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No consensus yet.
All Critics (15) | Top Critics (6) | Fresh (4) | Rotten (11)
Good intentions and limited production timeframe aside, the film is a shambolic soap opera that layers on subplots and secondary characters while seldom offering any reason why we should give two figs about anyone or anything on screen. May 21, 2012 | Full Review…
Good intentions and limited production timeframe aside, the film is a shambolic soap opera that layers on subplots and secondary characters while seldom offering any reason why we should give two figs about anyone or anything on screen.
David Jenkins
Resonating with layers of personal and political meaning, the messy aftermath of the Egyptian revolution is captured with immediacy and excitement. May 18, 2012 | Full Review…
Resonating with layers of personal and political meaning, the messy aftermath of the Egyptian revolution is captured with immediacy and excitement.
Deborah Young
Despite its topical urgency, After the Battle plays like a daytime soap, with characters taking turns shouting on-the-nose dialogue at each other... May 18, 2012 | Rating: C | Full Review…
Despite its topical urgency, After the Battle plays like a daytime soap, with characters taking turns shouting on-the-nose dialogue at each other...
Mike D'Angelo
The last shot is dynamite: a poetic crawl up the edge of a pyramid, rising in agonising, mesmerising degrees with seemingly no end in sight. The rest, however, is but a long, hard trudge. May 17, 2012 | Rating: 2/5 | Full Review…
The last shot is dynamite: a poetic crawl up the edge of a pyramid, rising in agonising, mesmerising degrees with seemingly no end in sight. The rest, however, is but a long, hard trudge.
Xan Brooks
Working on multiple levels, helmer Yousry Nasrallah mines popular cinema and artier forms through a seemingly simple story of two worlds, exposing hypocrisies in each. May 17, 2012 | Full Review…
Working on multiple levels, helmer Yousry Nasrallah mines popular cinema and artier forms through a seemingly simple story of two worlds, exposing hypocrisies in each.
Jay Weissberg
As a film, it's an indecipherable, chaotic blitzkrieg of half-baked ideas and hot-headed dramatisations of reality. May 17, 2012 | Rating: 2/5 | Full Review…
As a film, it's an indecipherable, chaotic blitzkrieg of half-baked ideas and hot-headed dramatisations of reality.
Dave Calhoun
The film requires a lot of perseverance to sit through and with very little pay off at the end Sep 28, 2017 | Rating: 1.5/5 | Full Review…
The film requires a lot of perseverance to sit through and with very little pay off at the end
Yasmin Shehab
The female protagonist, an economically privileged young woman turned workers'-rights organiser and something of an animal activist, makes the film both satisfying and uncommon. Aug 29, 2017 | Full Review…
The female protagonist, an economically privileged young woman turned workers'-rights organiser and something of an animal activist, makes the film both satisfying and uncommon.
Amy Taubin
One of the weakest films in 2012 Cannes Fest, this Egyptian political melodrama about the 2011 uprise is misconceived and poorly executed. Aug 20, 2012 | Rating: C | Full Review…
One of the weakest films in 2012 Cannes Fest, this Egyptian political melodrama about the 2011 uprise is misconceived and poorly executed.
Emanuel Levy
A heavy-handed, visually insipid take on the Arab Spring and its impact on various segments of Egyptian society. May 30, 2012 | Full Review…
A heavy-handed, visually insipid take on the Arab Spring and its impact on various segments of Egyptian society.
Jon Frosch
A hyperbolic tone, some dire over-acting and much verbose political debate made this a leaden trudge, resembling a rendezvous between Ken Loach and Barbara Cartland on the banks of the Nile. May 23, 2012 | Full Review…
A hyperbolic tone, some dire over-acting and much verbose political debate made this a leaden trudge, resembling a rendezvous between Ken Loach and Barbara Cartland on the banks of the Nile.
Geoffrey Macnab
With the level of its visual storytelling and rhetorical content hovering perilously around the daytime-TV level, Cannes selectors clearly had their diplomat hats on when admitting this one into Competition. May 21, 2012 | Full Review…
With the level of its visual storytelling and rhetorical content hovering perilously around the daytime-TV level, Cannes selectors clearly had their diplomat hats on when admitting this one into Competition.
Guy Lodge
There are no featured reviews for Baad el Mawkeaa (After the Battle) at this time.
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