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All Critics (11)
| Top Critics (3)
| Fresh (10)
| Rotten (1)
Perfect hokum for those who don't mind having their heart strings strummed like a banjo.
The film may be a blunt instrument, but it's rarely maudlin -- the exception being the performance of Mr. Feng's wife, Fan Xu, as the long-suffering mother -- and is, on occasion, quite moving.
[An] involving, well-acted saga of a family torn apart by a devastating earthquake...
Delivers what it promises, and at times more so. Xiaogang Feng manages to tell a touching story, whilst also expanding it to incorporate a larger tale of China and its people's survival through hardship.
Mimics the worst of Hollywood's excesses, pairing gratuitous shock with patriotism and a flood of tear-jerking moments calculated for awards bodies' consideration.
Aftershock is a gruelling and sombre watch, occasionally over-wrought and melodramatic, yet an absorbing and thought-provoking insight into the consequences of human catastrophe.
It's schlock, but on such a grand scale that it's quite fun to allow yourself to be carried along on its tsunami of emotion.
There's no doubt about it: this film's an unashamed heart-wringer and a tear-jerker, but it packs an almighty punch and the CGI work at the very beginning, as Tangshan crumbles into nothingness, is impressive and pretty scary.
A very old-fashioned but stirring movie about family values, but not in the debased sense found on the Republican Party right. A gateway into the tastes and values of Chinese society unlike the typical Chinese film export geared to Western audiences.
With nuanced performances, each moment rips with cinematic humanity.
... a crowd pleaser to be sure, but a respectful one.
A rather long, but well done, touching movie based around the 1976 earthquake in Tangshan, China. Incredible story about the decisions a mother had to make in the aftermath, and the decisions each family member makes to pick up their lives, and move forward. I found the changes in the town, attire and vehicles as the decades progressed particularly interesting. The film did a good job of also showing how the rigid Maoist China gradually became more Westernized and materialistic, e.g. bicycles in the 1970's vs. BMW in the 2000's. Good job! (except the one Canadian actor that they could find. He was terrible, but thankfully was only in it for a minute).
A really heart breaking movie. Performance of each character was really good. Made me sad to tell you the truth.
Tángsh?n Dàdìzhèn (aka "Aftershock" or "Aftershocks"), dedicated to 240,000 victims of the 1976 Tangshan earthquake, claims to commemorate the rebirth and restoration of Tangshan. Now if only (presumably) good intentions were quite enough to make a good movie... Aftershock has a script that's not just been-there-seen-it-all one, but also a bit too messy. The movie works neither on personal account of any of the individual characters nor as a whole. Despite being stuffed with heavily emotional sequences, it failed to make me feel sympathetic enough to care for any of the characters, let alone bring a lump in my throat or shed a tear. With all due respect for the victims of the earthquake, this emotional drama (not a docu-drama) doesn't do justice to a movie-viewer. The actors seem competitive, but they could have succeeded in saving the shaky script only that far.
I don't find "Tángsh?n Dàdìzhèn" recommendable enough, but being aware of my taste (which happens to fall in minority more often than not) I won't be shocked if you do. To start with, just look at the critical response it has received. It's not awful; it's just that it fell short of my expectations.
It's surprising that still in the year 2010 some directors use some poor and out dated ideas for making a movie.Aftershocks, Despite of its expensive look is a sentimental trash.
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