Movie Reviews Only

T-Meter Title | Year
3/4 94% See You Yesterday (2019) An ambitious, striking debut that takes unexpected creative risks and heralds the arrival of an exciting new filmmaker. - RogerEbert.com EDIT
Read More | Posted May 17, 2019
3/4 86% Meeting Gorbachev (2019) What makes Meeting Gorbachev most interesting is the way we see Herzog shape the narrative through his questions, narration, and filmmaking skills. - RogerEbert.com EDIT
Read More | Posted May 3, 2019
2.5/4 73% I Trapped The Devil (2019) A promising debut despite its flaws. - RogerEbert.com EDIT
Read More | Posted Apr 26, 2019
3/4 95% Avengers: Endgame (2019) In terms of sheer entertainment value, it's on the higher end of the MCU, a film that elevates its most iconic heroes to the legendary status they deserve and provides a few legitimate thrills along the way. - RogerEbert.com EDIT
Read More | Posted Apr 24, 2019
63% I See You (2019) I See You is like several movies in one, and none of them work. - RogerEbert.com EDIT
Read More | Posted Apr 22, 2019
27% Tone Deaf (2018) Tone-Deaf goes from 'interesting' to 'messy' too quickly for my tastes. - RogerEbert.com EDIT
Read More | Posted Apr 22, 2019
100% Girl on the Third Floor (2019) A unique vision that satisfies from beginning to gory end. - RogerEbert.com EDIT
Read More | Posted Apr 22, 2019
97% Booksmart (2019) It's smart, so very funny, and beautifully directed by Olivia Wilde. - RogerEbert.com EDIT
Read More | Posted Apr 22, 2019
83% Pink Wall (2019) An ultimately moving, very impressive debut. - RogerEbert.com EDIT
Read More | Posted Apr 22, 2019
3/4 96% Little Woods (2019) If Little Woods had trusted its two leading ladies just a little bit more, it could have been a truly great movie. As is, it's a very good one that is worth seeing mostly for its cast. - RogerEbert.com EDIT
Read More | Posted Apr 19, 2019
3/4 55% Under the Silver Lake (2019) It may not be an easy movie to sell to an audience, but it's not an easy one to forget either. - RogerEbert.com EDIT
Read More | Posted Apr 18, 2019
1/4 41% Thriller (2018) A movie for which a customer might have demanded a refund in the DTV days. - RogerEbert.com EDIT
Read More | Posted Apr 13, 2019
2.5/4 72% Stockholm (2019) It's a bit tonally inconsistent and ultimately doesn't add up to much -- it kind of slips through your fingers the minute it's over -- but Stockholm is just light on its feet enough to keep you entertained while you're watching it. - RogerEbert.com EDIT
Read More | Posted Apr 12, 2019
3.5/4 63% The Man Who Killed Don Quixote (2019) Witty, goofy, and glorious, The Man Who Killed Don Quixote is Terry Gilliam's best film in two decades. - RogerEbert.com EDIT
Read More | Posted Apr 10, 2019
1.5/4 24% The Silence (2019) Even the always-welcome Stanley Tucci can't add any flair to a movie that feels so much like a relative of John Krasinski's 2018 smash hit. - RogerEbert.com EDIT
Read More | Posted Apr 10, 2019
3/4 93% Screwball (2019) [Screwball] is fascinating as an examination of how carefully one needs to choose their allies, especially when they're committing crimes. - RogerEbert.com EDIT
Read More | Posted Mar 29, 2019
2/4 78% The Legend of Cocaine Island (2018) Kind of like its subject, one wishes the film about him made a few smarter decisions. - RogerEbert.com EDIT
Read More | Posted Mar 29, 2019
3/4 100% Roll Red Roll (2019) Some of the filmmaking here is a little frustrating, but Roll Red Roll is ultimately an insightful portrait of an entire city shaken and altered by one heinous act, amplified by modern technology. - RogerEbert.com EDIT
Read More | Posted Mar 22, 2019
3/4 73% Dragged Across Concrete (2019) It's difficult to ignore the craftsmanship and performances in Dragged Across Concrete simply because you don't like some of its darker themes or feel like it's too long. - RogerEbert.com EDIT
Read More | Posted Mar 22, 2019
1/4 40% The Dirt (2019) You could listen to'Dr. Feelgood' two full times during the run time of The Dirt and learn just about as much about the band as you do in this R-rated Wikipedia article of a movie. - RogerEbert.com EDIT
Read More | Posted Mar 22, 2019
100% Mickey and the Bear (2019) There's undeniable emotional resonance in Annabelle Attanasio's Mickey and the Bear. - RogerEbert.com EDIT
Read More | Posted Mar 18, 2019
89% Saint Frances (2019) Both a beautifully specific character study and something that has resonance beyond the demographic of its cast. - RogerEbert.com EDIT
Read More | Posted Mar 18, 2019
100% Extra Ordinary (2019) A defiantly odd piece of work, one that comes from a very unique sense of humor that works for most of its running time, even if this is the kind of thing that likely connects with the funny bone more on late-night cable than it does in the theater. - RogerEbert.com EDIT
Read More | Posted Mar 13, 2019
71% Run This Town (2019) The rare independent film that feels like it bites off way more than it can chew. - RogerEbert.com EDIT
Read More | Posted Mar 13, 2019
2/4 72% Teen Spirit (2019) Sadly, the film doesn't live up to the depth of the music that seems to have inspired its existence. - RogerEbert.com EDIT
Read More | Posted Mar 13, 2019
95% The Art of Self-Defense (2019) A piece with funny moments sprinkled throughout but that never comes together in a satisfying way. - RogerEbert.com EDIT
Read More | Posted Mar 12, 2019
75% Adopt a Highway (2019) It's an odd film, but it greatly rewards viewer patience, culminating in the only scenes at my SXSW so far that brought tears to my eyes. - RogerEbert.com EDIT
Read More | Posted Mar 12, 2019
78% Good Boys (2019) It's inconsistent, but also often very, very funny. - RogerEbert.com EDIT
Read More | Posted Mar 12, 2019
2/4 57% The Highwaymen (2019) The Highwaymen reminds one that good art can't be made as a corrective to other art. - RogerEbert.com EDIT
Read More | Posted Mar 11, 2019
95% Villains (2019) Everyone in the cast works, especially the always-charming Monroe, but they're working in something that keeps missing the few punches it tries to throw. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
89% Sword of Trust (2019) I wanted to discard every element of the plot and just hang out with the characters over coffee for an hour-something that speaks to both Shelton's gift with character/performances and how little I cared about what actually happens in this movie. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
33% Darlin' (2019) An imperfect movie, but I admire McIntosh's go-for-broke style and the ambition of this project, one that reminded me of George A. Romero in the way it tries to blend social commentary, pitch-black humor, and a heavy dose of bloody make-up. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
56% Tales from the Lodge (2019) This movie that could be shorthanded as 'The Big Chiller' is purposefully ridiculous, but never quite finds the right tone to make its odd blend of horror and comedy effective. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
100% Boyz in the Wood (2019) There are some truly inspired moments in Boyz in the Wood, enough to save it if you're in the right mood and with the right crowd. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
3/4 54% The Beach Bum (2019) The Beach Bum works by never losing its tonal statement that all that really matters is what matters to you ... man. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
3/4 81% Long Shot (2019) A rom-com with a political edge that will be one of this year's most beloved crowdpleasers. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
1.5/4 66% Body at Brighton Rock (2019) Benjamin never quite replicates that creepy feeling of being alone in a dangerous place, resulting in a film that that needs some dirt under its nails and to get under our skin to be effective. It simply never is. - RogerEbert.com EDIT
Read More | Posted Mar 10, 2019
3/4 100% Prosecuting Evil: The Extraordinary World of Ben Ferencz (2018) The film ... places Ferencz on a high pedestal, complete with rapturous commentary on his influence and impact from colleagues and family, but the man has undeniably earned it. - RogerEbert.com EDIT
Read More | Posted Feb 22, 2019
63% Native Son (2019) There were decisions made in this production--both in how the work has been updated and how it was not--that drain Native Son of the momentum it really needs. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
100% Honey Boy (2019) It's riveting drama, always existing as a personal, meta piece for a man openly and artistically dealing with his past. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
100% The Farewell (2019) The Farewell has some beautiful, truthful things to say about how love persists across the oceans. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
86% I Am Mother (2019) Clearly, I Am Mother is thematically rich. It's just not dramatically rich. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
76% Late Night (2019) Late Night too often pulls its punches. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
75% Imaginary Order (2019) A film that feels like it's going through the motions as much as its put-upon protagonist. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
56% The Sound of Silence (2019) There are clearly some fascinating ideas embedded in [The Sound of Silence], but the whole production is too numbingly flat. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
56% Extremely Wicked, Shockingly Evil and Vile (2019) It's particularly disappointing that Extremely Wicked doesn't work considering that Zac Efron is giving it his all here. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
No Score Yet The Sunlit Night (2019) The Sunlit Night has a few too many forced moments and scripted relationship beats to feel genuine. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
100% Love, Antosha (2019) Understandably a document of what was lost, but it also serves as a reminder of the impact one can have even in such a comparatively small window of time. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
100% Marianne & Leonard: Words of Love (2019) It has a cumulative emotional power, especially if you love Cohen's work as much as I do. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019
100% David Crosby: Remember My Name (2019) It's a bit lacking in deep insight, often moving quickly over tougher questions, but that kind of mirrors the tone of its subject. - RogerEbert.com EDIT
Read More | Posted Feb 5, 2019