Baby Driver (2017)
Critic Consensus: Stylish, exciting, and fueled by a killer soundtrack, Baby Driver hits the road and it's gone -- proving fast-paced action movies can be smartly written without sacrificing thrills.
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Critic Reviews for Baby Driver
Put in your metaphorical earbuds, turn the key in the ignition, and enjoy the cinematic highlight of the summer so far.
Oozing menace as addicted bank robbers, Jamie Foxx and Jon Hamm are all the more charismatic thanks to Bill Pope's luscious noir photography. Credit Jonathan Amos and Paul Machliss for the razor-sharp editing.
Edgar Wright's Baby Driver is one of the most entertaining thrill rides of this year, this decade.
This is not a philosophy of criminology, or a new pathology of antisocial behavior, but it makes for a terrific night at the movies.
Wright's movie delivers action that's convincing and concrete - the cars seem real, even when the people don't.
Audience Reviews for Baby Driver
With thrilling action scenes, interesting characters, a killer soundtrack and exceptional editing that follows the beat of the music as if the music is a character itself, Baby Driver delivers a hell lot of style and substance, being always smart in the way that it tells its story.
High adrenaline heist action thriller with a very musical flow. All shoot outs are in sync with the music playing on the protagonist's ears, just like the car chases. Those scenes are exciting and fun. In the end it's the victory of style over substance, because the plot actually does not have all that much new to add to the genre. The characters, music and editing more than make up for it, though. The definition of a fun ride!
Stupid name for a heist movie, unless that movie is a kids comedy all about a bloke having to drive babies around during a heist. Or maybe an adult who drives like a baby or some shit like that. Why hasn't anyone made a comedy about learner drivers yet? You could call it 'Learner Driver', hey that's not a bad idea (copyrighted). So this is a heist movie. In this movie a mysterious kingpin (?) called Doc (Kevin Spacey) uses various people to pull off various daring jobs, but he always uses the same driver. This driver is a young man called Baby or Miles (Ansel Elgort). Apparently Doc caught Baby breaking into his car many years prior and was so impressed with his skills that he decided to use him for his heists. Naturally Baby had to comply or face the obvious consequences. Now for a long time every heist has gone well for Doc, but clearly that doesn't last and that's the main crux here. So straight away there are various questions here. Firstly, who is Doc exactly? What is this guys deal? Where does he come from? How is he so powerful? What does he do? Nothing is explained about this character and its kinda frustrating because he simply doesn't come across like a bad guy (especially with Spacey's performance). The fact he also makes such glaring mistakes with his decisions also raises questions about how he's managed to gain so much power. Doc uses Baby as a getaway driver despite the fact he's literally only a teenager, or at least in his early 20's. Yeah OK Baby is a good driver, but is that still a good decision? To use such a young person as your heist getaway driver?? I can think of many problems that might arise with that. Doc also claims to never use the same people for each heist, but he does! He also uses Baby for every heist so what is he talking about. Then at one point when the gang suspects Baby of being an informant, and the fact he's being telling his foster father all about their deeds; Doc and co still allow him to carry on being their getaway driver! These are what you call eye rolling movie decisions. Now lets look at Baby, why is he called Baby? Dunno. This young man has tinnitus from an accident as a child (which killed his parents). Since then he's been raised by a black man who is deaf. Is it me or does that sound both unnecessarily pc and kinda counter productive? Would a deaf (apparently single?) man be the right choice to raise a child with tinnitus? I honesty don't know, it just seems like an odd decision, but hey what do I know. So Baby is a good driver, again we don't know how this is, it just is. He's a good driver don't question it. Baby is also very much into his music, mainly because of the tinnitus. He listens to music virtually all the time and uses it to help him concentrate, even on heist jobs. The weird part is he often records people (without consent) and uses snippets of their speech to make mix tapes. Its a very odd part of his character and really doesn't make any sense, or it didn't to me. So things all go wrong for Doc when he uses a (quota pleasing) team consisting of a couple of crooks who are in love, Buddy and Darling (Jon Hamm and Eiza González), and the violent Bats (Jamie Foxx). Of course the highly predictable outcomes are all a result of the highly predictable out of control character Bats. Because a trigger-happy, tattooed, ghetto lunatic is what you need in your specialised heist team, what could go wrong? The other two don't really do much other than smooch, although Buddy does stick up for Baby at times leading you to think he's a good guy. All the while Doc is supposed to be intimidating...but really isn't. What follows is a bog standard turn of events that see the plot holes get bigger and bigger. At one point after discovering one of Baby's mix tapes Bats and Buddy decide to go back to his place to get the rest of his stash, and question his foster father. Bats proceeds to knock Baby out...but how did they then manage to find Baby's place?? When the heist goes wrong and the police react, I don't believe any of the cops actually saw Baby involved in any way. Yet Baby runs off, and continues running even when in the clear, which would obviously cause the police to follow out of suspicion (as they would in reality, if you run you've got something to hide). Baby continues to escape by then carjacking and driving like a lunatic...which again will always make you stick out like a sore thumb. Why do characters in movies never get this?? You wanna blend into a crowd of people or traffic, act or drive normally, don't run or drive like a nut. Anywho the movie is formulaic right down to the last moment where Buddy keeps popping up despite Baby shooting him point blank (in the shoulder?? How did he fuck that up??). The only thing that got me was the fact Baby didn't go down in a blaze of glory, or escape fully. But then we get this dreadful soppy ending which is even worse so...I find myself baffled by the reaction to this movie, once again I just don't get it. It didn't offer anything much in terms of originality, except for the main protagonist having hearing issues; and everything action wise was terribly average. I think the thing that disappointed me the most was the trailer giving me the impression that Baby drove a Subaru Impreza for the whole movie, which he didn't.
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