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Rating Title | Year Author Quote
The Silent Service: The Battle of Arctic Ocean (2025) Maddy Casale Despite the subject matter, the title’s characters and story lack depth, culminating in an ultimately underwhelming viewing experience.
Posted Mar 23, 2026Edit critic review
The Rise of the Red Hot Chili Peppers: Our Brother, Hillel (2026) Johnny Loftus With its focus on founding guitarist Hillel Slovak, The Rise of Red Hot Chili Peppers: Our Brother Hillel develops an inspiring portrait of an artist as a young man, who was taken too soon.
Posted Mar 23, 2026Edit critic review
Mercy (2026) John Serba The director’s visual approach to the material reflects our modern-day eye-crossing experience of constant information-bombardment, which is to say it’s no fun whatsoever.
Posted Mar 23, 2026Edit critic review
Two for Tee (2026) Liz Kocan Two for Tee is one of those movies that you want to live in.
Posted Mar 23, 2026Edit critic review
Sisu: Road to Revenge (2025) John Serba Sisu: Road to Revenge is genius-level idiocy.
Posted Mar 23, 2026Edit critic review
Peaky Blinders: The Immortal Man (2026) John Serba Knight carefully arranges the thematic chess pieces for maximum drama.
Posted Mar 23, 2026Edit critic review
Terri Joe: Missionary in Miami (2026) John Serba Welp. Terri Joe’s transition from short-form comedy to long-form feature tends to be problematic. As ever, what’s funny for two minutes is tough to sustain for 80.
Posted Mar 19, 2026Edit critic review
Country Doctor (2025) John Serba During a time of such widespread duress, Country Doctor is a feelgood story that might be just what the doctor ordered.
Posted Mar 19, 2026Edit critic review
The Cut (2024) John Serba This Cut is so shallow, it doesn’t even need stitches.
Posted Mar 19, 2026Edit critic review
It's Dorothy! (2025) John Serba Its lack of focus doesn’t detract from its entertainment value.
Posted Mar 19, 2026Edit critic review
Peaky Blinders: The Immortal Man (2026) Benjamin H. Smith Like Tommy Shelby himself, Peaky Blinders: The Immortal Man is deeply faulted but with ultimately redeeming qualities.
Posted Mar 19, 2026Edit critic review
Mark Normand: None Too Pleased (2026) Sean L. McCarthy If this is your first brush with Mark Normand, then you'll undoubtedly love and hate some of these jokes. Otherwise, you already know what you're in for.
Posted Mar 19, 2026Edit critic review
Not Without Hope (2025) John Serba Not Without Hope is a by-the-numbers but modestly engaging BOATS movie. It won’t change your life, but it also won’t make you feel like you wasted your time.
Posted Mar 16, 2026Edit critic review
The Plastic Detox (2026) John Serba The Plastic Detox uses some fearmongering to convince us of its assertions, but it balances it out with humor and hope. Bottom line, it’s informative, not manipulative.
Posted Mar 16, 2026Edit critic review
Anniversary (2025) John Serba The first half of the film is taut and shrewdly directed placesetting. But the second half loses its razorlike edge, replacing it with blunt-force hysteria.
Posted Mar 16, 2026Edit critic review
Made in Korea (2026) Radhika Menon While there is an emotionally satisfying relationship at the center of the film, Made in Korea has too much noise in its subplots to completely satisfy.
Posted Mar 16, 2026Edit critic review
Good Luck, Have Fun, Don't Die (2025) John Serba The story maintains its satirical aim throughout, but loses its nerve in the second hour as its stronger ideas get swallowed up in the machinations of the plot.
Posted Mar 16, 2026Edit critic review
The Testament of Ann Lee (2025) John Serba Ann Lee goes whole-hog and you can’t help but be admired by her dedication – and hypnotized by this most singular of musicals.
Posted Mar 16, 2026Edit critic review
Louis Theroux: Inside The Manosphere (2026) Sean L. McCarthy It feels like trying to catch up with the state of influencers might just be a frustrating game of whack-a-mole. At least we can see who some of the biggest moles are, though.
Posted Mar 16, 2026Edit critic review
Fukushima: A Nuclear Nightmare (2026) John Serba Fukushima: A Nuclear Nightmare is brutal, but vital viewing.
Posted Mar 12, 2026Edit critic review
Dracula (2025) John Serba This Dracula is as elaborate and ambitious as it is sloppy.
Posted Mar 12, 2026Edit critic review
Primitive War (2025) John Serba It’s not quite Primitive Snore but it comes a little too close.
Posted Mar 12, 2026Edit critic review
The Pink Pill: Sex, Drugs & Who Has Control (2026) John Serba Some journalistic rigor would make The Pink Pill a much stronger documentary. But it’s nonetheless informative, and further illuminates America’s ugliest issues with gender equality and human rights.
Posted Mar 12, 2026Edit critic review
Harry Styles. One Night in Manchester. (2026) Johnny Loftus Harry Styles: One Night in Manchester debuts the pop star’s first record since the multiple Grammy-winning Harry’s House, and does it in buoyant style, with a new rush of dance beats to meet Styles’ name-brand touch on a romantic ditty.
Posted Mar 12, 2026Edit critic review
Eloá the Hostage: Live on TV (2025) Johnny Loftus As it combines archival footage with reenactments of the crisis as the hours of tension mount, Eloá the Hostage becomes so engrossed, it has very little time for the breaking point that ended the incident but spawned lots of questions.
Posted Mar 12, 2026Edit critic review
Ghost Elephants (2025) John Serba Nobody makes documentaries like Herzog. Nobody.
Posted Mar 12, 2026Edit critic review
Strangers in the Park (2026) John Serba Strangers in the Park is a pleasant, diverting entertainment underscored with some welcome philosophical musings.
Posted Mar 12, 2026Edit critic review
Melania (2026) John Serba The film concludes with her promise that she’ll fulfill her duties as First Lady “with purpose and style,” and a couple walls of text trumpeting her accomplishments from the past year. You’ll be lucky if you maintain consciousness long enough to read it.
Posted Mar 12, 2026Edit critic review
Sugar & Vice: A Hannah Swensen Mystery (2026) Liz Kocan I wanted to like Sugar & Vice: A Hannah Swenson Mystery because I’ve grown fond of the recurring cast and cozy, familiar setting in the Hannah Swensen movies, but this iteration felt like it was missing an ingredient or two
Posted Mar 12, 2026Edit critic review
Derrick Stroup: Nostalgic (2026) Sean L. McCarthy Stroup certainly doesn’t stand out in a sea of stand-ups by being your everyday white guy, but he’s likable enough that, especially for his fellow Millennials, they’re more willing to go along for the ride.
Posted Mar 12, 2026Edit critic review
Fackham Hall (2025) John Serba Surely you’ll find something to laugh at in Fackham Hall – and don’t call me “Fackham.”
Posted Mar 06, 2026Edit critic review
War Machine (2026) John Serba Bore Machine.
Posted Mar 06, 2026Edit critic review
Videoheaven (2025) John Serba It’s decidedly FCO: For Cinephiles Only.
Posted Mar 06, 2026Edit critic review
How to Shoot a Ghost (2025) John Serba Buckley is charismatic, as ever.
Posted Mar 06, 2026Edit critic review
The Moment (2026) John Serba The Moment has me teetering between fascination and ambivalence – but ever so slightly more toward the former than the latter.
Posted Mar 06, 2026Edit critic review
Trap House (2025) John Serba Trap House is a shambles of a movie that isn’t sure if it wants to be a grim crime-drama or an outta-control-teenz comedy.
Posted Mar 06, 2026Edit critic review
Bruce Bruce: I Ain't Playin' (2026) Sean L. McCarthy This hour certainly hits a lot harder with parents, couples in long-term relationships and audiences old enough to remember Def Comedy Jam.
Posted Mar 06, 2026Edit critic review
Tin Soldier (2025) John Serba Tin Soldier yearns to be a badass weave, but it’s just a mangy merkin.
Posted Mar 02, 2026Edit critic review
Boys Go to Jupiter (2024) John Serba Cheers to Glander for marching to his own beat, but for me – a Gen-Xer who just ain’t feeling it – Boys Go to Jupiter is a near-miss.
Posted Mar 02, 2026Edit critic review
In the Blink of an Eye (2026) John Serba When the film itself unwittingly tumbles into its own vast logical crevasses, well, it’s a lost cause.
Posted Mar 02, 2026Edit critic review
The Swedish Connection (2026) John Serba Gosta Engzell may not have the fame of Oskar Schindler, but his story is still worth telling.
Posted Mar 02, 2026Edit critic review
Pavane (2026) John Serba This long slow dance goes nowhere.
Posted Mar 02, 2026Edit critic review
Romance at Hope Ranch (2026) Maddy Casale The gorgeous New Mexico landscapes, majestic horses, decent romantic chemistry, and committed performances from the cast make this an overall pleasant experience for some entertaining, easy viewing.
Posted Mar 02, 2026Edit critic review
Paul McCartney: Man on the Run (2025) Johnny Loftus Visually and aurally, Man on the Run is packed with 1970s vibes. And If you’re a Wings head, you’re home. It’s also a solid survey of where Paul McCartney was, philosophically and emotionally, as he publicly traversed his post-Beatles chapter.
Posted Mar 02, 2026Edit critic review
Father Mother Sister Brother (2025) John Serba Of course, Jarmusch avoids any emotion that’s too grand or melodramatic – closure ain’t his thing. Whether you’re moved by Father Mother Sister Brother or merely puzzled by the filmmaker’s rumination on the ties that bind depends on your own baggage.
Posted Mar 02, 2026Edit critic review
Good Fortune (2025) John Serba Good Fortune ain’t half bad.
Posted Mar 02, 2026Edit critic review
Is This Thing On? (2025) John Serba Is This Thing On? is the least of Cooper’s directorial efforts. But we haven’t seen Arnett capital-A Act quite like this before, and he shows significant depth playing against type.
Posted Mar 02, 2026Edit critic review
The Bluff (2026) John Serba The Bluff is totally passable. No need to throw it in the brig. Or make it walk the plank. Or schedule it a trip to Davy Jones’ Locker.
Posted Mar 02, 2026Edit critic review
The Astronaut (2025) John Serba Send The Astronaut to Alpha Centauri.
Posted Mar 02, 2026Edit critic review
Dead of Winter (2025) John Serba Thompson and Greer give Dead of Winter plenty of life.
Posted Mar 02, 2026Edit critic review
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