Non-Fiction (Doubles vies)

Critics Consensus

Well-acted and sharply written, Non-Fiction finds writer-director Olivier Assayas working in a comedic vein that channels classic forebears while remaining utterly fresh.

87%

TOMATOMETER

Total Count: 143

51%

Audience Score

User Ratings: 47
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Movie Info

Juliette Binoche and Guillame Canet reunite with acclaimed director Olivier Assayas for this wry, slyly seductive tale of sex, lies, and literature. Set amidst the bohemian intelligentsia of the Parisian publishing world, Non-Fiction traces the romantic and emotional fallout that results when a controversial writer begins blurring the line between fact and fiction, using his real-life love affairs -- including a passionate fling with an actress who happens to be married to his editor -- as fodder for his explosive new novel. Balancing dry wit with keen observations on the tensions between art, commerce, and technology, Non-Fiction is a buoyant, breezy delight from a master director at his most effortlessly brilliant.

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Critic Reviews for Non-Fiction (Doubles vies)

All Critics (143) | Top Critics (28) | Fresh (125) | Rotten (18)

  • [F]or the right audience, the topic will be fascinating as the dialogue is well written and delivered with the expected Gallic panache.

    January 18, 2020 | Full Review…
  • It plays out as a delicious witty farce about the changing modern-world, that's fast-paced and well-acted.

    December 23, 2019 | Rating: B+ | Full Review…
  • A parody of bourgeois French cinema, and the focus on the comically transparent autofictions of the hapless writer, Léonard, mimicked classic Woody Allen - not in a good way.

    December 4, 2019 | Rating: 2/5 | Full Review…
  • The performances are impeccable, but it's the brilliance of Olivier Assayas's writing and control of the increasingly witty tone that makes this a cine-literary gem.

    October 25, 2019 | Rating: 4/5 | Full Review…
  • Two hours of French naval-gazing about smoking, drinking, complaining...

    October 24, 2019 | Full Review…
  • [T]he film gradually reveals itself to be a both a sly take-down of such intellectual and ideological posturing and a funny celebration of the very human foibles for which such behaviour is often a cover.

    October 23, 2019 | Rating: 4/5 | Full Review…

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