2017
2.5/4 92% The Devil's Candy (2017) The Devil's Candy settles for a standard-issue hellfire finale, one that obliterates what tattered credibility remains in Byrne's story.‐ Chicago Daily Herald
Read More | Posted Apr 27, 2017
3/4 88% The Lost City of Z (2017) Christopher Spelman's orchestral score spikes the narrative with classical flourishes as Gray whisks us into an Indiana Jones adventure so realistic, its speculations on what happened to Fawcett and his son feel dead-on.‐ Chicago Daily Herald
Read More | Posted Apr 20, 2017
2/4 89% Norman (Norman: The Moderate Rise and Tragic Fall of a New York Fixer) (2017) Norman possesses no core values we can detect, no personal history we can be sure of, and no sense of ethics we can confirm. Tragically, we can't empathize with such a shape-shifting character we know so little about.‐ Chicago Daily Herald
Read More | Posted Apr 20, 2017
2/4 50% The Promise (2017) The Promise falls so much in love with its own epic grandness that its dramatic heart gets lost among sweeping vistas and endless parades of violent confrontations, tearful reunions and tearful goodbyes.‐ Chicago Daily Herald
Read More | Posted Apr 20, 2017
3/4 67% Free Fire (2017) If Sam Peckinpah remade The Gang That Couldn't Shoot Straight, you'd get something like Ben Wheatley's ode to the cinema of comic cruelty Free Fire.‐ Chicago Daily Herald
Read More | Posted Apr 20, 2017
2.5/4 65% Tommy's Honour (2017) The ending involving an interview with an 84-year-old Tom Morris should be a two-fisted Kleenex moment. It settles for barely a fist.‐ Chicago Daily Herald
Read More | Posted Apr 13, 2017
2.5/4 66% The Fate of the Furious (2017) At 136 minutes, The Fate of the Furious suffers from a "more is more" approach that effectively dilutes the power of the movie had it been trimmed down to fighting weight by minimizing its slow-motion shots.‐ Chicago Daily Herald
Read More | Posted Apr 12, 2017
1.5/4 30% The Assignment (2017) The seamy characters in Walter Hill's cracked-out crazy, low-budget, neo-noiry thriller The Assignment don't share conversations. They exchange protracted expository speeches that sound like a playwright's explanation notes at the beginning of a play.‐ Chicago Daily Herald
Read More | Posted Apr 6, 2017
2.5/4 48% The Ticket (2017) Beauty and the Beast star Dan Stevens (he plays the Beast) supplies Ido Fluk's problematic, but courageously experimental morality play The Ticket with one of the year's most authentic, detailed screen performances.‐ Chicago Daily Herald
Read More | Posted Apr 6, 2017
3/4 46% Going in Style (2017) Caine, Freeman and Arkin share a comfortable camaraderie as three old pals who know each other so well, they can forgive each other for cranky outbreaks or poor decisions that might crush younger relationships.‐ Chicago Daily Herald
Read More | Posted Apr 6, 2017
3/4 64% For Here Or To Go? (2017) It's funny, romantic, thoughtful, even silly.‐ Chicago Daily Herald
Read More | Posted Mar 30, 2017
2/4 73% The Blackcoat's Daughter (February) (2017) These characters remain aloof and sketchy. They do not earn our sympathy or concern in a thriller where horror filmmakers simply try too hard.‐ Chicago Daily Herald
Read More | Posted Mar 29, 2017
2/4 46% Wilson (2017) Harrelson, who elevated sarcasm to a humanistic art form as the put-upon high school teacher in last year's The Edge of Seventeen, buries his heart under layers of antagonistic attitudes.‐ Chicago Daily Herald
Read More | Posted Mar 23, 2017
3/4 80% Dig Two Graves (2017) If the young Coen brothers had been turned loose in Southern Illinois to create an ultra-low-budget, 1970s supernatural horror tale reeking of EC Comics vibes, it might have roughly resembled Hunter Adams' stylish gothic tale of revenge Dig Two Graves.‐ Chicago Daily Herald
Read More | Posted Mar 23, 2017
1.5/4 16% CHIPS (2017) What we get with CHiPs -- Dax Shepard's randy, R-rated take on the blandly inoffensive 1977 NBC TV series -- is the sort of lowbrow action comedy usually released in the waning weeks of the summer season.‐ Chicago Daily Herald
Read More | Posted Mar 23, 2017
3/4 71% Beauty and the Beast (2017) Condon's visually opulent, slower-tempo movie mostly succeeds, with a few embellishments tossed in to spice up its nostalgia quotient.‐ Chicago Daily Herald
Read More | Posted Mar 15, 2017
3/4 34% The Last Word (2017) Nothing happens here we don't see coming. Still, MacLaine makes it work well on arrival.‐ Chicago Daily Herald
Read More | Posted Mar 9, 2017
2.5/4 37% Brimstone (2017) A grim and unsavory tale of female empowerment with the kind of her-head-is-bloodied-but-unbowed ending you feel compelled to applaud, but can't bring yourself to do it.‐ Chicago Daily Herald
Read More | Posted Mar 9, 2017
3.5/4 76% Kong: Skull Island (2017) Skull Island knows what makes an old-fashioned monster movie work, mainly lots of monsters. Some fly. Some swim. Some have big teeth.‐ Chicago Daily Herald
Read More | Posted Mar 8, 2017
2.5/4 67% Before I Fall (2017) As Lindsay, Sage handles the heavy lifting in this cast, giving what could have been a one-dimensional B-queen a vulnerable, frightened interior protected by layers of meanness and antagonism.‐ Chicago Daily Herald
Read More | Posted Mar 2, 2017
3/4 93% Logan (2017) Logan makes for a better character study than superhero adventure.‐ Chicago Daily Herald
Read More | Posted Mar 1, 2017
2.5/4 43% Rock Dog (2017) Unlike in Pixar and Disney features, they also don't raise the bar much beyond the level of cartoons packed with flashy action sequences and 13 catchy songs.‐ Chicago Daily Herald
Read More | Posted Feb 23, 2017
3/4 84% The Girl With All the Gifts (2017) The Girl With All the Gifts finds a fresh, gutsy approach to the zombie virus apocalypse movie.‐ Chicago Daily Herald
Read More | Posted Feb 23, 2017
3.5/4 97% Kedi (2017) [Torun] and her filmmaking team do things the hard, interesting way.‐ Chicago Daily Herald
Read More | Posted Feb 23, 2017
4/4 99% Get Out (2017) Get Out performs a service that only high-end horror and comedy films (plus some science-fiction) can: present a disturbingly honest, critical analysis of the status quo safely disguised as an entertaining genre work.‐ Chicago Daily Herald
Read More | Posted Feb 22, 2017
1/4 27% Fist Fight (2017) The insipid high school comedy Fist Fight celebrates and exploits the very ideas that it should be ridiculing for comic effect.‐ Chicago Daily Herald
Read More | Posted Feb 17, 2017
1.5/4 35% The Great Wall (2017) Seldom in motion picture history has such stylish, visual bombast been forced to service such dumbed-down, subtly racist storytelling.‐ Chicago Daily Herald
Read More | Posted Feb 17, 2017
2.5/4 83% A United Kingdom (2017) At the end of the movie, a crawl tells us of the amazing accomplishments Seretse and Ruth did in their later years. And you wonder how much more satisfying this movie could have been had these been part of this story.‐ Chicago Daily Herald
Read More | Posted Feb 16, 2017
1.5/4 No Score Yet The Adventure Club (2017) Adventure Club has its heart in the right place (its message of forgiveness for reformed bullies and apologetic family betrayers is admirable), but its brain has gone comatose and its adrenal glands never get excited.‐ Chicago Daily Herald
Read More | Posted Feb 9, 2017
3.5/4 89% John Wick: Chapter 2 (2017) Not since the John Woo-inspired Lethal Weapon have fight segments so delightfully surprised us with their lyrical movement, raw force and explosive spontaneity, all supplemented by Oscar-grade sound editing and mixing.‐ Chicago Daily Herald
Read More | Posted Feb 9, 2017