Kimber Myers Movie Reviews & Previews - Rotten Tomatoes

Kimber Myers

Kimber Myers
Kimber Myers's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Los Angeles Times, The Playlist

Movie Reviews Only

Rating T-Meter Title | Year Review
50% Every Day (2018) "Every Day" [is] more ambitious than your average teen romance, which only makes it all the more disappointing that it simply remains an average teen romance.‐ Los Angeles Times
Read More | Posted Feb 22, 2018
36% The Chamber (2018) A grim thriller that isn't as compelling as it might have been in stronger hands.‐ Los Angeles Times
Read More | Posted Feb 22, 2018
C+ 29% Irreplaceable You (2018) It would serve its audience better if it paid more attention to a stronger structure and a believable plot, but its flaws don't keep it from being affecting for those who like their love stories on the lachrymose side.‐ The Playlist
Read More | Posted Feb 16, 2018
86% Poop Talk (2018) Poop Talk arrives on screen in the grand, gross tradition of "The Aristocrats" ... director Aaron Feldman smartly keeps the film fast-paced and short at less than 70 minutes.‐ Los Angeles Times
Read More | Posted Feb 15, 2018
74% Permission (2018) While it deals with heavy relationship issues including the validity of monogamy, it manages an easy, seemingly effortless humor that seduces the audience while simultaneously breaking filmgoers' hearts.‐ Los Angeles Times
Read More | Posted Feb 8, 2018
No Score Yet The Next Big Thing (2018) For those who find reality television mindless and cruel, watching "The Next Big Thing" would do little to dissuade them from their opinion.‐ Los Angeles Times
Read More | Posted Feb 8, 2018
93% Becks (2018) Like its heroine, "Becks" is unsure and all over the place, lacking a central focus. But like Becks herself, its messiness ultimately draws us in and keeps us watching.‐ Los Angeles Times
Read More | Posted Feb 8, 2018
D+ 12% Fifty Shades Freed (2018) A hungry audience does get a sex scene where a pint of Ben & Jerry's Vanilla reappears in a nod to "Fifty Shades Darker," but like most of the movie, it's less sexy than it is silly.‐ The Playlist
Read More | Posted Feb 8, 2018
92% The Cage Fighter (2018) At just 81 minutes, "The Cage Fighter" has been whittled down to its fighting weight, trimmed of every ounce of fat.‐ Los Angeles Times
Read More | Posted Feb 1, 2018
C+ No Score Yet The Oslo Diaries (2018) Most of the film generally isn't as interesting as the real-life drama might imply, making this viewing for history junkies and political fans only, rather than a documentary with crossover appeal for those who nodded off in history class.‐ The Playlist
Read More | Posted Jan 26, 2018
No Score Yet The Campus (2018) Horton shows clear affection for the genre, but only the most indiscriminate horror fan could love this lumbering five-headed monster.‐ Los Angeles Times
Read More | Posted Jan 25, 2018
No Score Yet Desolation (2018) It wants to be a commentary on the depravity of Hollywood and what people find entertaining, but instead it mostly just mirrors the media's habit of using sexual trauma as a plot device and surviving such horrors as a character trait.‐ Los Angeles Times
Read More | Posted Jan 25, 2018
B 100% The Guilty (Den skyldige) (2018) "The Guilty" unravels a pair of mysteries, slowly peeling back the layers of both Iben's story and Asger's. In its tight 85 minutes, the film parcels out answers in each, with many of the revelations earning a gasp.‐ The Playlist
Read More | Posted Jan 21, 2018
100% This Giant Paper-Mache Boulder Is Actually Really Heavy (2018) With an affection for nerd culture that is inversely proportional to its budget, this lo-fi sci-fi comedy is destined for laugh-filled late-night viewing.‐ Los Angeles Times
Read More | Posted Jan 18, 2018
No Score Yet Dance Baby Dance (2018) Bad movies can inspire derision or disappointment, but indie comedy "Dance Baby Dance" mostly just evokes pity.‐ Los Angeles Times
Read More | Posted Jan 18, 2018
29% Step Sisters (2018) Hits its beats enough to make fans of the genre tap their feet along with the action on screen.‐ Los Angeles Times
Read More | Posted Jan 18, 2018
C 21% Forever My Girl (2018) The country-fried romance written and directed by Bethany Ashton Wolf becomes a victim of self sabotage as it nears its (predictable) conclusion, removing any good will it created in its first half.‐ The Playlist
Read More | Posted Jan 18, 2018
B 83% Vazante (2018) Daniela Thomas previously teamed with other directors, most notably Walter Salles, but "Vazante" marks her first time behind the camera alone. With those decades of experience in mind, this film never feels like a debut.‐ The Playlist
Read More | Posted Jan 14, 2018
No Score Yet Blur Circle (2016) Its story of redemption means well, but its good intentions can't compensate for characters that are often unlikable and unbelievable.‐ Los Angeles Times
Read More | Posted Jan 11, 2018
20% Surge of Power: Revenge of the Sequel (2018) Despite good intentions, a positive message and gay lead, it couldn't save a kitten stuck in a tree.‐ Los Angeles Times
Read More | Posted Jan 4, 2018
No Score Yet Goldbuster (Yao Ling Ling) (2018) The standard plot may inspire feelings of déjà vu, but the gags and performances in "Goldbuster" will win over audiences that like slapstick and silliness.‐ Los Angeles Times
Read More | Posted Jan 4, 2018
No Score Yet Forgotten by God (Triptikh) (2017) This Russian drama is at once poetic and painfully realistic as it explores a century of conflict and its broader impact.‐ Los Angeles Times
Read More | Posted Dec 21, 2017
C 32% Pitch Perfect 3 (2017) The third outing in the "Pitch Perfect" franchise is like a pop song remix that retains some of what you love about the original, while throwing in an out-of-nowhere bridge and an unwelcome guest verse.‐ The Playlist
Read More | Posted Dec 19, 2017
No Score Yet The Soul of Success: The Jack Canfield Story (2017) Director Nick Nanton's film is more effective as a 54-minute book trailer than as an actual biography of the man at its center.‐ Los Angeles Times
Read More | Posted Dec 14, 2017
No Score Yet Hedgehogs (2016) In this animated movie, the normally Instagram-worthy darlings are reduced to bland characters unlikely to elicit an "aww" or even vague interest by the audience.‐ Los Angeles Times
Read More | Posted Dec 14, 2017
5% Just Getting Started (2017) Even a cast with this many award wins and nominations can't salvage a script that will have viewers audibly sighing, rather than laughing.‐ Los Angeles Times
Read More | Posted Dec 8, 2017
No Score Yet From the Ground Up (2017) "From the Ground Up" isn't well organized, and its structural and editing issues are what keeps it from being a more compelling film that could win over those outside its subject.‐ Los Angeles Times
Read More | Posted Dec 7, 2017
70% Along for the Ride (2017) As it circles the life and legacy of actor, artist and filmmaker Dennis Hopper, the documentary "Along for the Ride" uses the standard tools of the medium, but it follows his renegade spirit and produces something entirely unique.‐ Los Angeles Times
Read More | Posted Dec 7, 2017
No Score Yet Alien Invasion: S.U.M.1 (2017) This bleak but ambitious sci-fi film from Christian Pasquariello starts strong, but falters in its final act.‐ Los Angeles Times
Read More | Posted Nov 30, 2017
50% Kepler's Dream (2017) This family-friendly drama may be inspired by a 17th-century book of the same name by the visionary astronomer, but the movie "Kepler's Dream" lacks imagination.‐ Los Angeles Times
Read More | Posted Nov 30, 2017
60% Daisy Winters (2017) Other than its performances, everything it offers feels inorganic.‐ Los Angeles Times
Read More | Posted Nov 30, 2017
No Score Yet Remember Me (2017) Other than the buoyant presence of Oscar winner Rita Moreno, "Remember Me" is a charmless but harmless comedy about two cousins and their aging grandmother.‐ Los Angeles Times
Read More | Posted Nov 22, 2017
100% Mr. Roosevelt (2017) Wells doesn't just focus on her laugh-out-loud funny performance or insightful script: she displays a real eye for the cinematic with shot-on-film visuals that elevate her movie and lavish attention on its Texas setting.‐ Los Angeles Times
Read More | Posted Nov 16, 2017
100% No Greater Love (2017) "No Greater Love" may leave viewers emotionally wrecked, but they'll emerge with additional respect and gratitude for the soldiers' sacrifice.‐ Los Angeles Times
Read More | Posted Nov 9, 2017
40% Amanda and Jack Go Glamping (2017) As unpleasant and inert as its protagonist, "Amanda & Jack Go Glamping" is a romantic comedy that lacks both love and laughs - and likable characters.‐ Los Angeles Times
Read More | Posted Nov 9, 2017
No Score Yet Charged: The Eduardo Garcia Story (2017) This documentary about an adventurous hero is all the more inspiring because it is true.‐ Los Angeles Times
Read More | Posted Nov 2, 2017
100% Atomic Homefront (2017) [A] gripping, impactful documentary ....‐ Los Angeles Times
Read More | Posted Oct 26, 2017
No Score Yet The Truth About Lies (2017) On a single day, the protagonist of "The Truth About Lies" is fired from his job, his apartment burns down and his girlfriend dumps him. He has it easy compared to anyone who actually watches this thoroughly unpleasant, unfunny comedy.‐ Los Angeles Times
Read More | Posted Oct 26, 2017
No Score Yet Mully (2017) A powerful, focused documentary whose turns will surprise those unfamiliar with its subject's life.‐ Los Angeles Times
Read More | Posted Oct 26, 2017
6% Tyler Perry's Boo 2! A Madea Halloween (2017) While its predecessor at least pleased his fans, writer-director-star Perry's latest offers few laughs and embarrassing post-production work.‐ Los Angeles Times
Read More | Posted Oct 20, 2017
A 99% Jane (2017) "Jane" is powerful feminist statement about a woman's passion for and dedication to her career in the face of structural opposition.‐ The Playlist
Read More | Posted Oct 20, 2017
No Score Yet Heal (2017) It's a well-intentioned film that wants to help people live healthier lives, but it sometimes appears closer to a feature-length infomercial than a legitimate documentary.‐ Los Angeles Times
Read More | Posted Oct 19, 2017
No Score Yet Somebody's Mother (2017) Structured according to the five stages of grief, "Somebody's Mother" is an intensely personal drama about loss.‐ Los Angeles Times
Read More | Posted Oct 19, 2017
83% The Bachelors (2017) Deftly balancing humor and grief, "The Bachelors" is fueled by wonderfully human performances and fully realized characters.‐ Los Angeles Times
Read More | Posted Oct 19, 2017
B- 30% Wonder Wheel (2017) It's impossible to watch "Wonder Wheel" without letting Allen himself and the current response to Harvey Weinstein not color the (absolutely gorgeous) viewing experience.‐ The Playlist
Read More | Posted Oct 13, 2017
60% The Man From Earth: Holocene (2017) Unfortunately, it spends little time on the ideas and debate that made the original film so captivating for audiences who discovered it.‐ Los Angeles Times
Read More | Posted Oct 12, 2017
No Score Yet Swing Away (2017) Just like its struggling athletic heroine, "Swing Away" develops a case of the yips.‐ Los Angeles Times
Read More | Posted Oct 12, 2017
100% Earth: One Amazing Day (2017) "Earth: One Amazing Day" is kid-friendly, but adults will be equally awed by the animal wonders and how the filmmakers captured them in such exquisite detail.‐ Los Angeles Times
Read More | Posted Oct 5, 2017
71% Cold Moon (2017) There's little fun to be had for the audience other than in some nicely executed special effects.‐ Los Angeles Times
Read More | Posted Oct 5, 2017
No Score Yet Dementia 13 (2017) A remake of Francis Ford Coppola's early horror film "Dementia 13" likely wasn't on anyone's wish list, but this update from Richard LeMay is an enjoyably cheap little gift.‐ Los Angeles Times
Read More | Posted Oct 5, 2017