Kate Erbland Movie Reviews & Previews - Rotten Tomatoes

Kate Erbland

Kate Erbland
Kate Erbland's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Boxoffice Magazine, Film.com, indieWire, Film School Rejects, The Playlist, MSN Movies, The Dissolve

Movie Reviews Only

Rating T-Meter Title | Year Review
A- 73% To the Bone (2017) Collins' performance is certainly the main attraction here, but Noxon has rounded out the rest of her cast with equally as impressive supporting turns from performers as diverse as Reeves, Retta, Alex Sharp, Preston, and Lili Taylor.‐ indieWire
Read More | Posted Jul 14, 2017
B+ 89% Girls Trip (2017) Tiffany Haddish is the best thing going in a film that has plenty else to recommend it, especially for audiences eager to see a truly wild summer comedy.‐ indieWire
Read More | Posted Jul 12, 2017
C- 61% Despicable Me 3 (2017) The whiz-bang joy of the first film is wholly absent, and "Despicable Me 3" limps along for nearly an hour before finding its footing (and, also, maybe an actual unicorn).‐ indieWire
Read More | Posted Jun 27, 2017
C+ 16% All Eyez on Me (2017) Although All Eyez on Me occasionally dips into Tupac's complex nature, it always zips away the moment deeper motivations and themes are explored. ‐ indieWire
Read More | Posted Jun 15, 2017
D+ 22% Once Upon a Time in Venice (2017) Bruce, you're better than this.‐ indieWire
Read More | Posted Jun 15, 2017
A- 92% Wonder Woman (2017) Jenkins' feature flips back through time to deliver an origin story that functions beautifully on its own while also bolstering excitement for the franchise's future.‐ indieWire
Read More | Posted May 29, 2017
B+ 79% Folk Hero & Funny Guy (2017) [An] amiable feature that boasts the kind of old-school charm and chemistry that more comedies could stand to tap into.‐ indieWire
Read More | Posted May 11, 2017
D 35% Snatched (2017) Pairing up talented comedians like Hawn and Schumer with a wacky plotline to match should spell comedy gold, but Snatched is about as cheap and disposable as a tourist trap tchotchke.‐ indieWire
Read More | Posted May 11, 2017
C- 16% Mine (2017) For a film that's built on such a banger of a premise, Mine never leaves Mike alone for too long, robbing it of the tension and terror that made Mike's early solitary moments hit so hard.‐ indieWire
Read More | Posted Apr 6, 2017
C+ 69% Gifted (2017) Tom Flynn's script isn't afraid of asking tough questions when it comes to Mary's fate... but couches the rest of the film in such superfluous material that it's nearly impossible to cut through the noise. In short, the math doesn't add up.‐ indieWire
Read More | Posted Mar 30, 2017
B- No Score Yet The Relationtrip (2017) A wicked spin on the often played-out world of indie romantic comedies, The Relationtrip packs every conceivable genre trope into a neat 90 minutes, and then happily upends them.‐ indieWire
Read More | Posted Mar 16, 2017
A- No Score Yet Muppet Guys Talking: Secrets Behind the Show the Whole World Watched (2017) That a film about The Muppets would refer so often to Henson's work is a bit of a no brainer, but it also represents a larger point of Muppet Guys Talking, which is creativity is impossible without communication and collaboration.‐ indieWire
Read More | Posted Mar 16, 2017
B+ No Score Yet A Critically Endangered Species (2017) Olin is so spell-binding...just watching her is treat enough.‐ indieWire
Read More | Posted Mar 14, 2017
C-- 21% The Shack (2017) When Worthington and his wacky trio are allowed to loosen up, The Shack radiates with undeniable sweetness, but the darker elements grind it to an unnerving halt.‐ indieWire
Read More | Posted Mar 2, 2017
C+ 78% Lovesong (2017) The overall effect is one of a disjointed love story that can never quite find the tune, no matter how skilled its players.‐ indieWire
Read More | Posted Feb 17, 2017
100% 2017 Oscar Nominated Shorts: Live Action (2017) From stories about children's choirs gone wild, unexpected romances and even a gut-churning immigration story that couldn't be more prescient, this year's live-action nominees fit together into a satisfying, smart little package.‐ indieWire
Read More | Posted Feb 9, 2017
C+ 10% Fifty Shades Darker (2017) Despite its looser tone, Darker does make room for some clunkier, darker elements.‐ indieWire
Read More | Posted Feb 9, 2017
B- 95% The Incredible Jessica James (2017) Williams along with her burgeoning star power and ability to bring absolute charm and sparkle to every second of the film elevates it.‐ indieWire
Read More | Posted Feb 7, 2017
B- 70% Golden Exits (2017) Sevigny is the surprisingly subtle beating heart of the whole affair, while Parker appears to be having a hell of a time being a classic Perry villain.‐ indieWire
Read More | Posted Jan 30, 2017
B 76% Berlin Syndrome (2017) Shortland serves up something that's got plenty of bite to it, and Palmer gladly tears into it‐ indieWire
Read More | Posted Jan 30, 2017
C+ 82% Marjorie Prime (2016) Marjorie Prime feels less true at every turn.‐ indieWire
Read More | Posted Jan 26, 2017
C+ 25% Rebel in the Rye (2016) Too phony to love.‐ indieWire
Read More | Posted Jan 26, 2017
D- 17% Sidney Hall (2017) Unspools into nearly two hours of baffling narrative choices, weak character development, and so many offensive cliches that it would be funny if they wasn't so, well, offensive.‐ indieWire
Read More | Posted Jan 26, 2017
A- 100% Novitiate (2017) Shining testament to the power of belief.‐ indieWire
Read More | Posted Jan 25, 2017
B- 88% Princess (2014) Princess" is an arresting and taxing film experience.‐ indieWire
Read More | Posted Jan 2, 2017
C+ 85% Amanda Knox (2016) Eventually, the missing pieces -- and the Amanda Knox case is undoubtedly one of missing pieces -- outshine the compelling elements the doc does provide (again, Amanda Knox! as primary talking head!), leaving audiences only wanting more. ‐ indieWire
Read More | Posted Jan 2, 2017
D 40% Morgan (2016) "What is Morgan?" the film's marketing campaign has been asking for weeks. Turns out, Morgan is just another sci-fi film that's only engineered to disappoint.‐ indieWire
Read More | Posted Jan 2, 2017
D 64% Voyage of Time: Life's Journey (2016) This version... bogged down as it is by insipid narration and a punishing running length, makes this Voyage of Time a trip not worth taking.‐ indieWire
Read More | Posted Jan 2, 2017
C+ 72% The Ones Below (2016) The film's ultimate reveal is hardly shocking, and that the film spends a gratuitous amount time unspooling it long after it's clear what has gone down feels indulgent and unearned.‐ indieWire
Read More | Posted Jan 2, 2017
D 20% I Saw the Light (2016) I Saw the Light doesn't just fail to illuminate Williams' complicated life and his prodigious talent; it can't even capture the dark corners of a man with more than enough to peer into.‐ indieWire
Read More | Posted Jan 2, 2017
C- 32% Beauty And The Beast (La belle et la bête) (2016) Gans isn't especially concerned with the outcome this coupling, instead reveling in overwrought and often bloated storytelling, lush details and some of the year's most unnerving CGI.‐ indieWire
Read More | Posted Jan 2, 2017
D+ 8% No Stranger Than Love (2016) No Stranger Than Love goes for weirdness way too late.‐ indieWire
Read More | Posted Jan 2, 2017
B 98% Love & Friendship (2016) Love & Friendship may not be traditional Austen, but it's pretty stellar Stillman.‐ indieWire
Read More | Posted Jan 2, 2017
B+ 97% Dark Horse (2016) It's a true winner and a genuine crowdpleaser, a human story told well through one incredible animal.‐ indieWire
Read More | Posted Jan 2, 2017
D+ 30% Manhattan Night (Manhattan Nocturne) (2016) Despite being rife with crime, sex and darkness, Manhattan Night feels increasingly like a cheap ripoff of the genre it so very much wants to fit into.‐ indieWire
Read More | Posted Jan 2, 2017
B+ 83% A United Kingdom (2017) The result is a rich, stirring look at one of modern society's most enduring -- and yes, inspirational -- marriages, underpinned by political machinations that remain all too relevant.‐ indieWire
Read More | Posted Jan 2, 2017
B- 95% Spa Night (2016) Although Seo and Ahn are able to tap into David's confusion and agony -- especially when filtered through the lens of his damningly hopeful parents -- there's never much more to David (or his story) than that.‐ indieWire
Read More | Posted Jan 2, 2017
B- 87% Florence Foster Jenkins (2016) That's where the film truly succeeds: Frears doesn't treat Florence like a joke, and neither does Streep.‐ indieWire
Read More | Posted Jan 2, 2017
B+ 92% The Eagle Huntress (2016) A soaring, sweet documentary that welcomes its audience into an unexpected new arena.‐ indieWire
Read More | Posted Jan 2, 2017
C- 79% Audrie & Daisy (2016) There's more than enough story to tell here, maybe too much for just one film, no matter how well-meaning it may be.‐ indieWire
Read More | Posted Jan 2, 2017
B+ 50% One More Time (When I Live My Life Over Again) (2016) One More Time is a low-key pleasure with big rewards, the kind worth crooning about.‐ indieWire
Read More | Posted Jan 2, 2017
C- 31% Passengers (2016) "Titanic" in space? No, but it's certainly a disaster.‐ indieWire
Read More | Posted Dec 15, 2016
8.8/10 89% Captain America: The Winter Soldier (2014) Captain America: The Winter Soldier neatly and entertainingly puts into motion some big changes in the Marvel universe, while still sticking to its own charms - no easy feat, but one fit for a hero.‐ MTV
Read More | Posted Nov 21, 2016
C+ 60% Allied (2016) War is hell, but "Allied" isn't much better, as it wastes a good idea and a better cast.‐ indieWire
Read More | Posted Nov 21, 2016
B- 95% Maya Angelou: And Still I Rise (2016) Angelou herself is the star, one who is more riveting and original sitting in a chair, reciting the story of her life, than this -- or most, really -- documentary could ever hope to be on its own.‐ indieWire
Read More | Posted Oct 24, 2016
B 83% Ouija: Origin of Evil (2016) Ouija giddily zips between haunted house thriller, exorcism drama and skillful period piece, all wrapped up in a neat and terrifying little bow.‐ indieWire
Read More | Posted Oct 24, 2016
B- 83% Closet Monster (2016) Dunn plays around with perspective and style, but all the flash doesn't obscure the film's emotion and heart, which are deep and true.‐ indieWire
Read More | Posted Sep 29, 2016
D 34% Masterminds (2016) It's not just that the people who populate "Masterminds" are at the mercy of their own bad decisions and worse judgement, it's that they're trapped in a woefully unfunny movie that seems to actively despise them.‐ indieWire
Read More | Posted Sep 29, 2016
B- 58% Bad Moms (2016) A female-driven story that doesn't shy away from bad behavior while also touting the importance of familial bonds and solid parenting choices.‐ indieWire
Read More | Posted Jul 29, 2016
A- 89% Miss Sharon Jones! (2016) Despite a hefty number of tears shed throughout the course of the film, Kopple never plays up fraught situations for cheap emotions or knee-jerk reactions. ‐ indieWire
Read More | Posted Jul 28, 2016