Tracks (2014)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: What Tracks lacks in excitement, it more than makes up with gorgeous cinematography and Mia Wasikowska's outstanding performance.

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Movie Info

Director John Curran (THE PAINTED VEIL, WE DON'T LIVE HERE ANYMORE) and the producers of THE KINGS SPEECH bring you the film TRACKS, which tells the remarkable true story of Robyn Davidson (Wasikowska), a young woman who leaves her life in the city to make a solo trek through almost 2,000 miles of sprawling Australian desert. Accompanied by only her dog and four unpredictable camels, she sets off on a life-changing journey of self-discovery. Along the way, she meets National Geographic photographer Rick Smolan (Driver) who begins to photograph her voyage. (C) Weinstein
Rating:
PG-13 (for thematic elements, some partial nudity, disturbing images and brief strong language)
Genre:
Drama
Directed By:
Written By:
In Theaters:
 limited
Runtime:
Studio:

Cast

Mia Wasikowska
as Robyn Davidson
Adam Driver
as Rick Smolan
Rainer Bock
as Kurt Posel
Rolley Mintuma
as Mr. Eddy
John Flaus
as Sallay
John Flauss
as Sallay
Emma Booth
as Marg
Lily Pearl Black
as Robyn Davidson (young)
Carol Burns
as Mrs. Ward
Tim Rogers
as Glendle
Leo Payten
as Young Boy
Jed Payten
as Young Boy
Iain Conway
as Chilpi
Evan Casey
as Evan
Jamie Timony
as Bernard
Elsie Wanatjura
as Dancing Woman
Rene Kulitja
as Dancing Woman
Happy Reid
as Dancing Woman
Yvonne Yiparti
as Singing Woman
Awalari Teamay
as Singing Woman
Chelsea Haywood
as Tourist One
Andy Harper
as Tourist Two
Tom Budge
as Suzuki Man
Edwin Hodgeman
as Mr. Ward
Chris Duncan
as TV Reporter
Ricardo Anasco
as TV Reporter
Show More Cast

Critic Reviews for Tracks

All Critics (113) | Top Critics (37)

Wasikowska plays this wordless wanderer just right. That is, she makes her real.

Full Review… | October 3, 2014
Philadelphia Inquirer
Top Critic

What emerges here is a woman of remarkable strength, and a movie that doesn't sugarcoat the dark side of her journey ...

October 2, 2014
Seattle Times
Top Critic

Curran's dreamy, semisurreal visuals, along with Mandy Walker's shimmering cinematography and Garth Stevenson's fluid score, help us see the world through Davidson's eyes.

Full Review… | September 25, 2014
Newsday
Top Critic

[Curran] presents a vision of nature that shimmers with uncanny beauty and eerie solitude, transcended by Mia Wasikowska in one of the best performances of the year.

Full Review… | September 25, 2014
Boston Globe
Top Critic

Director John Curran has a sense for visual grandeur. The landscape is ablaze with heat, dust, flies and a staggering loneliness. When a snake slithers across Davidson as she sleeps, you can almost feel its cold against the skin.

Full Review… | September 25, 2014
Fort Worth Star-Telegram/DFW.com
Top Critic

Ultimately the movie mimics the trajectory of the quest itself, pulling one toward its final destination, but across an arid expanse.

Full Review… | September 25, 2014
Chicago Reader
Top Critic

Audience Reviews for Tracks

The real Robyn Davidson has Cheryl Strayed beat by 600 miles. Robyn is a loner. She prefers the company of the four camels she trains to carry her gear across 1,700 miles of Australian outback as well as her best friend Diggity, her dog. Mia Wasikowska plays the young writer trying to get away from shallow 70s society for awhile. Adam Driver is the awkward photojournalist who follows her progress. The audience gets a chance to flashback to some of Robyn's childhood scenes and view wide expanses of Australian desert dotted with little settlements. It is a mostly hopeful tale of self-discovery on a long lone trek.

Byron Brubaker
Byron Brubaker

Super Reviewer

I saw "Tracks" at TIFF 2013 and it was one of my favourite films of that year. It came and left quietly, and when I recently rewatched it, I was blown away again by the gorgeous visuals and strong performance of Mia Wasikowska. The Weinstein Company is pushing it again this awards season so hopefully it will track some momentum for director John Curran, Wasikowska, and the film.

Chihoe Ho
Chihoe Ho

Super Reviewer

½

Sometimes you see films where it's downright obvious why it was made. The filmmakers show a burning passion that almost seems to leap off the screen and into your heart. You can tell that they would die to get their story told. Then there's TRACKS. While beautiful to look at, this conventionally told story of a young woman trekking over 2000 miles through the Australian Outback doesn't seem to have enough of a story to truly captivate an audience. Mia Wasikowska plays Robyn Davidson, who believes there's more to life than the big city, and walks through the desert with her dog and four feral camels to experience a different side of life. There have been existentialist desert treks presented on film before, GERRY and THE SHELTERING SKY being two prominent examples, and they were able to find compelling ways to illustrate their themes. TRACKS isn't a total washout. Wasikowska has a quiet, understated sharpness to her character, a tough reserve which makes her survival instincts completely believable. In the early sections of the film, where she's learning how to train camels, she's completely convincing in her ability to get what she needs to begin her journey. As she gets more and more exposed to the sun and the elements, her face gets terribly sunburnt. This is a quiet yet rich performance, worth seeing despite the film's many shortcomings. Set in the mid-1970s, this true story became a National Geographic article and a bestselling novel. Along the way, she's occasionally met by a photographer from the magazine (Adam Driver from GIRLS) for candid photos as well as just to make sure she's alive. One automatically assumes a romance will ensue, but this film has nothing more on its mind than to show one woman's quest for isolation. Picture an Aussie-accented Greta Garbo intoning, "I want to be alone, mate" and you'll get the idea. Driver is sweet and winning here, showing us a different side to him from his bizarre sociopath on GIRLS. Director John Curran (THE PAINTED VEIL) and Screenwriter Marion Nelson don't instill many stakes or drama into the story. Every now and then, something random happens involving a snake, or a dog, or...well, that's about it. A woman walks across the desert, learns a simple moral lesson, and we see lots of pretty landscapes. I suspect the actual magazine article is the best format for this tale. I also suspect there will be those who get lost in the quiet beauty of this film. I don't want to begrudge anyone that, but all I can say is, if you introduce a feral camel in the first act, next time, let it bite the hell out of someone in the third!

Glenn Gaylord
Glenn Gaylord

Super Reviewer

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