Kimber Myers Movie Reviews & Previews - Rotten Tomatoes

Kimber Myers

Kimber Myers
Kimber Myers's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Los Angeles Times, The Playlist

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet Blood Road (2017) "Blood Road" goes far beyond the extreme sports film one might expect. Instead, the documentary is a triumph, more about emotional states than grueling physical challenges.‐ Los Angeles Times
Read More | Posted Jun 22, 2017
89% Raising Bertie (2017) The film alternates between triumph and tragedy, but there's never a moment that doesn't feel intimate and authentic in its 96-minute running time.‐ Los Angeles Times
Read More | Posted Jun 22, 2017
No Score Yet Hearing Is Believing (2017) "Hearing Is Believing" could have offered more insight into Rachel's experience, but instead it invests in the action of its title, including long stretches of witnessing Rachel at the piano and on various other instruments.‐ Los Angeles Times
Read More | Posted Jun 15, 2017
D+ 54% 47 Meters Down (2017) "47 Meters Down" creates moments of genuine dread and terror-driven giggles (at least for this shark-phobic critic), but its script is dumber than a bucket of chum.‐ The Playlist
Read More | Posted Jun 15, 2017
B 48% Rough Night (2017) Mixing equal parts of "The Hangover," "Very Bad Things," and "Bridesmaids," "Rough Night" is a comedy cocktail that goes down easy.‐ The Playlist
Read More | Posted Jun 14, 2017
No Score Yet Capps Crossing (2017) Unfortunately, the worst fault in this horror movie isn't the amateur performances, beginner-level editing or the special effects; it's the dreadfully dumb script.‐ Los Angeles Times
Read More | Posted Jun 8, 2017
No Score Yet Random Tropical Paradise (2017) "Random Tropical Paradise" would be a waste of film if it were made in the medium. Luckily, the advent of digital limits the misuse of materials.‐ Los Angeles Times
Read More | Posted Jun 8, 2017
No Score Yet Dark Signal (2017) [A] dull, poorly structured movie.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
60% Aaron's Blood (2017) The lifeless script and bland performances damn the film and the unlucky viewers who find it.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
44% Vincent N Roxxy (2017) This uneven rural romance and thriller has echoes of Terrence Malick, Jeff Nichols and Andrew Dominik, but its dueling tones battle with neither side emerging victorious.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
27% Drone (2017) Utterly dull thriller "Drone" tries to raise ethical and moral questions about modern warfare, but the audience can only dwell on the illogical plot and unsympathetic characters - if they can engage at all.‐ Los Angeles Times
Read More | Posted May 25, 2017
100% Fight for Space (2016) Though "Fight for Space" doesn't innovate artistically, first-time director Paul J. Hildebrandt's documentary makes strong arguments for scientific innovation.‐ Los Angeles Times
Read More | Posted May 18, 2017
58% Urban Hymn (2017) "Urban Hymn" is so carefully and lovingly made by director Michael Caton-Jones and his leads that it's hard to begrudge the British drama its familiar premise, especially as you squint at the screen through tears.‐ Los Angeles Times
Read More | Posted May 11, 2017
71% Tracktown (2017) "Tracktown" feels utterly authentic and earnest, even if the latter quality may serve as a turn-off to the more cynical in the audience.‐ Los Angeles Times
Read More | Posted May 11, 2017
40% Lady Bloodfight (2017) If you're a big fan of drunken debates over "Who would win?" "Lady Bloodfight" may be the martial arts film for you. Especially if you're still drunk.‐ Los Angeles Times
Read More | Posted May 4, 2017
A- 85% The Lovers (2017) This is [Jacobs] working on another level, thanks to a beautiful marriage of filmmaker, material, and cast.‐ The Playlist
Read More | Posted May 1, 2017
40% How to Be a Latin Lover (2017) Its humor is broad, but most of the jokes work for the intended audience - with a few even breaking through to more resistant viewers.‐ Los Angeles Times
Read More | Posted Apr 28, 2017
C 15% The Circle (2017) With strong UI but terrible UX, The Circle is constantly throws errors.‐ The Playlist
Read More | Posted Apr 28, 2017
17% N.O.L.A. Circus (2017) The flaws of "Nola Circus" aren't limited to its outrageous and offensive approach. It's that it never succeeds in bringing viewers onto its wavelength, which is probably a good thing for humanity's sake.‐ Los Angeles Times
Read More | Posted Apr 20, 2017
11% Spark: A Space Tail (2017) One questions how a movie this ill-conceived even got made, and how writer-director Aaron Woodley recruited a voice cast that includes talent like Susan Sarandon, Patrick Stewart and Hilary Swank.‐ Los Angeles Times
Read More | Posted Apr 14, 2017
50% The Outcasts (2017) Frequently fun and generally harmless, "The Outcasts" doesn't bring anything new to the teen comedy, but that's the nice thing about the sub-genre for its viewers.‐ Los Angeles Times
Read More | Posted Apr 13, 2017
B+ 66% The Fate of the Furious (2017) The film brings Charlize Theron on board as villainess, as well as a nuclear sub in the Arctic, a horde of cars speeding through New York City streets, a prison break battle royale, and a giant wrecking ball. It would be too much if it weren't so awesome.‐ The Playlist
Read More | Posted Apr 9, 2017
No Score Yet Blue Gold: American Jeans (2014) Despite the fabric's familiarity, most viewers will leave the documentary bored.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
B- 48% The Ticket (2017) The Ticket isn't always successful in its search for answers to those questions, but it provokes a dialogue with the viewer against the backdrop of impressive visuals and excellent performances.‐ The Playlist
Read More | Posted Apr 4, 2017
10% Despite The Falling Snow (2017) Unfortunately, the strong cinematography from David Johnson and costume design by Momirka Bailovic can't overcome a lifeless, poorly structured script from Sarif, based on her own well received novel.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
No Score Yet Walk of Fame (2017) Aggressive and aggressively unfunny, Hollywood-set comedy "Walk of Fame" hates its characters and its audience - and the feeling is mutual.‐ Los Angeles Times
Read More | Posted Mar 23, 2017
81% Mean Dreams (2017) A beautiful, dangerous picture of rural America with echoes of Terrence Malick.‐ Los Angeles Times
Read More | Posted Mar 16, 2017
81% Actor Martinez (2017) Don't let the low-res, low-budget filmmaking fool you. "Actor Martinez" is an ambitious film that works on a variety of levels.‐ Los Angeles Times
Read More | Posted Mar 9, 2017
B 100% Betting on Zero (2017) Betting on Zero takes a matter-of-fact approach to its material, but it makes a convincing and sometimes emotional argument against Herbalife.‐ The Playlist
Read More | Posted Mar 7, 2017
C+ 67% Django (2017) When Django Reinhardt's fingers aren't dancing across guitar strings, the film has all the vitality of an educational film shown by a substitute teacher. ‐ The Playlist
Read More | Posted Mar 6, 2017
73% Catfight (2017) The enjoyably nasty satire "Catfight" doesn't pull its punches, literally or figuratively.‐ Los Angeles Times
Read More | Posted Mar 2, 2017
No Score Yet Burlesque: Heart Of The Glitter Tribe (2017) There's real talent here, whether in more traditional dance, breathing fire or creatively raunchy puppetry. Director Jon Manning explores the performance art beyond its titillating reputation.‐ Los Angeles Times
Read More | Posted Mar 2, 2017
A- 68% Contemporary Color (2017) Throughout the documentary, infectious joy leaps off the screen with the same energy the color-guard teams display.‐ The Playlist
Read More | Posted Feb 28, 2017
A- 99% Get Out (2017) This is a major filmmaking debut that's fully worthy of all the conversation it will start, both around its commentary on race in America and how truly good it is.‐ The Playlist
Read More | Posted Feb 22, 2017
C- 35% The Great Wall (2017) A beautiful spectacle that elicits giggles for how silly it is.‐ The Playlist
Read More | Posted Feb 16, 2017
20% 1 Night (One Night) (2017) Even its wistful tone points toward an opportunity missed; unfortunately, the film doesn't fully explore its big ideas or give its talented cast dialogue to match.‐ Los Angeles Times
Read More | Posted Feb 9, 2017
30% Havenhurst (2017) "Havenhurst" never has as much fun with its premise as it should, and it peaks before its final scenes.‐ Los Angeles Times
Read More | Posted Feb 9, 2017
D+ 17% The Space Between Us (2017) This is a saccharine science fiction romance that doesn't actually concern itself with science fiction or romance; instead, it's the equivalent of astronaut ice cream, lacking in substance and crumbling to bits at the slightest pressure.‐ The Playlist
Read More | Posted Feb 3, 2017
80% The Grace of Jake (2017) It earns points for not being overly pious, but there's little depth in its exploration of one man's spiritual evolution.‐ Los Angeles Times
Read More | Posted Feb 2, 2017
73% This Is Everything: Gigi Gorgeous (2017) For all that the Gigi Gorgeous videos provide, Kopple's experienced touch adds depth and a clear narrative.‐ Los Angeles Times
Read More | Posted Feb 2, 2017
35% Resident Evil: The Final Chapter (2017) Boasting a higher body count than its IQ, "Resident Evil: The Final Chapter" is violent, idiotic fun.‐ Los Angeles Times
Read More | Posted Jan 27, 2017
100% The Sunshine Makers (2017) This documentary meanders a bit as it goes between time periods, but it's never less than entertaining and illuminating.‐ Los Angeles Times
Read More | Posted Jan 26, 2017
B 75% Split (2017) If "Split" were a drama released in the final months of the year, James McAvoy would be getting awards talk, but its "lesser" genre status means that he likely won't receive the attention the performance(s) deserve.‐ The Playlist
Read More | Posted Jan 19, 2017
43% Bakery in Brooklyn (My Bakery in Brooklyn) (2017) It's the cinematic equivalent of a novice baker throwing lemon curd, salted caramel, Nutella and crème anglaise into a bowl: sticky, overly sweet glop, without any real substance or balance.‐ Los Angeles Times
Read More | Posted Jan 19, 2017
0% Bad Kids of Crestview Academy (2017) Why does this movie exist and how does it succeed in failing on every level?‐ Los Angeles Times
Read More | Posted Jan 12, 2017
D 24% The Bye Bye Man (2017) A silly joke of a horror movie‐ The Playlist
Read More | Posted Jan 12, 2017
18% Underworld: Blood Wars (2017) This entry won't disappoint hardcore fans.‐ Los Angeles Times
Read More | Posted Jan 6, 2017
No Score Yet Sins of Our Youth (2016) How the boys' lives and plans unravel keeps the audience involved, even if the film's overly flashy style and cardboard characters threaten to push them away at every turn.‐ Los Angeles Times
Read More | Posted Dec 15, 2016
C- 36% A Kind of Murder (2016) A Kind of Murder" attempts to distinguish itself in its approach to style, but leaves much to be desired in its story and character.‐ The Playlist
Read More | Posted Dec 15, 2016
100% The Bad Kids (2016) The vérité approach in "The Bad Kids" gives viewers insight into a timely issue by literally putting a face on it.‐ Los Angeles Times
Read More | Posted Dec 15, 2016