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Stuart Anthony

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  • Active in films from 1931, American screenwriter Stuart Anthony started off writing formula westerns, including several of Paramount's Zane Grey "B" series. One of Anthony's rare contemporary efforts was Fox's Charlie Chan in Paris (1935). Back with the Paramount "B" unit in 1938, he wrote or co-wrote such above-average programmers as Tip Off Girls (1938) Prison Farm (1938), and, best of all, The Monster and the Girl (1941), which managed to successfully combine a traditional horror yarn with a "white slavery" plotline. One of his few "A" efforts under the Paramount banner was Shepherd of the Hills (1941), John Wayne's Technicolor debut. Stuart Anthony returned to westerns in the 1940s: his last known credit (which went un-credited on screen) was RKO's Nevada (1944), based on a Zane Grey novel he'd previously adapted for the screen in 1936.

Filmography

Movies

Rating

Title

Credit

Box
Office

Year

No Score Yet Mayerling Head Gardener 1968
No Score Yet The Day and the Hour Wing Commander 1963
No Score Yet Nevada Screenwriter 1944
No Score Yet The Shepherd of the Hills Screenwriter 1941
No Score Yet The Monster and the Girl Screenwriter 1941
No Score Yet The Ranger and the Lady Screenwriter 1940
No Score Yet The Biscuit Eater Screenwriter 1940
No Score Yet When the Daltons Rode Screenwriter 1940
No Score Yet Saga of Death Valley Screenwriter 1939
No Score Yet Hell Town Screenwriter 1937
No Score Yet Forlorn River Screenwriter 1937
No Score Yet Thunder Trail Screenwriter 1937
No Score Yet Arizona Mahoney Screenwriter 1936
No Score Yet Border Flight Screenwriter 1936
No Score Yet Texas Desperadoes Screenwriter 1936
No Score Yet Desert Gold Screenwriter 1936
No Score Yet Charlie Chan in Paris Screenwriter 1935
No Score Yet Mutiny Ahead Screenwriter 1935
No Score Yet Motive for Revenge Screenwriter 1935
No Score Yet Border Brigands Screenwriter 1935
No Score Yet Strangers of the Evening Screenwriter 1932
No Score Yet Whistlin' Dan Screenwriter 1932
No Score Yet Police Court Screenwriter 1932

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