Mary Poppins Returns
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All Critics (29)
| Top Critics (8)
| Fresh (4)
| Rotten (25)
Every time that Mine threatens to come apart under its own pretensions (which is relatively often), Hammer does something subtle and believable to ground it.
For a film that's built on such a banger of a premise, Mine never leaves Mike alone for too long, robbing it of the tension and terror that made Mike's early solitary moments hit so hard.
The film is often a marvel of visual and narrative resourcefulness.
"Mine" is a classic example of a high-concept film that painstakingly sets up its unusual premise, only to squander it.
"Mine" shimmers with a dusty authenticity...But as more of Mike's clichéd back story becomes clear over the course of a long 106 minutes, the film becomes almost as much of an endurance test for the audience as it is for Mike.
The Fabios appear to have some talent, but not a lot of common sense.
It's so close to being a really good movie that it really hurts when Mine blows up in your face.
At times laughably gabby, Mine never recovers from a derelict script that's awash in cliché.
Mine is a film that is nowhere near as clever as it thinks it is...this directorial debut from Fabio Guaglione and Fabio Resinaro is all conceit and no substance.
Hammer does a fine job in his largely solo role, so it's a shame directing duo Fabio Guaglione and Fabio Resinaro choose to saddle him with several hallucinatory/real visitors during his ordeal.
Stylishly shot, although somewhat flawed.
It's hard not to feel bad for Armie Hammer through all of this. ... he's asked to do little more than endure suffering, like Leonardo DiCaprio in The Revenant, except less interestingly shot.
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