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Eddie Falvey

Eddie Falvey's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
All the Bright Places (2020) 67% 3/5 EDIT “[T]here is an undeniable warmth and tenderness to Fanning and Smith's performances that makes this a worthy, if not particularly memorable, addition to a thriving sub-genre.” – One Room With A View Mar 2, 2020 Full Review Song of the Sea (2014) 99% 4/5 EDIT “Aided by stellar voice work from the inimitable Brendan Gleeson, among others, Moore's gorgeous sophomore feature is steeped in a transformative sense of sadness and longing.” – One Room With A View May 7, 2019 Full Review Midnight Special (2016) 83% 4/5 EDIT “Midnight Special comes close to greatness is undeniable - its first hour is a deliriously inventive, utterly arresting cosmic thriller that keeps its cards very close to its chest. If only the final act didn't reveal its bluff.” – One Room With A View Apr 16, 2019 Full Review Indignation (2016) 82% 4/5 EDIT “Even if the bookending sequences thematically overstretch, the film remains an alluring, moving tapestry of a nation unfolding.” – One Room With A View Apr 16, 2019 Full Review 24 Weeks (2016) 4/5 EDIT “Berrached's 24 Weeks is without question a bleak affair, excruciating even; it is an unflinching account of a impossible decision, a film that punishes its audience's judgement of a situation that is never black and white...” – One Room With A View Apr 16, 2019 Full Review Things to Come (1936) 91% 4/5 EDIT “Things to Come (L'avenir) is a masterclass in restraint that proves that a film does not need to be ostentatious in order to be powerful.” – One Room With A View Apr 15, 2019 Full Review War on Everyone (2016) 61% 2/5 EDIT “Although outwardly disappointing, it's not the case that War on Everyone is a total write-off.” – One Room With A View Apr 15, 2019 Full Review Alone in Berlin (2016) 58% 2/5 EDIT “What Vincent Perez's plodding, predictable, utterly perfunctory WWII drama fails to recognise is that it doesn't even have a particularly good story on its hands.” – One Room With A View Apr 15, 2019 Full Review Death in Sarajevo (2016) 76% 4/5 EDIT “Tanović's highly literate, complex satire seeks to interrogate its audience, unafraid to look it in the eye as if down the barrel of a gun.” – One Room With A View Apr 15, 2019 Full Review A Quiet Passion (2016) 92% 4/5 EDIT “Cynthia Nixon shines in a film that finds poetry in the everyday, grounding the elusive icon with wit, warmth, and humanity.” – One Room With A View Apr 15, 2019 Full Review Crosscurrent (2016) 58% 3/5 EDIT “Yang Chao's film is stunning to look at but ultimately confuses profundity with incomprehensible philosophical gesturing.” – One Room With A View Apr 15, 2019 Full Review Soy Nero (2016) 4/5 EDIT “While occasionally meandering, there is no denying that Soy Nero persists as an effective indictment of the hypocritical institutions, both political and personal, that mediate local and national categorisation.” – One Room With A View Apr 15, 2019 Full Review Where to Invade Next (2015) 79% 3/5 EDIT “Idealism is admirable, but Moore's simplification of the potential solutions to complex national crises is ultimately naive; challenging hegemonic infrastructure and national discourse requires a little more than a few nice ideas haphazardly presented.” – One Room With A View Apr 15, 2019 Full Review Genius (2016) 51% 3/5 EDIT “While the film fails to live up to its namesake, it's a starry, solid account of a literary icon and the man who brought him to the world.” – One Room With A View Apr 15, 2019 Full Review News from Planet Mars (2016) 3/5 EDIT “An outwardly odd if quietly clever existential drama that trades in satire and biting black humour.” – One Room With A View Apr 12, 2019 Full Review A Lullaby to the Sorrowful Mystery (2016) 4/5 EDIT “Lullaby boasts Diaz's typically impressive visuals, deep sense of time and place, and enigmatic approach to storytelling, but it feels loose, unfocused in places, and, again, too long.” – One Room With A View Apr 12, 2019 Full Review Creepy (2016) 91% 1/5 EDIT “Creepy is a sterile bore that, at 130 gruelling minutes, considerably outstays its welcome.” – One Room With A View Apr 12, 2019 Full Review A Dragon Arrives! (2016) 4/5 EDIT “Mani Haghighi interweaves various narratives and timelines to blend history, allegory, and magical realism into a spellbinding film...” – One Room With A View Apr 12, 2019 Full Review Saint-Amour (2016) 80% 3/5 EDIT “At heart Saint Amour is a simple, likeable comedy...” – One Room With A View Apr 12, 2019 Full Review Loev (2015) 86% 4/5 EDIT “Loev is vital filmmaking from a powerful new voice.” – One Room With A View Apr 4, 2019 Full Review Miles Ahead (2016) 74% 2/5 EDIT “Jazz is about cadences, rhythm, and daring; everything that this dry biopic seems to lack.” – One Room With A View Apr 4, 2019 Full Review Tale of Tales (2015) 84% 4/5 EDIT “A wildly imaginative, erotic, and at times nightmarish slice of adult high fantasy.” – One Room With A View Apr 1, 2019 Full Review The BFG (2016) 74% 3/5 EDIT “For the millions who owe the breadth of their childhood imaginations to Dahl, there's plenty to love, if only it could offer a little more depth.” – One Room With A View Mar 29, 2019 Full Review The Commune (2016) 71% 3/5 EDIT “If The Commune was entirely Anna's story then perhaps the film would have fared better. It falls down almost entirely on the strength of her husband Erik's character.” – One Room With A View Mar 29, 2019 Full Review Chi-Raq (2015) 82% 4/5 EDIT “Utterly unafraid to point its finger, Chi-Raq is nothing less than a rousing success.” – One Room With A View Mar 14, 2019 Full Review
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