Mary Poppins Returns
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All Critics (12)
| Top Critics (6)
| Fresh (5)
| Rotten (7)
True, the movie sidesteps a couple of cliches it seems headed directly toward, but I might have preferred them to the preposterous melodrama it substitutes.
Paints an alluring picture of a pan-European cosmopolitan culture whose characters hopscotch from one country to another with hardly a second thought in a lighthearted floating party.
A stirring if occasionally over-obvious clash of capital and labor.
A Euro gloss on Pretty Woman suddenly turns into Occupy Gaul.
A feeble stab at topicality from that master of overripe Gallic melodrama, Cédric Klapisch.
Though the setup sounds cliche, the storytelling is polished enough to keep auds hooked and occasionally surprised.
Unfortunately, "My Piece of the Pie" isn't the kind of indie charmer Mr. Klapisch used to make.
An odious Master of the Universe learns some humanity from his maid.
a construct meant solely to provoke
A clever and thought-provoking French comedy about two people who are thrown together: a working-class single parent and a high-finance superstar who makes money the easy way.
Beyond the silliness of the heroine's action, there's little to glom on to here of any significance.
In "My Piece of the Pie," everything is coming up roses for Stephane(Gilles Lellouche), an investment banker, as he is promised a huge promotion in the future. That's not to mention his making time with Tessa(Marine Vacth), a beautiful supermodel. By comparison, his new maid, France(Karin Viard), had been laid off from work in Dunkirk, suffered a nervous breakdown, attempted suicide, failed at running a free day care center before moving to Paris, leaving her three kids behind in the care of relatives.
There are some neat things about "My Piece of the Pie" like its attempt to say something meaningful about class and the informative lecture about buying and selling stocks. Otherwise, the movie has no idea what it really wants to be, as it is all over the map, both geographically and story wise. For example, the sequence in Venice is supposed to establish Stephane's lack of commitment but instead comes off as something much creepier. There is also a dance number set to "Pretty Woman," with all of the implications that the song now carries.(On the other hand, bonus points for the Serge Gainsbourg song.) And while the ending is meant to be celebratory in a corny sort of way, it is to be honest quite frightening.
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