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Marking an auspicious feature film debut for Eddie Murphy, 48 Hrs. is a briskly paced action comedy that succeeds largely due to the outstanding chemistry between its two leads.
All Critics (40) | Top Critics (6) | Fresh (37) | Rotten (3) | DVD (5)
What makes it work are Walter Hill's switchblade-sharp direction, and the inspired teaming of Nolte and Murphy. Nov 12, 2018 | Full Review…
What makes it work are Walter Hill's switchblade-sharp direction, and the inspired teaming of Nolte and Murphy.
Bob Thomas
Neither jokes nor fast, flashy action can completely distract audiences from the failure to establish an authentic, rather than a purely conventional connection between Nolte and Murphy. Jun 6, 2009 | Full Review…
Neither jokes nor fast, flashy action can completely distract audiences from the failure to establish an authentic, rather than a purely conventional connection between Nolte and Murphy.
Richard Schickel
All in all, a superior genre piece, if not the height of Hill's artistry. Mar 1, 2007 | Full Review…
All in all, a superior genre piece, if not the height of Hill's artistry.
Dave Kehr
A down-the-line thriller, plain, fast and efficient. Jan 26, 2006 | Full Review…
A down-the-line thriller, plain, fast and efficient.
The movie's story is nothing to write home about. It's pretty routine. What makes the movie special is how it's made. Nolte and Murphy are good, and their dialogue is good, too -- quirky and funny. Oct 23, 2004 | Rating: 3.5/4 | Full Review…
The movie's story is nothing to write home about. It's pretty routine. What makes the movie special is how it's made. Nolte and Murphy are good, and their dialogue is good, too -- quirky and funny.
Roger Ebert
[It] is more memorable for its characters than for its high style, more a series of energetic scenes than a collection of handsome imagery. It has life, ferocity and humor in place of icy, stylized elegance, and that seems more than a fair trade. Aug 30, 2004 | Rating: 3.5/5
[It] is more memorable for its characters than for its high style, more a series of energetic scenes than a collection of handsome imagery. It has life, ferocity and humor in place of icy, stylized elegance, and that seems more than a fair trade.
Janet Maslin
...a rather disappointing buddy comedy. Mar 28, 2016 | Rating: 2.5/4 | Full Review…
...a rather disappointing buddy comedy.
David Nusair
Violence, profanity, racial epithets in dated '80s movie. Aug 26, 2014 | Rating: 2/5 | Full Review…
Violence, profanity, racial epithets in dated '80s movie.
Brian Costello
A genuinely tetchy, risky race comedy Apr 6, 2011 | Rating: 4/4 | Full Review…
A genuinely tetchy, risky race comedy
Walter Chaw
It remains one of the better action-comedy buddy pictures you'll find. Feb 17, 2011 | Rating: 7/10 | Full Review…
It remains one of the better action-comedy buddy pictures you'll find.
John J. Puccio
One of the first buddy action movies, 48 Hrs. laid the ground work for the sub-genre that was at its best during the 1980's. Jul 6, 2010 | Rating: 3/5 | Full Review…
One of the first buddy action movies, 48 Hrs. laid the ground work for the sub-genre that was at its best during the 1980's.
Matthew Pejkovic
The perfect buddy-cop movie! Murphy and Nolte are awesome! Oct 26, 2008 | Rating: 4/5
The perfect buddy-cop movie! Murphy and Nolte are awesome!
Clint Morris
This is yet another formulaic action film from the overblown eighties, complete with naked broads, gunplay, and a maniacal killer. Much like other eighties films there's a deadline before everything blows up in the protagonist's face and someone dies. This is the first Eddie Murphy vehicle, made during his time on SNL and led to his impressive film career. Here a hostage situation leads to a craggy policeman going on a vendetta with the unneeded deaths of two police officers, and springing a convict from his cell for 48 hours to help catch the guys responsible. While Cates (Nick Nolte) is an irresponsible, violent, and corrugated kind of cop, he does abide by some rules. Though he continually tries to apprehend the criminals and get information he needs through illegal means he always comes close before being foiled by other policemen who don't know he's a cop. After finding out that a convicted criminal may hold the key to finding the place where money for a hostage will be exchanged, he springs Reggie Hammond (Eddie Murphy). The rest of the film is the two playing off one another while being shot at and running after bad guys in elaborate car chases throughout the city. Though there's a lot of great dialogue and social commentary in this film, Nolte and Murphy are not an appropiate pairing. Both are loose cannons, and though Reggie is more talk than anything, he still engages in dangerous situations and exhibits little to no fear. Cates also shows no fear, and bumbles through every encounter with a crook like a godlike entity that can ricochet bullets and kill off everyone in his way. They aren't tortured heroes and aren't especially interesting except for their feats of daring. I don't see any real character development besides Nolte being grumpy and Murphy being a smart ass. If there was more balance, or at least some backstory for Reggie this would feel like a much more comprehensive film. The action isn't very engaging and very little of this doesn't drag. Except for being a platform for Murphy's off the wall humor at times this has very little appeal.
Super Reviewer
I feel REALLY late to the party on this one. Good, but nothing spectacular. To be fair this movie has been copied, parodied, and ripped-off so much it's hard for it so seem as fresh as I'm sure it was when it came out.
A great action comedy film about a partnership between a cop and a convict as they try to bring down a cop killer. The combination between Murphy and Nolte is fantastic! The plot is solid and the action is in full supply. A film with lots of action, laughs, and great acting make this film engaging and an enjoyment to watch.
An average cop movie, it does have some funny scenes because of Murphy, but otherwise it's not that good.
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