Ready or Not 2: Here I Come (2026)
75%
2.5/5
EDIT
“Once uproariously awesome... the efforts to expand the universe fall flat; whatever enthusiasm there was for more should now be radio silent ” –
Flickering Myth
Mar 18, 2026
Full Review
Tow (2025)
74%
2.5/5
EDIT
“Despite those good intentions, it’s difficult to shake the feeling that this is frothy Hollywood homelessness cosplay with mostly feel-good storytelling” –
Flickering Myth
Mar 18, 2026
Full Review
The Gates (2026)
53%
3/5
EDIT
“The taut thriller also spends considerable time fleshing out their differences (all three men deliver effective turns, notably during these heated exchanges)” –
Flickering Myth
Mar 18, 2026
Full Review
Project Hail Mary (2026)
95%
4/5
EDIT
“With huge spirit and spectacle, above all else, this is a powerful story about the bravery and courage a strong friendship can instill in any of us, even in the most epic and highest-stakes times” –
Flickering Myth
Mar 11, 2026
Full Review
undertone (2025)
74%
2.5.5
EDIT
“That soundscape erupts into an all-out, chaotic, cacophonous, nightmarish freakout in the final 15 minutes, which doesn’t necessarily amount to anything from a narrative perspective but is nonetheless almost enough to recommend undertone” –
Flickering Myth
Mar 11, 2026
Full Review
Reminders of Him (2026)
54%
2/5
EDIT
“These are characters stuck reaching for depth far out of grasp in a hollow romance ” –
Flickering Myth
Mar 11, 2026
Full Review
Slanted (2025)
69%
2.5/5
EDIT
“It’s a film that wants to be about racism, culture, and beauty, but it is consistently undercut by being more about tropey teenage selfishness and vanity” –
Flickering Myth
Mar 11, 2026
Full Review
War Machine (2026)
71%
3.5/5
EDIT
“War Machine is Predator, but with a Metal Gear racing through the woods. It is something anyone familiar with both of these IPs will likely realize they never knew they wanted until now” –
Flickering Myth
Mar 8, 2026
Full Review
Peaky Blinders: The Immortal Man (2026)
91%
3/5
EDIT
“A slight but thrilling family crime drama, Peaky Blinders: The Immortal Man finds a middle ground between standalone story and clean up for those who invested in the show” –
Flickering Myth
Mar 6, 2026
Full Review
Protector (2025)
19%
2/5
EDIT
“This is a confused film that takes a tasteless turn, nonetheless marginally salvaged by an intense, savagely violent performance by Milla Jovovich” –
Flickering Myth
Mar 6, 2026
Full Review
Heel (The Good Boy) (2025)
88%
3.5/5
EDIT
“With complex morals and an inhumane social experiment, Heel is a quietly deranged, thought-provoking take on captivity” –
Flickering Myth
Mar 6, 2026
Full Review
THE BRIDE! (2026)
57%
2.5/5
EDIT
“Undeniably audacious to a fault, by the end, The Bride! has become its own Frankensteinian misfire” –
Flickering Myth
Mar 4, 2026
Full Review
Hoppers (2026)
93%
4/5
EDIT
“Hoppers hops high into the upper tiers of Pixar with stunning animation, layered yet fittingly fun animal world-building, and emotionally heavy story of a young woman not only fighting for what she believes in, but carrying on the spirit of her grandma” –
Flickering Myth
Mar 3, 2026
Full Review
Dolly (2025)
62%
2/5
EDIT
“As lifeless as an actual doll (even if there is plenty of gore to go around)” –
Flickering Myth
Mar 3, 2026
Full Review
Scream 7 (2026)
31%
2/5
EDIT
“Scream 7 is disappointingly straightforward. It’s time to stab this franchise to death
” –
Flickering Myth
Feb 27, 2026
Full Review
K-Pops! (2024)
86%
3/5
EDIT
“It’s too broad in terms of K-Pop as a cultural phenomenon of the moment, but BJ’s character growth, the celebration of music across generations, and a family repaired make K-Pops! Pop just enough” –
Flickering Myth
Feb 27, 2026
Full Review
For Worse (2025)
76%
2.5/5
EDIT
“For Worse could have been worse. It’s not exactly great, either, with a wedding one couldn’t possibly care less about and can’t wait to leave” –
Flickering Myth
Feb 27, 2026
Full Review
In the Blink of an Eye (2026)
17%
2/5
EDIT
“For about 70 minutes, the film rides this wave of competently acted, moderately interesting interconnected narrative until the already invasive melodramatic elements begin to double, triple, and quadruple until the whole endeavor collapses on itself” –
Flickering Myth
Feb 26, 2026
Full Review
Dreams (2025)
53%
2.5/5
EDIT
“It’s more eye-rolling that Michel Franco apparently knows only one trick or traumatic mode to fall back on
” –
Flickering Myth
Feb 26, 2026
Full Review
The Bluff (2026)
54%
3/5
EDIT
“The Bluff is a worthy action vehicle for Priyanka Chopra Jonas, who will hopefully continue to thrive and excel in the genre ” –
Flickering Myth
Feb 25, 2026
Full Review
Psycho Killer (2026)
10%
2/5
EDIT
“
The plot here is so razor-thin, with no characterization, that one wonders if the screenwriter brought the project to David Fincher, who then rejected it, thinking even he couldn’t have done anything exciting, suspenseful, or provocative with it” –
Flickering Myth
Feb 20, 2026
Full Review
Midwinter Break (2026)
59%
2/5
EDIT
“The proceedings here are so dull, even by travelogue standards, that it is tempting to follow Gerry’s lead and go to sleep” –
Flickering Myth
Feb 20, 2026
Full Review
How to Make a Killing (2026)
43%
2.5/5
EDIT
“Disappointingly never pops with either the dark comedy or coldhearted viciousness required (something that is also reflected in Powell's performance, which mostly settles for charming rather than pushing the actor into either of those realms)
” –
Flickering Myth
Feb 18, 2026
Full Review
The Dreadful (2026)
38%
1.5/5
EDIT
“The Dreadful serves up a Game of Thrones reunion between stars Sophie Turner and Kit Harington, which is about the only thing this film has to offer, considering it more than lives up to the title” –
Flickering Myth
Feb 18, 2026
Full Review
Redux Redux (2025)
97%
3/5
EDIT
“With an emotionally loaded look, Redux Redux confidently knows what it wants to do and say about this particular cycle of grief and revenge born from tragedy and a device allowing its user to jump across the multiverse” –
Flickering Myth
Feb 18, 2026
Full Review
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