Ernesto Diezmartinez Movie Reviews & Previews - Rotten Tomatoes

Ernesto Diezmartinez

Ernesto Diezmartinez
Ernesto Diezmartinez's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
75% Atomic Blonde (2017) A choreography of blows turned into a form of fine arts. And with Charlize at the center of it all, even more beautiful art. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Sep 12, 2017
14% Open Water 3: Cage Dive (2017) The same as always, with characters even less likeable than the previous ones. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Sep 12, 2017
96% Kaili Blues (Lu Bian Ye Can) (2016) Gan's mastery of his cinematic resources is total: elegant all-encompassing paneos, impeccable framing and a perfectly choreographed sequence shot of more than 40 minutes that would be the envy of Lubezki and Iñárritu. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Sep 12, 2017
68% Annabelle: Creation (2017) A horror movie as conventional as it is effective. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 24, 2017
93% Baby Driver (2017) A heist movie that is nothing more than a series of clichés effectively embedded. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 24, 2017
50% Hazlo Como Hombre (2017) At best, the film is functional, the story can hardly be called a comedy. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 24, 2017
71% Staying Vertical (Rester vertical) (2017) A digressive and whimsical story centered on the romantic / sexual encounters / disagreements of a blocked scriptwriter who seeks the meaning of his life through the flesh, not the spirit. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 16, 2017
93% Dunkirk (2017) Nolan has once again bet on big industrial cinema, the blockbuster formally risky and thematically conventional. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 11, 2017
93% War for the Planet of the Apes (2017) A solid general execution of the story, a multidimensional villain and an emotional anticlimatic resolution. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 11, 2017
98% Your Name. (Kimi No Na Wa.) (2017) It begins as a hilarious but conventional teen comedy to transform, little by little, into something much more unpredictable and intelligent. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 11, 2017
45% Paris Can Wait (Bonjour Anne) (2017) An innocuous film for women where its protagonists travel, eating and drinking wine. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 11, 2017
No Score Yet Perdidos (2014) A conventional but very effective horror movie that follows the found-footage formula. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 8, 2017
100% Devil's Freedom (2017) A documentary where victims and murderers share the same face and, behind the mask, the same northern accent, the same impossibility to forget. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Aug 2, 2017
84% The Girl With All the Gifts (2017) What separates the film from the rest of the recycled zombies of our time is, on the one hand, the splendid cast and, on the other hand, the careful relationship that has the story of Carey with the Greek myth of Pandora. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 19, 2017
90% A Man Called Ove (En man som heter Ove) (2016) A sentimental dramedy that counts on a solid performance protagonist of Rolf Lasgard. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
80% Colossal (2017) It has the attractive presence of Anne Hathaway in the starring role and a series of twists and turns that goes pretty well with both the melodrama and the giant monster movies. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
No Score Yet To Kill a Man (2014) A great Hitchcockian moral thriller. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
65% April's Daughter (Las hijas de Abril) (2017) A change of direction in the solid multi-award-winning filmography of the young filmmaker. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
No Score Yet El Paso (2016) The most simple and conventional documentary that González has directed so far. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
88% 20th Century Women (2017) A solid feminine/feminist film with an excellent cast. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
94% Fences (2016) A visually monotonous film that, however, ends up mesmerizing thanks to a remarkable cast of actors. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
95% Graduation (Bacalaureat) (2017) An absorbing drama that may have been performed in Mexico. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
92% Spider-Man: Homecoming (2017) The duration is frankly excessive and the final fight is the same old thing -confusing and without genuine cinematographic sense-, but these defects end up being lesser to the consistent good humor of the film. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 12, 2017
85% Okja (2017) A frustrating film: it's not entirely flawed, but it's annoying to see how the best moments are worn out very fast. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 5, 2017
96% After the Storm (Umi yori mo mada fukaku) (2017) As is common in the best cinema of Koreeda, the film stays oozing in the memory long after having seen it. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jul 5, 2017
86% Experimenter (2015) A traditional biopic about Milgram played by a perfect Peter Sarsgaard, between melancholy and boredom. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jun 12, 2017
90% Maquinaria Panamericana (2016) An interesting though not quite achieved socio-political allegory, which is more a good idea than a good movie, since is very repetitive and quite obvious. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jun 12, 2017
92% Wonder Woman (2017) A movie with a good romantic rapport by Gadot and Pine, a solid secondary cast and a dramatic idea contained in Allan Heinberg's script. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Jun 8, 2017
70% Alien: Covenant (2017) An uneven film saved by Ridley Scott, the presence of Michael Fassbender and for those final 15 minutes. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted May 16, 2017
100% Plaza de la Soledad (2016) A clean look, equidistant from all tremendousness and all condescension forgiveness. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted May 8, 2017
70% The Unknown Girl (La fille inconnue) (2017) The most recent feature of the Dardenne brothers is a remarkable moral thriller. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted May 8, 2017
No Score Yet La caridad (2016) Islas returns to show that he has an enormous capacity of observation and empathy: the winks of good humor alternate with a discreet sensuality. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 26, 2017
80% Patriots Day (2017) It may have been a real masterpiece, but unfortunately it ends up as a sentimentaloid monologue. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 25, 2017
87% The Autopsy of Jane Doe (2016) An effective weekend treat, no more, no less. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 25, 2017
76% Kong: Skull Island (2017) The film has colorful special effects that, in fact, stop being colorful when one realizes that they are nothing more than that: special effects without a story. A disaster. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 4, 2017
94% Neruda (2016) A risky mise-en-abyme narrative, more witty in the role than in reality. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 4, 2017
83% The Founder (2017) A film that shows us the face of the trumpist transactional philosophy: for someone to fulfill his "American dream", another will have to suffer. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 4, 2017
No Score Yet The Possession Experiment (2016) Horrific, in every single way. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 4, 2017
71% Beauty and the Beast (2017) The live action remake can be a little too long, but the story, the impeccable cast and the original music and songs are immune to that unnecessary lengthening. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Apr 4, 2017
100% La caja vacía (2016) If you expect sense of humor, warmth and even joy, forget it: this is a dark and somber film. And it couldn't have been otherwise. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Mar 14, 2017
87% The Ornithologist (O ornitólogo) (2017) It stagnates between stories and it extends too much towards the end. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Mar 8, 2017
96% The Salesman (Forushande) (2017) Farhadi once again demonstrates his mastery of the management of his actors and the inexhaustible capacity as a filmmaker and screenwriter to challenge and change our expectations. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Mar 8, 2017
89% Mimosas (2017) Although it never ceases to be interesting, especially in its images of the Moroccan exteriors, the reality is that the story itself ends up exhausting the patience of the viewer. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Mar 8, 2017
75% Miss Sloane (2016) By the subject it approaches and by its narrative structure, the film never ceases to be interesting. Unfortunately, it fails towards the end because its plot starts resembling a soap opera. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Mar 8, 2017
93% The Pearl Button (El botón de nácar) (2015) The most recent documentary by Patricio Guzmán explores and faces the past and the presen of Chile, looking at the heavens and turning down, towards the earth. Or, in this case, to the sea. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Mar 8, 2017
92% Toni Erdmann (2016) A film that everyone has praised so much but the way to get there is long. I would say it was almost worth the ride for those last 40 minutes. Almost. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Feb 27, 2017
No Score Yet Pozoamargo (2015) A film that accumulates misfortune after misfortune to the suffered spectator that dares to watch until the end. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Feb 27, 2017
No Score Yet While the Wolf's Away (Mientras el Lobo No Está) (2016) At the end gives the feeling that Hemsani wanted to make several films in one. It's not worthy, not even as a weekend amusement. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Feb 27, 2017
84% Silence (2017) A remarkable film that results in one of the most personal Scorsese's works. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Feb 27, 2017
88% Jackie (2016) It ended up pushing me further away from the character. In other words, I can appreciate the formal achievements of the film, but what surrounds this calculated and talented woman couldn't interest me less. [Full review in Spanish]‐ Cine Vértigo
Read More | Posted Feb 27, 2017