Critic Reviews for Archangel
What comes across is a fascinating fetishist delirium, where memories of remote war movies get recycled into something that's alternately creepy and beautiful.
Confused? No matter; so are the characters in this absurdist melodrama.
From its flickering, inky cinematography to its wavering late 1920's-style sound track, to Veronkha's kohl-eyed vampish look, the movie is an expert parody of a period movie style.
... a surreal silent movie melodrama of love, war, and amnesia for the sound era: an absurdist silent WWI epic that never was.
Audience Reviews for Archangel
Some beautiful shots capturing the style of early silent films. The story, though, is a mess; perplexing in a most tedious way. I admire the ambition, but suggest that there are better uses of one's time than watching this.
It is Archangel, Russia in 1919 between World War I and the Russian Civil War. British Lieutenant John Boles(Kyle McCulloch) is assigned to billet with a native family where he winds up saving the life of Geza(David Falkenburg), their young child, but then he ends up having to be saved, too. In his delirium, he thinks he sees Iris, his dead wife, but it turns out to be only Veronkha(Kathy Marykuca) who is in fact married to Philbin(Ari Cohen). The only problem is Philbin cannot remember much of anything, much less who he might be married to. One never watches a Guy Maddin film for historical realism(usually it involves being in the mood for something a little different) but it is important to note that "Archangel," one of his earliest features, is set in a time of uncertainty when nobody knows who is in charge or if there is a actually a war going on which is perfect for his dreamy style. That informs a lot of the relations between the characters which I could not sort out in a hundred years. That having been said, I still found enough to be intriguing and enjoyable to make it worth my time.
After watching this I'm not quite convinced that Maddin and Lynch weren't separated at birth. Maddin doesn't make movies, so much as he transfers dreams to celluloid. I've given up on trying to explain his plots, since no synopsis ever really does the them justice. I'll just say that if you're a fan of surrealism, you should give this one a shot. I can almost guarantee that you won't be disappointed.
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