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Aubrey Page

Aubrey Page's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Novitiate (2017) 86% B EDIT “Stern on the surface, yet entirely human look at religion, femininity and faith.” – Collider Oct 27, 2017 Full Review Pilgrimage (2017) 68% 2.5/5 EDIT “It's neither dumb enough to whiz along as a pulpy period action film, nor complex enough to take its place amongst the ranks of classics.” – Collider May 8, 2017 Full Review Flower (2017) 48% 2.5/5 EDIT “In the end, Flower buckles underneath its attempt at balancing its plethora of tones, ultimately abandoning the emotional journey of its central character in favor of a tidier ending.” – Collider May 8, 2017 Full Review The Boy Downstairs (2017) 65% 4/5 EDIT “Brooks perfectly captures the party dynamic of young Brooklyn gatherings, vividly skewering hipster hookup culture and mustachioed meet-cutes on rooftops, while still managing to approach her central love story with maximum pathos.” – Collider May 8, 2017 Full Review The Lovers (2017) 81% 3/5 EDIT “The Lovers is a lengthy and uneven journey to an absolutely sublime destination - with a deliciously transgressive and darkly funny final tag that handsomely rewards those that choose to stick around for all the messy proceedings.” – Collider May 8, 2017 Full Review Gifted (2017) 73% 3/5 EDIT “It's not a genius revamp of the formula, nor is it profound enough to become a classic of its small subgenre. But for those drawn in by its blandly charming premise, it's safe to say you'll find quite a bit to like in Gifted.” – Collider Apr 7, 2017 Full Review Prevenge (2016) 92% 4.5/5 EDIT “Prevenge forgoes the traditional pitch of horror-comedies and never mines its kills for laughs. The violence in the film is graphic but never showy, preferring to revel in the awkward muck of bloodletting, the reality of taking a life.” – Collider Mar 24, 2017 Full Review Song to Song (2017) 43% 4/5 EDIT “It's easily the best of his films since The Tree of Life, a deceptively simple and affecting look at regret, forgiveness and the human condition, told in a way only Malick could.” – Collider Mar 16, 2017 Full Review Catfight (2016) 74% 3.5/5 EDIT “Made well before the official presidency of Donald Trump, Catfight feels, in many ways, like one of the most finely tuned responses to the new political climate we've seen yet. But Catfight isn't so much reactionary as it is prescient.” – Collider Mar 3, 2017 Full Review XX (2017) 69% 3.5/5 EDIT “XX is imperfect, sure, but it's also rich, interesting, and rife with surprisingly fresh perspectives on the genre.” – Collider Feb 16, 2017 Full Review A Dog's Purpose (2017) 35% 2/5 EDIT “It's certainly not the worst film you'll see this year, but it's one I'm willing to bet you won't remember by the end of it.” – Collider Jan 26, 2017 Full Review The Autopsy of Jane Doe (2016) 86% 3.5/5 EDIT “The Autopsy of Jane Doe isn't destined to be a classic, but it's got grotesque imagery and ideas to spare-a modern day fairytale with a thoroughly rotten core.” – Collider Dec 19, 2016 Full Review Certain Women (2016) 92% 4/5 EDIT “Reichardt has spun another breathtaking ode to life, and to the female experience, with easy humor and most of all, tenderness, that makes the phrase "Certain Women" one of rarified honor.” – Collider Oct 4, 2016 Full Review The Sea of Trees (2015) 19% 1.5/5 EDIT “Perhaps it's a film that would be better appreciated on mute?” – Collider Aug 25, 2016 Full Review Imperium (2016) 84% 4/5 EDIT “Imperium is a satisfying combination of genre thrills and real-life implications, resulting in a movie that, if not the first to tackle the subject matter, is certainly one of the best.” – Collider Aug 19, 2016 Full Review Tallulah (2016) 85% 3.5/5 EDIT “With a thematic range that runs the gamut from light and cheerful to life and death, the film never seems to know quite what it should be. But hey, neither does Tallulah herself.” – Collider Jul 28, 2016 Full Review
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