Oktay Ege Kozak Movie Reviews & Previews - Rotten Tomatoes

Oktay Ege Kozak

Oktay Ege Kozak
Oktay Ege Kozak's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Paste Magazine, The Playlist

Movie Reviews Only

Rating T-Meter Title | Year Review
6/10 44% Goosebumps 2: Haunted Halloween (2018) These films are stuck 30 years in the past.‐ Paste Magazine
Read More | Posted Oct 12, 2018
4.6/10 31% Venom (2018) Venom may not be completely terrible, but it's definitely not very good. I suppose Venom can go and stand in line with the Fantastic Four, awaiting a decent Marvel adaptation.‐ Paste Magazine
Read More | Posted Oct 5, 2018
6/10 28% Night School (2018) As far as holding a cohesive narrative, Night School is a bit of a mess. ‐ Paste Magazine
Read More | Posted Oct 4, 2018
6.5/10 19% A Happening of Monumental Proportions (2018) Greer doesn't rewrite any rules, but though AHOMP might not be a crowning achievement, it's occasionally delightful, frequently funny, and good enough to make me look forward to what Greer will do next behind the camera.‐ Paste Magazine
Read More | Posted Sep 26, 2018
8/10 78% Fahrenheit 11/9 (2018) This is the most engaging and emotionally effective Moore doc since Bowling for Columbine.‐ Paste Magazine
Read More | Posted Sep 26, 2018
8.4/10 65% The Little Stranger (2018) With great original horror like Get Out, The Killing of a Sacred Deer, mother! and Hereditary attempting to redefine the horror genre over the past couple years, we can count The Little Stranger as yet another welcome, wonderful addition to this new breed‐ Paste Magazine
Read More | Posted Sep 18, 2018
7/10 85% A Simple Favor (2018) As messy and predictable as its plot can get, A Simple Favor is an engaging throwback to the aforementioned tongue-in-cheek mysteries, drawing much of its energy from the chemistry between Kendrick and Lively. It need not be any more than that.‐ Paste Magazine
Read More | Posted Sep 18, 2018
6.5/10 49% The Spy Who Dumped Me (2018) Overall, Fogel and company have crafted a film that outperforms the more formulaic aspects of its premise and plot.‐ Paste Magazine
Read More | Posted Aug 1, 2018
6.5/10 76% Don't Worry, He Won't Get Far on Foot (2018) Don't Worry, He Won't Get Far on Foot captures little of how Callahan's art was such a vital part of that whimsy.‐ Paste Magazine
Read More | Posted Jul 30, 2018
6.5/10 55% Tag (2018) Tag is a bit of a mess, the well-paced runtime not allowing gag-based physical comedy and dramedy to exist equally on the same plain, just barely fun enough to keep an otherwise one-joke premise elevated.‐ Paste Magazine
Read More | Posted Jun 20, 2018
9.2/10 47% How to Talk to Girls at Parties (2018) As the surface narrative becomes crazier and more unhinged, Mitchell stays focused on the film's many astute themes, including what it truly means to be a parent. ‐ Paste Magazine
Read More | Posted Jun 6, 2018
4/10 0% Dark Crimes (2018) Carrey commits one hundred and ten percent, fluctuating accent notwithstanding. It's only a matter of time before his newfound artistic intensity will be matched to suitable material to create something special.‐ Paste Magazine
Read More | Posted May 21, 2018
7/10 53% Book Club (2018) The natural chemistry between the four leads is what gives this material the energy it needs. ‐ Paste Magazine
Read More | Posted May 17, 2018
4/10 28% Traffik (2018) It's too bad how basic and misguided Traffik is, considering that Dante Spinotti's cinematography is genuinely haunting and claustrophobic at times. ‐ Paste Magazine
Read More | Posted May 3, 2018
4/10 46% The Devil and Father Amorth (2018) Friedken explores the origins of The Exorcist. Anyone who's seen even one of the hundreds of documentaries about the making of that classic... will not find anything new here.‐ Paste Magazine
Read More | Posted Apr 26, 2018
2/10 14% Blumhouse's Truth or Dare (2018) Everything about Truth or Dare is paint-by-numbers, and its existence makes one wonder which middle-school-sleepover-game will become the next PG-13 horror movie Perhaps "spin the bottle"? ‐ Paste Magazine
Read More | Posted Apr 17, 2018
8/10 96% Foxtrot (2018) With its unflinching and painstaking execution of such grim subject matter, Foxtrot is certainly not an easy watch, but an ultimately rewarding one.‐ Paste Magazine
Read More | Posted Apr 11, 2018
5/10 27% Sherlock Gnomes (2018) Sherlock Gnomes is the second movie in a kids' franchise that seems to exist solely to make the lamest puns imaginable.‐ Paste Magazine
Read More | Posted Mar 28, 2018
7.2/10 25% 7 Days in Entebbe (2018) With a deft docudrama approach (that doesn't overdo the usual extra-shaky handheld camera and overtly grainy visual tone), Padilha shows a commendable technical control over that rare movie that could have benefitted from being much longer.‐ Paste Magazine
Read More | Posted Mar 14, 2018
6/10 44% The Hurricane Heist (2018) In many ways, The Hurricane Heist's lack of self-awareness regarding just how dated it feels plays to its advantage. ‐ Paste Magazine
Read More | Posted Mar 13, 2018
4/10 17% Death Wish (2018) Death Wish is as original as using AC/DC's "Back in Black" during a training montage and then during the end credits. Which is what it does.‐ Paste Magazine
Read More | Posted Mar 9, 2018
7/10 38% Gringo (2018) Edgerton is sufficiently despicable as a yuppie caricature, but it's Charlize Theron's predatory performance as a woman who will do anything to get ahead that really shines in the antagonist department.‐ Paste Magazine
Read More | Posted Mar 9, 2018
4/10 83% Game Night (2018) The flatness of their characters leaves no room for relatability.‐ Paste Magazine
Read More | Posted Feb 27, 2018
5/10 14% Winchester (2018) It could have been a torchbearer for the original Haunting, but ends up a slightly smarter cousin to the crappy 1999 remake instead.‐ Paste Magazine
Read More | Posted Feb 12, 2018
5.5/10 43% Maze Runner: The Death Cure (2018) The Death Cure's disinterest in saying anything unique and original about its genre's tropes matches perfectly with the obvious low expectations from its release schedule. ‐ Paste Magazine
Read More | Posted Jan 24, 2018
7.5/10 84% The Final Year (2018) It's not the love fest portions of the left might expect. In fact, Barker spends plenty of time on legitimate criticisms of the administration while never shying from showing us that the White House is frequently visited by cockroaches. ‐ Paste Magazine
Read More | Posted Jan 19, 2018
6.5/10 32% Insidious: The Last Key (2018) Insidious: The Last Key certainly doesn't rewrite the rules of the genre, but it's a solid entry in a franchise I thought would have run out of steam by now, and you can certainly do a lot worse when it comes to an early January release. ‐ Paste Magazine
Read More | Posted Jan 10, 2018
4.5/10 76% Jumanji: Welcome to the Jungle (2017) It barely gets by as a mediocre genre attempt. ‐ Paste Magazine
Read More | Posted Dec 26, 2017
8/10 87% The Post (2018) The ensemble cast, some of which are unusual but valuable choices, all contribute to the organically evolving manic culture of a metropolitan newsroom.‐ Paste Magazine
Read More | Posted Dec 20, 2017
6.5/10 90% I, Tonya (2018) [David Gillespie] has no qualms about ridiculing her larger-than-life family members, but portrays Tonya as an innocent victim, which turns out to be a lopsided, even dull take on this fascinating tale.‐ Paste Magazine
Read More | Posted Dec 8, 2017
8/10 92% Thelma (2017) Thelma is a genre-bender that should be viewed with as little information about its many unexpected twists and turns as possible.‐ Paste Magazine
Read More | Posted Nov 10, 2017
2/10 33% Home Again (2017) Expectedly, Myers-Sheyer's dialogue consists of characters blurting out inner monologues in as much of a dry and straightforward way as possible. It has no wit or charm.‐ Paste Magazine
Read More | Posted Sep 14, 2017
8/10 100% Served Like a Girl (2017) Served Like a Girl manages to inform the audience about its important subject matter in an always engaging way while also telling an entertaining story with as many twists and turns as one might find in a fictionalized counterpart.‐ Paste Magazine
Read More | Posted Sep 5, 2017
7.5/10 94% Gook (2017) Now with Gook, Chon combines his innate talent for building immediately likable and relatable characters with natural chemistry amongst his cast to tell a more socially substantive story.‐ Paste Magazine
Read More | Posted Aug 24, 2017
2/10 13% The Nut Job 2: Nutty by Nature (2017) We know that untold hours were spent by artists in service of a product that even the least discerning child would find tired and useless.‐ Paste Magazine
Read More | Posted Aug 11, 2017
8/10 98% City of Ghosts (2017) When it comes to documentaries that find the perfect balance between informing the audience of the dry facts of such conflict, while presenting the deeply human and personal stories of those who are involved, director Matthew Heineman is a bit of gem.‐ Paste Magazine
Read More | Posted Jul 27, 2017
5/10 60% Despicable Me 3 (2017) Directors Kyle Balda and Pierre Coffin, who previously helmed 2015's stand-alone Minions movie, use a flimsily constructed sub-plot.‐ Paste Magazine
Read More | Posted Jul 14, 2017
2/10 17% Baywatch (2017) The sheer ineptitude in execution, coupled with the desperation to extract a big budget action/comedy vibe from such a creatively bankrupt project, is almost fascinating enough to warrant a scared straight program for budding producers.‐ Paste Magazine
Read More | Posted May 31, 2017
7/10 29% Pirates of the Caribbean: Dead Men Tell No Tales (2017) Dead Men Tell No Tales works mostly as a stand-alone adventure that doesn't require the viewer to be familiar with Pirates canon.‐ Paste Magazine
Read More | Posted May 25, 2017
B+ 93% All This Panic (2017) It makes us realize that, regardless of which generation we belong to, we all go through the same growing pains.‐ The Playlist
Read More | Posted Apr 17, 2017
B 98% Trophy (2017) The directors bring a refreshingly even-handed study on the many disadvantages and, gulp, possible advantages of trophy hunting with their intellectually engaging, at times heartbreaking, and beautifully shot documentary. ‐ The Playlist
Read More | Posted Jan 27, 2017
D- 71% The Graduation (Le concours) (2016) A sloppily edited, horribly paced, and shockingly amateurish mess.‐ The Playlist
Read More | Posted Nov 16, 2016
B+ 100% National Bird (2016) Kennebeck manages to present a well-paced and structured documentary that's also culturally significant.‐ The Playlist
Read More | Posted Nov 11, 2016
B- 93% All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone (2016) Peabody creates a briskly paced doc that cleverly uses interviews and archive footage in order to distill this complex subject into an easily digestible viewing experience.‐ The Playlist
Read More | Posted Nov 3, 2016
A- 100% The Uncondemned (2016) An exceptionally well-executed and emotionally heart wrenching documentary.‐ The Playlist
Read More | Posted Oct 22, 2016
B 100% A Stray (2016) A Stray is a worthy indie drama for anyone looking to get a new perspective on immigrant life in the U.S.‐ The Playlist
Read More | Posted Oct 18, 2016
C 71% Danny Says (2016) Sometimes frustratingly loose, yet consistently charming.‐ The Playlist
Read More | Posted Oct 3, 2016
D- 10% I.T. (2016) Next to hyperrealistic depictions of the internets as a series of neon tubes, like "The Net" and "Hackers," "I.T." fits right in. As a 2016 release, it's downright embarrassing.‐ The Playlist
Read More | Posted Sep 21, 2016
B 79% Past Life (2017) The strong performances ... and Nesher's dedication to the story's themes turn Past Life into a drama that might not be stellar, but is at least worth your time.‐ The Playlist
Read More | Posted Sep 18, 2016
A- 93% Floyd Norman: An Animated Life (2016) Heartily recommended to every artist who might have lost their way and are looking for some inspiration.‐ The Playlist
Read More | Posted Sep 1, 2016