Kimber Myers Movie Reviews & Previews - Rotten Tomatoes

Kimber Myers

Kimber Myers
Kimber Myers's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Los Angeles Times, The Playlist

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet Slipaway (2017) "Slipaway," the touching story of an unlikely friendship, works thanks to a warm performance from Elaine Partnow.‐ Los Angeles Times
Read More | Posted Sep 21, 2017
B- 51% Kingsman: The Golden Circle (2017) Like fireworks, they're awe-inspiring while you're watching, but there's little left to marvel at after the show's over.‐ The Playlist
Read More | Posted Sep 18, 2017
No Score Yet Ryde (2016) There are some nice visuals set to a synth score, and the streets of Los Angeles play a primary role. However, this slick and stylish exterior belies a rotting core underneath.‐ Los Angeles Times
Read More | Posted Sep 14, 2017
0% The Show (2017) Neither sharp enough to qualify as satire nor emotional enough to be a standard drama, "The Show" exists in film purgatory.‐ Los Angeles Times
Read More | Posted Sep 14, 2017
No Score Yet Neary's: The Dream at the End of the Rainbow (2017) Even at only 60 minutes, the film feels long, like it might have been better suited to a short or a segment on the local news.‐ Los Angeles Times
Read More | Posted Sep 14, 2017
0% Against The Night (2017) These nine people are indistinguishable, and we can't be bothered to care - or even notice - when they begin to die.‐ Los Angeles Times
Read More | Posted Sep 14, 2017
11% 9/11 (2017) 9/11 trades on the emotional weight of its namesake day, manipulating audiences into feelings that have nothing to do with the mess that is actually on screen.‐ Los Angeles Times
Read More | Posted Sep 8, 2017
0% Gun Shy (2017) The biggest problem for "Gun Shy" isn't its ridiculous premise or its frequently silly tone; it's that it doesn't fully commit to either.‐ Los Angeles Times
Read More | Posted Sep 7, 2017
100% Twenty Two (2017) Slow-moving and sad, "Twenty Two" isn't easy to watch, but it isn't meant to be.‐ Los Angeles Times
Read More | Posted Sep 7, 2017
7% Tulip Fever (2017) At 107 minutes, Tulip Fever has been trimmed of every ounce of fat. But connective tissue, muscle and even the heart are gone too, leaving a lifeless frame.‐ Los Angeles Times
Read More | Posted Sep 1, 2017
0% The Layover (2017) Watching a lonely suitcase circle a baggage claim conveyor belt is more diverting.‐ Los Angeles Times
Read More | Posted Aug 31, 2017
13% Temple (2017) It fails to provide any real scares and adheres to well-worn tropes without a fresh twist.‐ Los Angeles Times
Read More | Posted Aug 31, 2017
No Score Yet Revelator (2017) As writer, director, producer, star, editor and more, J. Van Auken brings a cool central concept and strong visuals, but the film ultimately never finds solidity.‐ Los Angeles Times
Read More | Posted Aug 24, 2017
29% Ghost House (2017) Director Rich Ragsdale doesn't innovate within the genre but does provide enough visual surprises to please fans of supernatural scares.‐ Los Angeles Times
Read More | Posted Aug 24, 2017
100% Women Who Kill (2017) It takes a familiar theme of romantic comedies - the fear of commitment - and gives it new life by adding a morbid element to the mix.‐ Los Angeles Times
Read More | Posted Aug 17, 2017
No Score Yet The Monster Project (2017) It breaks the cardinal rule of the larger horror genre, running 95 minutes without a single scare or moment of dread.‐ Los Angeles Times
Read More | Posted Aug 17, 2017
22% Liza, Liza, Skies Are Grey (2017) With a résumé primarily populated by documentary films, two-time Oscar winner Sanders might be forgiven for issues with script and actors, but even the basics of filmmaking, such as editing and camerawork fall short.‐ Los Angeles Times
Read More | Posted Aug 17, 2017
88% 4 Days in France (Jours de France) (2017) Writer-director Jérôme Reybaud has crafted an assured film for his narrative-feature debut. "4 Days in France" has a strong vision, even as its protagonist simply wanders across France.‐ Los Angeles Times
Read More | Posted Aug 10, 2017
32% Fun Mom Dinner (2017) While good company might make or break a night out, sadly it can't save "Fun Mom Dinner" from being more than just fitfully funny.‐ Los Angeles Times
Read More | Posted Aug 3, 2017
85% The Incredible Jessica James (2017) "The Incredible Jessica James" may feel a little too familiar as character-driven comedies go, but it adds freshness to the standard indie tropes with strong performances, fully realized characters and some truly funny moments.‐ Los Angeles Times
Read More | Posted Jul 27, 2017
46% Person to Person (2017) It's a slight film, but it's populated by enjoyable moments and wry observations that will appeal to fans of talky indies.‐ Los Angeles Times
Read More | Posted Jul 27, 2017
A- 85% The Midwife (Sage femme) (2017) "The Midwife" marks the first time that two grand dames of French cinema - Catherine Deneuve and Catherine Frot - appear together, and the pairing doesn't disappoint.‐ The Playlist
Read More | Posted Jul 20, 2017
78% Killing Ground (2017) Continuing the tradition of brutal Australian horror films like "Wolf Creek," "Killing Ground" is an effective indie creeper that unnerves the audience with its all-too-realistic violence.‐ Los Angeles Times
Read More | Posted Jul 20, 2017
No Score Yet Awaken the Shadowman (2017) Somehow worse than its ridiculous title, "Awaken the Shadowman" is sillier than it is scary.‐ Los Angeles Times
Read More | Posted Jul 20, 2017
B 89% Girls Trip (2017) "Girls Trip" doesn't hesitate to earn its R rating, and some of its best moments are its bawdiest (thanks largely to Tiffany Haddish). The movie has its flaws, but they're tough to remember in the face of the fun it provides for two hours.‐ The Playlist
Read More | Posted Jul 18, 2017
17% Blind (2017) "Blind" stumbles with unlikable characters and a lack of depth, leaving audiences simply wishing for its ending, happy or not.‐ Los Angeles Times
Read More | Posted Jul 13, 2017
50% The Confessions (2017) Andò's film feels entirely manufactured, distancing itself from its audience and blunting its points in the process.‐ Los Angeles Times
Read More | Posted Jul 6, 2017
43% Reset (2017) Time creeps by in "Reset," a Chinese sci-fi film with a strong concept and weak execution.‐ Los Angeles Times
Read More | Posted Jun 29, 2017
71% Marie Curie: The Courage of Knowledge (2017) As biopics go, "Marie Curie" is a beautifully rendered sketch, rather than a fully detailed painting.‐ Los Angeles Times
Read More | Posted Jun 29, 2017
No Score Yet Blood Road (2017) "Blood Road" goes far beyond the extreme sports film one might expect. Instead, the documentary is a triumph, more about emotional states than grueling physical challenges.‐ Los Angeles Times
Read More | Posted Jun 22, 2017
90% Raising Bertie (2017) The film alternates between triumph and tragedy, but there's never a moment that doesn't feel intimate and authentic in its 96-minute running time.‐ Los Angeles Times
Read More | Posted Jun 22, 2017
60% Hearing Is Believing (2017) "Hearing Is Believing" could have offered more insight into Rachel's experience, but instead it invests in the action of its title, including long stretches of witnessing Rachel at the piano and on various other instruments.‐ Los Angeles Times
Read More | Posted Jun 15, 2017
D+ 53% 47 Meters Down (2017) "47 Meters Down" creates moments of genuine dread and terror-driven giggles (at least for this shark-phobic critic), but its script is dumber than a bucket of chum.‐ The Playlist
Read More | Posted Jun 15, 2017
B 46% Rough Night (2017) Mixing equal parts of "The Hangover," "Very Bad Things," and "Bridesmaids," "Rough Night" is a comedy cocktail that goes down easy.‐ The Playlist
Read More | Posted Jun 14, 2017
No Score Yet Capps Crossing (2017) Unfortunately, the worst fault in this horror movie isn't the amateur performances, beginner-level editing or the special effects; it's the dreadfully dumb script.‐ Los Angeles Times
Read More | Posted Jun 8, 2017
No Score Yet Random Tropical Paradise (2017) "Random Tropical Paradise" would be a waste of film if it were made in the medium. Luckily, the advent of digital limits the misuse of materials.‐ Los Angeles Times
Read More | Posted Jun 8, 2017
No Score Yet Dark Signal (2017) [A] dull, poorly structured movie.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
60% Aaron's Blood (2017) The lifeless script and bland performances damn the film and the unlucky viewers who find it.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
44% Vincent N Roxxy (2017) This uneven rural romance and thriller has echoes of Terrence Malick, Jeff Nichols and Andrew Dominik, but its dueling tones battle with neither side emerging victorious.‐ Los Angeles Times
Read More | Posted Jun 1, 2017
27% Drone (2017) Utterly dull thriller "Drone" tries to raise ethical and moral questions about modern warfare, but the audience can only dwell on the illogical plot and unsympathetic characters - if they can engage at all.‐ Los Angeles Times
Read More | Posted May 25, 2017
100% Fight for Space (2016) Though "Fight for Space" doesn't innovate artistically, first-time director Paul J. Hildebrandt's documentary makes strong arguments for scientific innovation.‐ Los Angeles Times
Read More | Posted May 18, 2017
58% Urban Hymn (2017) "Urban Hymn" is so carefully and lovingly made by director Michael Caton-Jones and his leads that it's hard to begrudge the British drama its familiar premise, especially as you squint at the screen through tears.‐ Los Angeles Times
Read More | Posted May 11, 2017
71% Tracktown (2017) "Tracktown" feels utterly authentic and earnest, even if the latter quality may serve as a turn-off to the more cynical in the audience.‐ Los Angeles Times
Read More | Posted May 11, 2017
40% Lady Bloodfight (2017) If you're a big fan of drunken debates over "Who would win?" "Lady Bloodfight" may be the martial arts film for you. Especially if you're still drunk.‐ Los Angeles Times
Read More | Posted May 4, 2017
A- 83% The Lovers (2017) This is [Jacobs] working on another level, thanks to a beautiful marriage of filmmaker, material, and cast.‐ The Playlist
Read More | Posted May 1, 2017
38% How to Be a Latin Lover (2017) Its humor is broad, but most of the jokes work for the intended audience - with a few even breaking through to more resistant viewers.‐ Los Angeles Times
Read More | Posted Apr 28, 2017
C 17% The Circle (2017) With strong UI but terrible UX, The Circle is constantly throws errors.‐ The Playlist
Read More | Posted Apr 28, 2017
17% N.O.L.A. Circus (2017) The flaws of "Nola Circus" aren't limited to its outrageous and offensive approach. It's that it never succeeds in bringing viewers onto its wavelength, which is probably a good thing for humanity's sake.‐ Los Angeles Times
Read More | Posted Apr 20, 2017
15% Spark: A Space Tail (2017) One questions how a movie this ill-conceived even got made, and how writer-director Aaron Woodley recruited a voice cast that includes talent like Susan Sarandon, Patrick Stewart and Hilary Swank.‐ Los Angeles Times
Read More | Posted Apr 14, 2017
50% The Outcasts (2017) Frequently fun and generally harmless, "The Outcasts" doesn't bring anything new to the teen comedy, but that's the nice thing about the sub-genre for its viewers.‐ Los Angeles Times
Read More | Posted Apr 13, 2017