The Pervert's Guide To Ideology (2013)
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Critic Reviews for The Pervert's Guide To Ideology
Who says intellectual head-trips don't deserve sequels?
Though its ideas are indeed heady and high-flown, they are presented in a way that's consistently engaging and accessible.
He speaks the truth much of the time, yet all the whipping back of the curtain ends up covering up other realities about movies and life.
Noam Chomsky has denounced Zizek's theories as nonsensical, and of course they are. But they're frequently engaging, entertaining and stimulating.
Though [Zizek's] lecture exceeds two hours, he and director Sophie Fiennes incorporate enough deadpan comedy and clips from famous films to sustain the rhetoric.
Audience Reviews for The Pervert's Guide To Ideology
While I cannot understand why Slavoj is considered a pervert, this is a fun look at different takes on film and how ideology of a society can change the meaning of how we look at iconic movies. While a tad bit of an overthinker, this is nonetheless amusing and well filmed.
Zizek's many ideas are really fascinating and always fun to watch, but once again he has trouble organizing all of them in a cohesive argument, even if now the result is less rambling than the first film due to the narrowed down focus of what he wants to say.
Even if political philosopher extroardinaire Slavoj Zizek stopped with inserting himself into movies and lighting a blowtorch to "Titanic"(3 1/2 hours of my life I am never getting back while "A Night to Remember" has a great scene of steerage passengers running through the ship for their lives before being stopped in their tracks by the grandeur of first class) and venerating "Seconds"(1966), I would probably still give a recommendation to "The Pervert's Guide to Ideology." Thankfully, he has bigger fish to fry(more on them later), as along with showing more of an interest in musicals this time around, he also examines propaganda in movies and its danger to the real world. It is not just from the usual suspects like the Soviet Union and Nazi Germany that he draws from but less likier places such as "They Live" starring Roddy Piper. While this is one example of a film that subverts the status quo, there are also others that support it such as "The Dark Knight" which argues that a government should lie to its people for their own good which can turn out very badly for all concerned like during the second Iraq War. Then, there are also examples that have been employed by both right and left, like Beethoven's 'Ode to Joy'(I usually associte this with Alex not being considered a complete waste in "A Clockwork Orange") and the shark in "Jaws." In this later case, I have always thought the shark was just minding its own business while most of the analogies that I am familiar with concern the human authorities' response.
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