Rotten Tomatoes

Movies / TV

    Celebrity

      No Results Found

      View All
      Movies Tv shows Movie Trivia News Showtimes

      El Pais (Spain)

      Tomatometer-approved publication.

      Prev Next
      Rating Title | Year Author Quote
      Matria (2023) Elsa Fernández-Santos Despite the ups and downs, the film is sustained thanks to the nerve of María Vázquez, who, like her character, gives her all. [Full review in Spanish]
      Posted Mar 24, 2023
      Sparta (2022) Elsa Fernández-Santos A rosary of social pathologies cultivated in the well of forgetfulness. [Full review in Spanish]
      Posted Mar 24, 2023
      Rimini (2022) Elsa Fernández-Santos A non-place out of season that Seidl portrays almost as a floating abstraction, seedy and dying, in the midst of a strange haze... [Full review in Spanish]
      Posted Mar 24, 2023
      Return to Seoul (2022) Javier Ocaña Enigmatic and enveloping... [Full review in Spanish]
      Posted Mar 24, 2023
      Diary of a Fleeting Affair (2022) Javier Ocaña In his role, Vincent Macaigne is sweet, silly, funny and sad like he just wrapped on a Woody Allen film. In fact, he could be Woody. [Full review in Spanish]
      Posted Mar 24, 2023
      Love at First Kiss (2023) Javier Ocaña ... An estimable romantic pastime that lasts a little more than an hour and a half and even if it doesn't go down in history, it's appreciated with half a smile. [Full review in Spanish]
      Posted Mar 21, 2023
      The Kings of the World (2022) Javier Ocaña Mora Ortega rawly and beautifully captures the young men's fading path through life. [Full review in Spanish]
      Posted Mar 17, 2023
      Everything Everywhere All at Once (2022) Carlos Boyero ... This victorious though regrettable film, or whatever it is, is an incomprehensible mess, foolishly imaginative and cumbersome to watch and listen to. [Full review in Spanish]
      Posted Mar 15, 2023
      Boys on the Side (1995) Casimiro Torreiro ... An honest and unapologetic melodrama. [Full review in Spanish]
      Posted Mar 14, 2023
      Mari(dos) (2023) Javier Ocaña Lucía Alemany helms this feature with commercial ambition and despite its uneven cast, she steers it into a safer harbor. [Full review in Spanish]
      Posted Mar 13, 2023
      The Blue Caftan (2022) Elsa Fernández-Santos Above all, The Blue Caftan is a story about a silent love triangle, an elegant melodrama that breathes love for its three protagonists, observing their lives through objects and rituals, dishes, fruits and golden threads. [Full review in Spanish]
      Posted Mar 10, 2023
      All the Beauty and the Bloodshed (2022) Carlos Boyero Sure, the director has made a commendable work, but I don't feel any sympathy or emotional closeness with Nan Goldin and her troubled existence. [Full review in Spanish]
      Posted Mar 10, 2023
      To Leslie (2022) Carlos Boyero ... her story, or the way it's told, leaves me indifferent. [Full review in Spanish]
      Posted Mar 08, 2023
      Saint Omer (2022) Elsa Fernández-Santos Despite it being a dry film, rigorous and at times it drains you, it's strength pulls you in... [Full review in Spanish]
      Posted Mar 08, 2023
      Irati (2022) Javier Ocaña If the narrative thread becomes a bit loose, the magical visualization, the quality of the special effects that brighten up a story to dream about, and the beautiful epilogue raise this film above the rest. [Full review in Spanish]
      Posted Mar 02, 2023
      Till (2022) Carlos Boyero The theme is moving, but the way it's told is hardly brilliant. [Full review in Spanish]
      Posted Feb 24, 2023
      Mummies (2023) Elsa Fernández-Santos The protagonists, well defined with few strokes, are devised for children but still curiously appeal to a cross-generational audience, like when Nefer dances to the '80s Bangles hit Walk Like An Egyptian... [Full review in Spanish]
      Posted Feb 24, 2023
      The Quiet Girl (2022) Javier Ocaña Presumably, a serene beauty but in reality, it's gratuitous and affected... lacking a dramatic approach that's equally beautiful as its form. [Full review in Spanish]
      Posted Feb 24, 2023
      Ant-Man and The Wasp: Quantumania (2023) Javier Ocaña And the film is never complex, only complicated, which is very different. [Full review in Spanish]
      Posted Feb 17, 2023
      Women Talking (2022) Elsa Fernández-Santos The film sometimes gets stuck in its overt denouncements... Yet Sarah Polley is brave and dares to take sides, turning her final decision into a utopian force capable of healing collective trauma. [Full review in Spanish]
      Posted Feb 17, 2023
      The Fabelmans (2022) Carlos Boyero The Fabelmans isn't perfect, it has its lows and it doesn't steal your heart away, but it possesses admirable and complex moments. [Full review in Spanish]
      Posted Feb 10, 2023
      Rheingold (2022) Elsa Fernández-Santos Reminiscent of Guy Ritchie's recent work, Rheingold is a fast, high-octane ride that turns the underworld into a heart-attack-inducing parade of dapper testosterone. [Full review in Spanish]
      Posted Feb 10, 2023
      Communion Girl (2022) Javier Ocaña A horror film with great production value. But perhaps neglected the essentials: the story, the screenplay, and the denouement. [Full review in Spanish]
      Posted Feb 10, 2023
      Joyland (2022) Javier Ocaña Joyland is a delicate, revealing, and pertinent effort, capable of challenging the many taboos in Pakistan's society, which is no small feat. But it isn't a great film. [Full review in Spanish]
      Posted Feb 10, 2023
      Other People's Children (2022) Javier Ocaña Presents a conflict as contemporary as present times. Days of loving comfort or emotional dares. [Full review in Spanish]
      Posted Feb 03, 2023
      Girlfriends and Girlfriends (2022) Elsa Fernández-Santos The ability to not take itself so seriously while still claiming its own place gives this debut feature personality. [Full review in Spanish]
      Posted Feb 03, 2023
      The Banshees of Inisherin (2022) Carlos Boyero ... A tedious nonsense.
      Posted Feb 03, 2023
      Knock at the Cabin (2023) Elsa Fernández-Santos Although it all seems like a simple child's game, the question of what we are willing to give up to save humanity prevails beyond the credits. [Full review in Spanish]
      Posted Feb 03, 2023
      Moonage Daydream (2022) Ricardo De Querol In the end, you don't know who Bowie was, but we can surmise that no one ever did. [Full review in Spanish]
      Posted Feb 03, 2023
      Walls Can Talk (2022) Javier Ocaña With a series of spontaneous, unscripted talks with a diverse group of experts... the documentary covers some of the most revealing issues surrounding a fact as simple but as fundamental as painting the walls. [Full review in Spanish]
      Posted Feb 02, 2023
      Klondike (2022) Javier Ocaña Still shots stretched through time until they compose frames filled with unbelievable pain dominate a film that's also gifted with an odd black humor that heightens the absurdity of war.
      Posted Jan 30, 2023
      Tár (2022) Elsa Fernández-Santos ... A film that dissects the lies of power and its caste through a character that's equally sordid and fascinating, whose complexity and fatalism owe everything to a unique and gifted actor.
      Posted Jan 30, 2023
      The Whale (2022) Carlos Boyero His [Brendan Fraser's] body scares, but his face and voice emote various emotions with talent, sensibility, and magnetism. This is what I like the most about The Whale. [Full review in Spanish]
      Posted Jan 30, 2023
      Hans Zimmer: Hollywood Rebel (2022) Héctor Llanos Martínez In this movie, which is just steps away from being an audiovisual autobiography, Zimmer defines himself as a German who always disliked discipline.
      Posted Jan 26, 2023
      El Fred Que Crema (2022) Javier Ocaña Unfortunately, all the big themes Trullenque aims to present slip through without depth, without any substance to chew on. [Full review in Spanish]
      Posted Jan 23, 2023
      Babylon (2022) Carlos Boyero Much ado about nothing. [Full review in Spanish]
      Posted Jan 21, 2023
      Nobody’s Hero (2022) Elsa Fernández-Santos ... A strange and particular comedy. [Full review in Spanish]
      Posted Jan 21, 2023
      Decision to Leave (2022) Elsa Fernández-Santos A dazzling neo-noir capable of moving with enormous virtuosity by a visual language that appeals to the 21st century, ruled by its pirouettes and digital layers, without losing classic noir tradition and its eternal stereotypes... [Full review in Spanish]
      Posted Jan 21, 2023
      La Pietà (2022) Javier Ocaña La Pietà is disappointing. Not because of its provocation, which remains firm, but because of its emptiness. [Full review in Spanish]
      Posted Jan 18, 2023
      Emily (2022) Elsa Fernández-Santos With all its clumsiness, Emily captivates by recreating a far from idyllic family environment, and because of Emma Mackey's performance... [Full review in Spanish]
      Posted Jan 13, 2023
      The Substitute (2022) Javier Ocaña Lerman has composed a film that's simultaneously popular and arthouse. [Full review in Spanish]
      Posted Jan 13, 2023
      Chile '76 (2022) Elsa Fernández-Santos 1976 is a portrait of a patriarchal and patronizing country that treats its women as if they were silly and crazy. [Full review in Spanish]
      Posted Jan 13, 2023
      Holy Spider (2022) Carlos Boyero The most disturbing thing about this acceptable film is that it does not obey the feverish imagination of a screenwriter, but that it narrates a true story. [Full review in Spanish]
      Posted Jan 13, 2023
      Living (2022) Carlos Boyero Levity has a point of charm. But what I like best is Bill Nighy's sober and soulful performance. [Full review in Spanish]
      Posted Jan 07, 2023
      The Pale Blue Eye (2022) Elsa Fernández-Santos The movie promises more than it ultimately delivers. [Full review in Spanish]
      Posted Jan 07, 2023
      Operation Fortune: Ruse de guerre (2023) Javier Ocaña An effective and routine film that becomes an empty spy story. [Full review in Spanish]
      Posted Jan 07, 2023
      Hunt (2022) Javier Ocaña Politics, espionage and action come together in Lee's directorial debut. [Full review in Spanish]
      Posted Jan 06, 2023
      R.M.N. (2022) Elsa Fernández-Santos An amalgamation that sometimes shows a fascinating and complex side and other times it turns into a convoluted speech without more. [Full review in Spanish]
      Posted Jan 03, 2023
      A Man Called Otto (2022) Javier Ocaña ... Well constructed and performed. It has a good engine. Albeit, a copied mechanism from the original film. [Full review in Spanish]
      Posted Jan 03, 2023
      White Noise (2022) Javier Ocaña ... Those who are open-minded film and art lovers, and above all patient, may be rewarded because the resulting strange artifact is attractive, despite the fact that it is hard to get into it. [Full review in Spanish]
      Posted Jan 03, 2023
      Prev Next