The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Ryan Coogler, having gone on to bigger and bigger things, steps aside and lets relative newcomer Steven Caple, Jr. do the job of mixing the beats of Rocky III and Rocky IV into a smooth groove for the son of Apollo Creed (Michael B. Jordan).
The film simmers before it explodes, and it often, it maintains the slow burn for a moment too long in the quieter moments between family members. But when Caple really lets "Creed II" run wild, it's breathtaking.
Rocky movies are a genre within a genre, and their audiences expect or even demand they be 95 percent predictable. So when they're even ten percent surprising - a generous estimate of Creed II's novelty quotient - it feels like a win.
"Creed II" deftly pulls together threads from all of the "Rocky" movies, underscoring that it's time to acknowledge that Sylvester Stallone's Rocky Balboa is one of the greatest of all Hollywood characters.
"Creed II" steps inside the ropes under the heavy weight of expectations, is not as nimble and has put on some pounds around the middle. Yet while the film doesn't get heads ringing like the first one, it's still able to go the distance.
"Creed II" is a terrific movie, a boxing picture full of inspired sweetness and shrewd science that honors the cherished traditions of the genre while feeling like something new and exciting in the world.
Thompson gives a performance just as sensitive and strong-willed as her last, and her chemistry with Jordan is even greater this time. Jordan continues to impress, navigating the emotional territory of the movie better than Stallone ever did.
It's depressing that after Creed's success, Creed II feels like it's just a step above a straight-to-video knockoff, designed to get a little more from the first movie's audience but not to increase it.
The Land director Steven J. Caple Jr. has made a rousing tale about fathers and sons, guilt and redemption, loneliness and family - just the sort of big, sledgehammer-subtle themes that have always propelled the series.