Mary Poppins Returns
Mission: Impossible - Fallout
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (44)
| Top Critics (14)
| Fresh (34)
| Rotten (10)
| DVD (3)
The film evolves into something deeper, a story about the atavistic wildness within people.
For an exquisite taste of sensory cinema, look no further.
Some fantasy films make the leap from reality to reverie relatively seamlessly, hopscotching between the two states without leaving the audience behind. Tropical Malady is not one of those.
Tropical Malady is the work of a visionary fabulist.
This may be one of the most rapturously original, mysteriously beautiful love stories ever told -- Baboon-language skills optional.
An intriguing emotional and intellectual puzzle that made me feel exhilarated and contemplative.
Image for image, this hour-long stretch provided the Cannes competition with its most rarefied and ravishing experience.
What initially appears a vague and meandering plot line is actually our introduction into a sort of dream state where nothing is what it seems on the surface.
Camera work in the first half of 'Tropical Malady' appears jumpy and interrupted by confusing cuts and artsy tricks.
Maintains a visual richness, but loses its way with heavy-going forays into mythology and mysticism.
The most original film I've seen in years.
Even with an absorbing atmosphere and a powerful sound design, this strange film is like two different unrelated stories sloppily combined and loosely bound together, allowing of several different interpretations and coming off as frustratingly vague and empty in its essence.
Weerasethakul's film is hard to describe by regular terms. There is no story here, at least not the way you are used to seeing it. And there is a lot of patience that you have to have to go through the second part of the film, where the camera is just following the hunter through his long journey into the jungle. But I must say I felt that my patience paid off at the end. I loved the ending (which I won't describe here for I wouldn't like to write a spoiler): so simple, so heart-felt, yet so genius.
Two handed Thai drama, the first part tells the story of a burgeoning gay male romance and the second uses the main actors in a traditional Thai folk tale. Atmospheric and certainly original but it left me cold.
[font=Century Gothic]The first half of "Tropical Malady" is about the romance between Keng(Banlop Lomnoi), a former soldier and forest ranger who is now unemployed and another man, Tong(Sakda Kaewbuadee). The second half consists of a soldier(possibly also Keng) hunting a tiger.[/font]
[font=Century Gothic]This paradigm shift is similar to the device that David Lynch used in "Lost Highway" and "Mulholland Drive" but with limited success.(It does not really help these movies because it is the equivalent to pulling the carpet out from under the viewer.) And in "Tropical Malady", it has a similar disorienting effect. Maybe if I knew more about Thailand, then I possibly would have liked the movie more.[/font]
There are no approved quotes yet for this movie.