Kimber Myers Movie Reviews & Previews - Rotten Tomatoes

Kimber Myers

Kimber Myers
Kimber Myers's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Los Angeles Times, The Playlist

Movie Reviews Only

Rating T-Meter Title | Year Review
100% A Skin So Soft (Ta peau si lisse) (2018) This minimalist approach to maximalist bodies offers an intimate look at six men whose lives are centered on their physical performance and appearance.‐ Los Angeles Times
Read More | Posted Jun 14, 2018
No Score Yet To A More Perfect Union: U.S. v. Windsor (2018) The film reminds us that there are individual human experiences behind the legal decisions that impact an entire country.‐ Los Angeles Times
Read More | Posted Jun 7, 2018
42% The Valley (2018) Tackling teen suicide in a film requires a deft touch, but "The Valley" approaches the weighty topic with a heavy, sluggish hand.‐ Los Angeles Times
Read More | Posted Jun 6, 2018
B+ 66% Ocean's 8 (2018) Ocean's 8 is the self-aware frosé of movies; a summer delight, perfectly airy and refreshing,‐ The Playlist
Read More | Posted Jun 5, 2018
No Score Yet Funeral Day (2018) At its conclusion, the only consolation is that the film was short - and that it's over.‐ Los Angeles Times
Read More | Posted May 31, 2018
B 70% Adrift (2018) Adrift avoids the perils of most survival stories, thanks not only to its strong cast and well-structured script but to filmmaker Baltasar Kormákur.‐ The Playlist
Read More | Posted May 31, 2018
75% Discreet (2018) Worth watching even though it doesn't fully cohere beyond its well-executed tone.‐ Los Angeles Times
Read More | Posted May 30, 2018
No Score Yet Yadvi - The Dignified Princess (2018) Unfortunately, while its intentions are as pure as the heart of its heroine, the biography offers little depth or insight into Yadvi.‐ Los Angeles Times
Read More | Posted May 24, 2018
No Score Yet Andy Irons: Kissed By God (2018) Awe-inspiring and emotional, "Andy Irons: Kissed by God" ably strikes a balance between a standard sports doc and a biography of a man whose internal battles were as challenging as his competition.‐ Los Angeles Times
Read More | Posted May 24, 2018
85% Cargo (2018) Co-directors Ben Howling and Yolanda Ramke (the latter of whom wrote the screenplay) sacrifice some tension with their more character-based approach, but the cumulative effect is emotionally powerful.‐ Los Angeles Times
Read More | Posted May 16, 2018
56% Always at the Carlyle (2018) Plays like a feature-length video you'd expect to see on a loop in the lobby of a less classy version of the luxe New York institution and celebrity favorite (so basically anywhere, really).‐ Los Angeles Times
Read More | Posted May 16, 2018
B No Score Yet Egg (2018) Its ultimate sympathy for these women may be at odds with earlier jabs at them, but it creates an empathetic space that is surprisingly emotionally satisfying.‐ The Playlist
Read More | Posted May 9, 2018
100% What Haunts Us (2018) Absolutely the stuff of nightmares...will linger far longer in its audience's minds than most films about imagined terrors.‐ Los Angeles Times
Read More | Posted May 8, 2018
83% Class Rank (2018) "Class Rank" is a late bloomer that takes time to find its footing, but once it does, it proves to be as stealthily likable as its characters.‐ Los Angeles Times
Read More | Posted May 8, 2018
B- 52% Duck Butter (2018) Like its characters, Duck Butter is imperfect, but unlike human objects of our affection, it's attractive despite its flaws rather than because of them.‐ The Playlist
Read More | Posted May 4, 2018
74% Son of Bigfoot (2018) Doesn't feature quite the budget, visuals or imagination of its American blockbuster counterparts, but it will likely provide a fun 90-minute diversion for kids.‐ Los Angeles Times
Read More | Posted May 1, 2018
92% Love & Bananas: An Elephant Story (2018) "Love & Bananas: An Elephant Story" is the type of film that's impossible to come away from unchanged.‐ Los Angeles Times
Read More | Posted May 1, 2018
71% Jet Trash (2018) It wears its influences on its tattooed sleeve, but this drug-fueled film is still an entertaining watch filled with bold style.‐ Los Angeles Times
Read More | Posted Apr 26, 2018
No Score Yet Goran (2016) For those who like their jokes on the cruel side, "Goran" is a darkly comic treat that is a far better experience for the audience than its characters.‐ Los Angeles Times
Read More | Posted Apr 26, 2018
80% Adventures in Public School (Public Schooled) (2018) "Adventures in Public School" isn't for everyone. But this oddball high school comedy from director Kyle Rideout has a distinct voice and a wry sense of humor that sets it apart from the standard teen film.‐ Los Angeles Times
Read More | Posted Apr 26, 2018
100% Keep the Change (2018) "Keep the Change" isn't a film for cynics, but romantics will find plenty to warm their hearts here.‐ Los Angeles Times
Read More | Posted Apr 19, 2018
50% 4/20 Massacre (2018) Its C-movie horror should only be experienced while under the influence when your judgment isn't at its best.‐ Los Angeles Times
Read More | Posted Apr 19, 2018
C 33% I Feel Pretty (2018) It's sweet and silly with a scene-stealing performance from [Michelle] Williams, but it ultimately could learn from its own lessons. It's not confident enough in its central premise, leaving the audience wanting something more.‐ The Playlist
Read More | Posted Apr 18, 2018
No Score Yet Color Me You (2018) It aims to inspire with its heartfelt story about an aspiring painter, but this indie drama fails to connect despite its best efforts.‐ Los Angeles Times
Read More | Posted Apr 12, 2018
14% Blumhouse's Truth or Dare (2018) My FitBit actually logged the experience as a 100-minute nap.‐ Los Angeles Times
Read More | Posted Apr 12, 2018
No Score Yet Mantra: Sounds Into Silence (2018) For those who have been moved by a unified "om" at the end of a yoga class or harmonized in church, "Mantra: Sounds Into Silence" will resonate.‐ Los Angeles Times
Read More | Posted Apr 5, 2018
100% Rogers Park (2018) This indie drama from director Kyle Henry largely works due to its authenticity in replicating real-world relationship challenges.‐ Los Angeles Times
Read More | Posted Apr 5, 2018
83% First Match (2018) [Newman] tells an unvarnished story that grapples with the complexity of father-daughter relationships and the desperation of feeling like you have no choices.‐ Los Angeles Times
Read More | Posted Mar 30, 2018
No Score Yet Status Update (2018) Starts off funny but becomes a frustrating exercise in déjà vu for anyone who's graduated from high school or seen a movie.‐ Los Angeles Times
Read More | Posted Mar 29, 2018
No Score Yet A Normal Life (2018) There's love and affection on screen in "A Normal Life," emanating from each frame of director Alex Herz's feature debut.‐ Los Angeles Times
Read More | Posted Mar 22, 2018
No Score Yet Elis (2018) Its episodic nature and refusal to clarify who, what or when means that it lacks a cohesive, coherent narrative, with Regina's songs serving as the only connective tissue.‐ Los Angeles Times
Read More | Posted Mar 22, 2018
No Score Yet The Redeemed and the Dominant: Fittest on Earth (2018) This documentary is pure entertainment starting from the moments the thundering booms of its soundtrack signify that the games are about to begin.‐ Los Angeles Times
Read More | Posted Mar 21, 2018
83% Augie (2018) Keach should have trusted the power of Augie and Lynn's story, rather than adding ... unnecessary, ineffective flourishes.‐ Los Angeles Times
Read More | Posted Mar 15, 2018
No Score Yet Hello & Goodbye (2018) [A] largely solid little movie ...‐ Los Angeles Times
Read More | Posted Mar 14, 2018
39% The Strangers: Prey At Night (2018) Though it's as slim and poorly balanced as a cheap knife, "The Strangers: Prey at Night" is a stylish 1980s throwback that packs plenty of terror into its short running time.‐ Los Angeles Times
Read More | Posted Mar 8, 2018
No Score Yet But Deliver Us From Evil (2018) "But Deliver Us From Evil" has no tonal cohesion, and the amateur editing from Coates only exacerbates the issue.‐ Los Angeles Times
Read More | Posted Mar 1, 2018
B+ 92% Love, Simon (2018) "Love, Simon" never feels like it exists merely because it should; its endearing charm makes it a film that viewers will watch regardless of its valuable social impact.‐ The Playlist
Read More | Posted Mar 1, 2018
62% Every Day (2018) "Every Day" [is] more ambitious than your average teen romance, which only makes it all the more disappointing that it simply remains an average teen romance.‐ Los Angeles Times
Read More | Posted Feb 22, 2018
36% The Chamber (2018) A grim thriller that isn't as compelling as it might have been in stronger hands.‐ Los Angeles Times
Read More | Posted Feb 22, 2018
C+ 33% Irreplaceable You (2018) It would serve its audience better if it paid more attention to a stronger structure and a believable plot, but its flaws don't keep it from being affecting for those who like their love stories on the lachrymose side.‐ The Playlist
Read More | Posted Feb 16, 2018
86% Poop Talk (2018) Poop Talk arrives on screen in the grand, gross tradition of "The Aristocrats" ... director Aaron Feldman smartly keeps the film fast-paced and short at less than 70 minutes.‐ Los Angeles Times
Read More | Posted Feb 15, 2018
71% Permission (2018) While it deals with heavy relationship issues including the validity of monogamy, it manages an easy, seemingly effortless humor that seduces the audience while simultaneously breaking filmgoers' hearts.‐ Los Angeles Times
Read More | Posted Feb 8, 2018
No Score Yet The Next Big Thing (2018) For those who find reality television mindless and cruel, watching "The Next Big Thing" would do little to dissuade them from their opinion.‐ Los Angeles Times
Read More | Posted Feb 8, 2018
94% Becks (2018) Like its heroine, "Becks" is unsure and all over the place, lacking a central focus. But like Becks herself, its messiness ultimately draws us in and keeps us watching.‐ Los Angeles Times
Read More | Posted Feb 8, 2018
D+ 13% Fifty Shades Freed (2018) A hungry audience does get a sex scene where a pint of Ben & Jerry's Vanilla reappears in a nod to "Fifty Shades Darker," but like most of the movie, it's less sexy than it is silly.‐ The Playlist
Read More | Posted Feb 8, 2018
93% The Cage Fighter (2018) At just 81 minutes, "The Cage Fighter" has been whittled down to its fighting weight, trimmed of every ounce of fat.‐ Los Angeles Times
Read More | Posted Feb 1, 2018
C+ 67% The Oslo Diaries (2018) Most of the film generally isn't as interesting as the real-life drama might imply, making this viewing for history junkies and political fans only, rather than a documentary with crossover appeal for those who nodded off in history class.‐ The Playlist
Read More | Posted Jan 26, 2018
No Score Yet The Campus (2018) Horton shows clear affection for the genre, but only the most indiscriminate horror fan could love this lumbering five-headed monster.‐ Los Angeles Times
Read More | Posted Jan 25, 2018
20% Desolation (2018) It wants to be a commentary on the depravity of Hollywood and what people find entertaining, but instead it mostly just mirrors the media's habit of using sexual trauma as a plot device and surviving such horrors as a character trait.‐ Los Angeles Times
Read More | Posted Jan 25, 2018
B 100% The Guilty (Den skyldige) (2018) "The Guilty" unravels a pair of mysteries, slowly peeling back the layers of both Iben's story and Asger's. In its tight 85 minutes, the film parcels out answers in each, with many of the revelations earning a gasp.‐ The Playlist
Read More | Posted Jan 21, 2018